Day 8 at Cannes 2011

I’m starting to feel the “festival will be over soon” sad feeling, as there are only 4 days left. Sigh. Still looking forward to tomorrow when I hope to enjoy everything Almodovar for one day. Today I had the pleasure to celebrate Cannes with champagne and the great company of my photographer friend; so if something does not make sense, please blame the champagne, not me.


Main Competition

Two of my most awaited films. First Lars von Trier’s Melancholia that –of course- is must be seen for me because the director and Charlotte Gainsbourg. Photocall is full after all there are not many photo opportunities to catch von Trier with Kristen, Charlotte, John, Udo, and Stellan at the same time. Interview starts with Trier showing his very direct finger’s tattoo, think that Nordic directors are a blast as people too. Iterview has only Trier, Dunst and Gainsbourg. Sorry but turned volume off, questions are about movie story and if one movie I wish to learn nothing is this one; so I better stop interview. Trier’s movies tend to be controversial but when I see them, don’t find why they became controversial, so think will skip interview even if seems is fun as they’re laughing. Press conference starts with story questions, so sorry but won’t watch it. Could watch red carpet but it’s not there yet. Was true Charlotte is very pregnant, but she’s working, excellent! As expected headlines talk more about the controversy than anything else… gosh, every film is the same thing. Suggest skipping the buzz cloud and go directly to watch film. Period.

I’m reading the news and honestly, I’m really glad that decided to not watch Melancholia’s press conference, don’t want ANYTHING to ruin this movie for me. Controversy has become a hot topic in twitter and elsewhere but then, I’m all for watching his films and I don’t really care about his persona; somehow I tend to think that he’s also very Nordic, similar to Aki, but with a different humor style. Hate when media and people get into this non-cinema related controversies. Period.

Second a director I follow closely and her latest opus that from trailer looks a bit different, but really you can’t tell as is just one scene. I’m talking about Hanezu No Tsuki by Naomi Kawase that absolutely is must be seen for me. “Central role of the color red in her film” that’s surprising as is hard for me to imagine nature and color red… ah! wait will be hard. Skipped videos, don’t want to learn much about this film as really want film to surprise me, as always her films do. Watched red carpet which had not many photographers or people and camera wonders around without really finding focus… hmm, not many Japanese movie lovers at Cannes. So glad that most twitter comments are in Japanese, which of course, I don’t understand. So managed to finish movie coverage almost as virgin as when started writing about this movie; the only thing I learned I simply love it, the use of color red.

Out of Competition/Special Screenings

La Conquête (The Conquest) by Xavier Durringer about Nicolas Sarkozy that I’m not sure if want to watch, but probably will end up watching as this is not a documentary but a sort of film noir where “politicians kill each other with little phrases rather than with guns”. Then, any movie about the use of language immediately calls my attention.

From the newly branded Guest Country section that will happen from now on, Tamantashar Yom (18 days) by many directors. Egypt is the 2011 Guest Country. The collection is the vision of the January 25 Egyptian revolution as seen by Egyptian filmmakers. Could be interesting to watch.

Un Certain Regard

Three films. The first is must be seen for me as is Romanian cinema, Loverboy by Catalin Mitulescu; perhaps not as funny and outstanding as his debut film but yes, of course, I will watch it.

Second is Oslo, 31. August (Oslo, August 31st) by Joachim Trier that calls my attention as an exploration of the “Tiger City”, similar to how “Eric Rohmer explored Paris”.

The Murderer (The Yellow Sea) by Na Hong-jin ambitious action thriller that maybe is not the kind of movie for me even if it has very nice to watch visual compositions.

Cannes Classics

Three films. First the 1945 film Les Enfants du Paradis (Children of Paradise) by Marcel Carné a 3 hours 10 minutes film that in two parts; the first known as Le Boulevard du Crime (Boulevard of Crime) and the second L’homme blanc (The Man in White) but in Cannes today will be in one sitting. I don’t think I have seen this film but maybe now that’s restored will become available in DVD.

Second, a film presented in the framework of the tribute to Jean-Paul Belmondo, Stavinsky by Alain Resnais that saw a long time ago.

Last, Corman’s World: Exploits of a Hollywood Rebel by Alex Stapleton with the presence of Roger Corman. Not really interested in watching a documentary about the “father of modern cinema” as Corman is known not only because his large-scale successes with B movies, like for example The Little Shop of Horrors, but also for launching a number of now well-know directors like Martin Scorsese, Jonathan Demme, Francis Ford Coppola, and Ron Howard.

Cinéma de la Plage

Also as part of the tribute to Jean-Paul Belmond, Le Magnifique (The One Magnificient) by Philipe De Broca, not sure but I think I saw it too.

Cinéfondation

Today the first short film program with the following shorts:
Suu et Uchikawa by Nathanael Carton; L’Estate che non viene (Till Summer Comes) by Pasquale Marino; The Agony and Sweat of the Human Spirit by D. Jesse Damazo and Joe Bookman; and Salsipuedes by Mariano Luque.

Quinzaine

Today two films. First is Blue Bird by Gust Van den Berghe that calls my attention because is a “blue movie” as is filmed in blue monochrome; haven’t been able to watch his previous film Baby Jesus of Flanders, but surely this director puzzles me and definitively calls my attention.

Second is Chatrak by Vimukthi Jayasundara. Another director that haven’t been able to watch his previous movies so wonder if I’m going to be able to watch this one.

Quinzaine Special Screenings
Also two films. The first is the documentary La Nuit, ells dansent by Isabelle Lavigne and Stéphane Thibault that absolutely calls my attention and hopefully will watch as is a Canadian production.

Second Koi no Tsumi by Sion Sono. I like this director that usually does strange long films, but recently watched his 4 hours opus and honestly, wasn’t easy to watch complete. Maybe this one that is only two and half hours will be more endurable. Sion Sono movies are must be seen for me.

Semaine

Sauna on Moon by Zou Peng that I’m interested in watching as is another type of bordello story set in China. Also because cameraman is none other than Yu Lik-wai, Jia Zhangke’s cinematographer.

Palmares de Morelia: 4 short films; La Mina de Oro (The Gold Mine) by Jacques Bonnavent, Pokina by Beatriz Herrera, Busco Empleo (Looking for a Job) by Francisco Valle, and Carne que Recuerda (Flesh that Remembers) by Dalia Huerta Cano.
Reprisse of Program 2 – short films are the same as in Day 6.

ACID

Today Le Grand Tour (The Big Trip) by Jérôme le Maire preceeded by two short films: Encore Heureux by Ivan Calbérac and Christine by Gilles Porte. Also Mafouza 5 –Paraboles by Emmanuelle Demoris a documentary presented as special screening, as well as the American movie Putty Hill by Matthew Porterfield. Not particularly interested in watching any of these films.

News

Like if we don’t know it, UK press is going crazy today because they just found out that there is a Dog Palm given to the best dog in a festival movie. Lol!

Yes is true. Many claimed that up to yesterday the frontrunner is none other than Aki’s Le Havre… too early we still have to see what Almodovar brings to the Croissette and one of my very favorite directors has yet to screen his film that from trailers seem that (luckily for me) went back to his roots and his astonishing brilliant visual style.

Buying film news continues with Tribeca Films acquiring US distribution rights to a French movie! Amazing. I’m talking about Jean-Pierre Ameris’ Romantics Anonymous that I never heard about film and had no idea existed.

Today there was another The Beaver photocall, this time was Mel and Jodie together and there a hundreds of photographs circulating the net.

South Africa’s Skoonheid screened yesterday generated positive comments, one describes movie as a “powerful account of homosexuality”, if accurate, then surely we have in this film the most likely Queer Palm winner as also, was the only LGBT film that I really believe has the “good interest” since I started to learn about films in fest.

Not-So-Serious News

Yesterday gossip, Leonardo di Caprio getting cozy with Blake Lively at a very nice yatch. Yatch is spectacular! (lol!) All happening while Bar Refaeli looks amazing at The Beaver red carpet (BIG LOL!). If you don’t know some names, don’t worry you will miss absolutely nothing.

Today arriving to Cannes Elena Anaya and Pedro Almodovar, yay!!! Saw Pedro photos, so yes, he’s there!!! Yay! Saw Elena’s photos, she’s in Cannes as well as Marisa Paredes. Looking at those photos that won’t publish her because of the rights, but they’re great to watch.

Talking about photos that I see and can’t publish, there are some incredibly good photos of women that suggest to have very strong personality and doesn’t need to make “regular” fashion statements but they do, in a different way, a more attention grabber way, like for example Eva Cavalli.

Also in Cannes Milla Jovovich who attended La Conquete premiere, and yes, found the photo; the premiere had also in the red carpet a casual leather dressed Peter Fonda and Laeticia Casta, that since yesterday been looking for a good photo, hope to find it today.

Last night and tonight there are a lot of parties and photos so browse the net if you wish to do a “celebrity sighting” dancing, drinking and partying.


Today Photos

Melancholia cast and Charlotte with Dunst; next Milla in Cannes today; last Elena Anaya, no is not a Cannes photo –they will come tomorrow- but she looks nice.

Day 7 at Cannes 2011

No, I don’t write the post in order. I write about each film as I see the videos and news appear. Today is an unusual long day because watched ALL videos as found them interesting and as you will see, a few extremely funny. It’s a great day in Cannes.

Main Competition

From Nordic cinema one of directors I always enjoy because his particular style is Aki Kaurismäki and I’m looking forward to Le Havre, another French-speaking film that I’m afraid will be less ironic than what he usually do, but I’m curious about how he was able to transfer, mix or reinvent (?) his style in a French environment and story or if was similar to La vie bohème. Obviously film is must be seen for me and one where the wait will be unbearable. Oh! first comments are very positive.

Photocall starts with Aki and his cigarette, seems is an electric cigarette (lol!), nope is not (lol!) Gosh “Aki pour aqui” (lol!). Photocall is really odd with the director behavior but also for watching cast and him… plus “the finger” (lol!), Aki got red face. Interview starts with a question to Aki and his answer was fabulous but thinks no one got it; gosh he really has the same humor that he shows in his films. Magnifique! Besides his face constantly gets red –from laughing inside as he says such things with a deadpan face that becomes quite funny! He’s impossible to take seriously, great personality. While others talk seriously you wish questions went back to Aki. Aki telling a Kafka story… oh! gosh! LOL! This is exactly my kind of personality! Gee now have to watch press conference hope is as funny as the interview. I laughed loud! I’m crying! Excellent!!

Oh! in the press conference he starts to do his thing, come on! LOL!!! He really is like his movies! LOVE it! But what I love more is that looks like no one gets him… except his colleagues… I’m starting to imagine what the press will say about this conference but, me for one, love it!!! They even have sound problems. Oh no. Yes, is an electric cigarette. Have to admit that’s odd, very odd, but funny! Oh! “my camera wants to kill your mama” … wont write anymore as I’m laughing so much; sorry. Who knows what’s going on but Aki’s face is really red; ah! is the translator translating to him … got so serious, pity. Every time he talks says something quite smart but very funny in his own way, unfortunately press will not play his game. Surely I learned nothing about the movie, which is just great, but I learned a lot about Aki, probably will watch his movies in a different way or maybe not. You have to watch the photocall first, then the interview, last the press conference and most of all, you have to recall his movies, then and only then you will laugh as much as you could laugh in his films with these videos. “Bergman shot two films with camera … I shot 18, is no longer his camera, is Aki’s camera” LOL!

The red carpet stars with Aki and his cigarette, so serious… but soon he gets into his own thing and gloriously the interviewer plays -a little- along. Interviews with cast are not interesting and Aki walks fast the red carpet dancing to the music by Little Bob. As I was told, as soon as he finished dancing, fireworks exploded! That is good timing and a great finale for this iconic director. No, you won't see it in the video.

Second film is Pater by Alain Cavalier that I’m not sure will enjoy as even Thierry Frémaux calls film “one of the strangest films at Cannes this year”. For strange films there is always la Semaine de la Critique parallel section, why include in the main selection a so-called “strange” film too? I like Cavalier films, but this “experiment” definitively doesn’t call my attention.

Out of Competition/Special Screenings

Today is the screening of The Beaver by Jodie Foster –that’s why she came to Cannes yesterday as many photos could tell. Usually I don’t like to mix the artist and the person, but with media coverage is almost impossible not to learn something and get your own opinion about Mel Gibson. I don’t know if I will be able to separate the actor and the person while watching film which could allow me to enjoy film, but I know that I have to watch film just because is by Jodie Foster.

Photocall is crowded and noisy, still photographers yell Jodie! She looks nice not as in yesterday photos where she looked tired. Photocall is short and nice. Of course Interview is with Jodie speaking French –should I say perfect French, as I always do?- good questions and better answers. Yes they talk about the film, but unless you live under a stone, by now we all know what movie is about, so kept watching even if there are mild spoilers. She gets the Mel question and she answers as we already know she will; but liked when she talks about how she does her films. Like when she laughs. Nice interview. Oui, il viens ce soir (Mel). She really looks good in the press conference. Here comes the first Mel Gibson question… and the answer we already know. Oh! press cheered after watching film, hmm even she says that has a more European style, that’s new for me and makes film more interesting to watch –at least for me. Okay, there are spoilers but I’m watching with volume. I like her real-life personality that comes through when she works promoting films, always have liked her and she’s about the only actor that I really will like to meet in person. Another Mel question and the same answer came out, don’t reporters get it? She will only answer one way… have to admit that her way is the right way. At minute 18 turn off volume, big spoiler about the end of the movie. Wow, she talks about herself! Amazing. Usually she’s such a private person. More interesting questions until again the Mel question with the same answer. Ah! (lol) wasn’t aware that Jennifer Lawrence is in this movie, great! LOVE the press conference, should be must be seen if you wish to see Jodie in a different scenario. Red carpet starts with Mel, there is noise from the fans for Jodie and Mel… interesting, after all is Europe or should I say France? Short and nice.

Second is the documentary The Big Fix by Rebeca Tickell and Josh Tickell that revisits the oil spill which occurred in the USA last year, polluting the Atlantic Ocean in an irreversible manner. Not really interested in watching, but very concerned about the fact and also about the fact that the Pacific Ocean –as we speak- is also being polluted in an irreversible way… so, we humans managed to pollute our two main Earth water life reservoirs, aren’t we something? …and not many do a thing. Maybe I should reconsider watching if only to support that someone is trying to do something.

Also today the tribute to Jean-Paul Belmondo with a ceremony before the screening of the documentary Belmondo, itinéraire… by Vincent Perrot and Jeff Domenech. Maybe I’m the only one that when think about Belmondo I always thing about Alain Delon; for some reason they are tied together in my memory with many films that I saw a while back, a few with both but most only with one of them in film. Nevertheless fest organizers tie him alongside Jean Gabin and Michel Simon as one of the greatest French actors of all time. At official site the video of the red carpet with Belmondo and his deep-tan look plus a beautiful woman by his side; oh! Jean Rochefort (I knew was going to watch great French actors), Albert Dupontel, Cedric Klapish, Xavier Beauvois, Claude Lelouch, Claudia Cardinale, etc. He’s not young anymore but gee he smiles and looks like him, like he was when his hair was dark. Gosh, the not-young-anymore along the younger generations and a few really young, many are there. Salut Bebel.

Midnight Screenings

Today the second film of only two that the section will screen. Días de Gracia (Days of Grace) by Everardo Valerio Gout -also competing for the Camera d’Or. Film concept attracts me, “one film, three versions” following three football World cups in 2002, 2006, and 2010; plus a cop, a hostage, a woman and corruption, violence, vengeance. I imagine that film has to be raw, like the new wave of Mexican films, which also calls my attention even if I know will “scare” me.

Un Certain Regard

Today two new films and a reprise. The first is the first film in Afrikaans to ever been in Cannes, Skoonheid by Olivier Hermanus -also being considered for the Queer Palm. Hermanus second film calls my attention.

The second is Tatsumi by Eric Khoo a director that I highly enjoy but as some of you recall I’m no fan of animated films; still as animation looks/feels different maybe will give a try to this portrait of Yoshihiro Tatsumi a Manga giant recognized as one of the greatest Japanese artists even in America. Stories seem interesting as deal with Tatsumi’s disenchanting portrait of Japan.

Is in the program today, a reprise of of Bonsai by Cristián Jiménez, which is unusual but gives me opportunity to share with you that saw his first movie and when was over I said: it’s okay. Not much time passed when I started to really think what I saw in the movie and it was an intense voyage of retrospection that hit me hard, very hard. Now his second movie is absolutely must be seen for me.

Cannes Classics

1931’s Niemandsland (No Man’s Land), Victor Trivas a film that was banned by the Nazis because story had a pacifist agenda and most copies were destroyed. Film has a First World War story and no, haven’t seen film.

Cinema de la Plage

1958 A Night to Remember by Roy Ward Baker about the Titanic and winner of the 1959 Golden Globe; haven’t seen movie.

Quinzaine

Two films in the main selection. The first is Corpo Celeste by Alice Rohrwacher that from trailer visuals absolutely call my attention plus story seems that could be enjoyable.

The second is O Abismo Prateado by Karim Aïnouz that also could be considered for the Queer Palm if it has something with LGBT interest. No matter if has or not LGBT interest, story called my attention and will watch movie.

Quinzaine Special Screenings

Also today two films that are special screenings. The first is El Velador (The Night Watchman) by Natalia Almada a documentary that from clips and story probably will watch.

The second is Des Jeunes Gens Mödernes (Kids of Today) by Jérôme de Missolz, a doc that doesn’t call my attention.

Semaine

Avé by Konstantin Bojanov a Bulgarian road trip movie that could be interesting, but as is screened in this section I hope is not too strange for my taste.

Today the premiere of La Collection Canal+ “5 Fois Nathalie Baye” with the actress starring in each of the following five shorts: A l’Abri by Jérémie Lippman, Bye Bye by Edouard Deluc, Dormir Debout by Jean-Luc Perreard, Je Voulais Vous Dire by Romain Delange, and Le Premier Role by Mathieu Hippeau.

ACID

Rue des Cites (Slums Road) by Carine May and Hakim Zohani that doesn’t call my attention at all. Before feature film two short films Devine by Laurent Perreau and Yasmine et la Revolution by Karin Albou.

News

So after all Malick was at Cannes yesterday and attended the screening of his movie; his entrance came as the announcer said his name and he was showered with the rigorous standing ovation.

Today Photos

From The Beaver and my little homage to a great personality: Very nice meeting you, Mr. Aki Kaurismäki! Last, Director/Actress Nadine Labaki at photocall.

Day 6 at Cannes 2011

I do the post quite early but have to post late to include the late night events. So that’s the reason why I decided to sometimes do preliminary posts that I’ll update as soon as press material from late night events become available.

Main Competition

Unlike many in the world, and from today screenings, the movie that I’m really looking forward to learn more about it is L’Apollonide – Souvenirs de la Maison Close (House of Tolerance) by Bertrand Bonello. I’m very curious about this film that absolutely is must be seen for me. Now more than before as according to some has “sublime contrasts, superb display of cinematographic talent” that of course describes my kind of favorite movies.

Photocall has not many photographers but everyone speaks French (lol!) and they’re going crazy with the all female young (except two) cast; the only man in the group is obviously Bonello. I’m familiar with only two of the actresses in the photocall but all look ravissant! All you can hear is: à droite, à gauche! Too short photocall that leaves you wanting more (ok, admit it, saw it twice, lol!).

Interview has more women (I think, with so many women is confusing); they’re talking a bit about the story, but this time I don’t care as there is too much to watch (lol!). Probably the only the two young actresses I’m familiar with are the ones that talk, surely others are newcomers. Well more talk, Céline Sallette has a very nice voice tone, perfect! Oh! good news, there are not many sex scenes, was not director main interest. Questions were not that interesting, but interview was okay.

At the press conference all are there but not at the table but the first row (pitty, lol!), still Bonello is the only man. Oh! know another (lol!), Jasmine Trinca as she was in several Nani Moretti films I have seen. Very promising if true “film impresses for the visuals, the cinematography” and she, the cinematographer, is also there. Unfortunately press conference not very interesting … should I stop watching? Camera goes to the first row, more interesting now. Okay, enough … got a bit crazy for me. Hope they have a red carpet video, as for unknown reasons not all films have the video. Oh! don't skip the red carpet video, fun to watch, especially "les petites bisous" (he, he), also there the male cast that includes Xavier Beauvois.

What many in the world were waiting was Terrence Malick’s The Three of Life and from early headlines seems that impressed some; but I know that so much buzz comes from director reluctance to give interviews and because in 38 years he has made only five films which creates great buzz, anticipation and mystery around a Malick release.

As expected lots of photographers yelling: Brad! Brad! Gosh is very noisy, of course Malick is NOT there. Now is Jessica! Jessica! But soon enough is Brad alone, still the screaming continues. If you watch video lower your volume. I’m so glad that video was short. Interview is only Brad and Jessica… so, probably was Malick at the photocall. Pitt is also a producer. Not surprising Sean Penn is not around as two top-stars together is a No, No; but surely we will see Sean later. “A legendary director”… Great very short interview too. By the way Brad is wearing glasses and yes, no photos without glasses.

After press conference presentation, presenter says: Conspicuous by Sean Penn and Malick absence, could someone explain? Ha, ha (that’s my sarcastic laugh). As expected many are very curious about Malick, the persona; other questions rotate around how was working with him. Is strange to see Pitt getting questions about someone that is more “popular” (at least in this stage) than him; surely not very comfortable for him, but I get the impression that he was expecting this situation. Oops! Did I hear right? and Pitt got called Depp??? (LOL!) Strange press conference worth watching not for film questions, but because is really odd. Still, when Pitt gets what he finds as a good question, he shows his very beautiful smile; he’s so beautiful that sometimes becomes not-pleasant to watch. About minute 23 there is a question about how movie ends -which is a huge spoiler- so my volume went to off, don’t know the answer so probably there were no spoilers, so listen at your risk, but Brad is smiling. Questions went back to Malick, the person. Volume to off again with Pitt answering question about how he got interested in playing the role. Gosh now I know film has dinosaurs… volume went off again. It’s over and many rush to table to get Brad’s autograph. Truly strange press conference.

Photos are starting to appear from red carpet and surprise, Sean Penn is there! Good, actually the red carpet is more appropriate for two big stars together. As expected lots of photos with Brad and Angelina. The red carpet video starts with Sean arriving and unfortunately first question is about Malick, starting to be too boring for me, just imagine for them! Jessica and same question. Will Brad get the same question? Lol! Luc Besson was involved with film (?!) and yes, gets a Malick question. Angelina Jolie comes to mic and gosh, gets a Malick question, too much. Nice touch from both Brad and Angelina to sign autographs. Maybe I’m totally biased but Johnny got more fans action than Pitt (lol!). Not possible, Brad gets a Malick question too… he’s smart and better return to sign autographs who will not ask him about Malick! Could Malick be there incognito? Ha, ha. Well, it is a possibility. Still the presenter keeps saying that he’s there and maybe will watch the movie… who knows and honestly who cares? Not me, I haven’t liked that much his films, but yes, have seen all. Brad comes back to look for Angelina, nice touch and unusual, but not totally unexpected as already saw the photos. She looks nice and healthy, hate when she looks like a cadaver/all bones… but she gets a welcome by Gilles and Thierry… hmm, big stars in la Croisette that have everybody waiting for entering the theater.

Un Certain Regard

With a name like Hors Satan I imagined that movie by Bruno Dumont was going to be something crazy but from trailers/synopsis I felt relief and got really interested in watching. First press and people comments tend to be positive in other languages that are not English.

I was very impressed with her first film, Caramel, and from videos seems that Nadine Labaki kept her storytelling style in today’s movie Wo Hallah La Wen? (Where Do We Go Now?) which is splendid as helps me to be assured that will enjoy opus #2. No matter what I know have to watch film because I really like to watch director/actress Labaki in the screen.

Cannes Classics

Watching this short film in a big screen must be an unique experience that surely not many will miss at Cannes as there are not many opportunities to watch film in the big screen, much less a restored colored version. I’m talking about 1902’s Le Voyage dans la lune (A Trip to the Moon) by Georges Méliès, a film that was a milestone in cinematic history as Méliès experimented for the first time with what we now call “special effects”.

Today 1975’s Le Sauvage (The Savage) by Jean-Paul Rappeneau with the presence of the director and Catherine Deneuve! (hope to find great photos). Film also starred Yves Montand. Yes, have seen film several times, first a long time ago and recently on TV! Quite fun to watch.

Also today The Look by Angelica Maccarone a documentary about Charlotte Rampling who will present the film that could be interesting to watch because of the way it was conceived, eight areas where there is a conversation between Rampling and a close friend (all artists), each area has a different friend.

Cinéma de la Plage

Today 1954’s Mutiny on the Caine by Edward Dmytryk that I saw a long/long time ago but still remember as starred none other than Humphrey Bogart.

Quinzaine

Three films. First Busong by Auraeus Solito a film that’s being considered for the Queer Palm. Strangely enough I have seen almost all Solito’s films that always have something in the story that surprises me, so I know that eventually will watch this film.

Second, The Island by Kamen Kalev that yes I’m interested in watching even if I haven’t been able to watch his first film Eastern Plays.

Last, Impardonnables (Unforgivable) by André Téchiné. Absolutely must be seen for me, is Téchiné!

Semaine

Today is the screening of the film that celebrates the 50th anniversary of this parallel section which absolutely is must be seen for me not only because is a French film but mainly because the star is none other than Isabelle Huppert. I’m talking about Eva Ionesco’s My Little Princess that I’m sure will not be easy to watch because story, but will be very easy to watch because Huppert.

Also, Snowtown by Justin Kurzel that surely will be hard-to-watch as deals about Australia’s most notorious serial killer. Film is being considered for the Camera d’Or.

Last the second group of short films in competition, Alexis Ivanovitch vous etes mon heros by Guillaume Gouix, Boy by Topaz Adizes, Sunday S by Valéry Rosier, Junior by Julia Docournau, and Black Moon by Amie Siegel.

ACID

Today Rives (Day) by Armel Hostiou that wonder if will watch even when is a French movie; before the screening the short film Pandore by Virgil Vernier

News

Today Europe celebrates 20 years of the Media program that finances many films, including 12 Palme d’Or recipients. If you like good European cinema I’m sure that you’re very familiar with the Media logo that always appear at film beginning and/or end of credits. The European Commissioner for Culture plus 20 European directors had a conference this afternoon with a panel discussion on the question of “How to involve the public and grow demand?”

I’m torn, but will share that surely will watch Michael by Markus Schleinzer as can’t forget that he was Michael Haneke collaborator and something surely he learned from him… like the following so I did copy and paste: “Throughout the film, Schleinzer plays on his audience’s expectations, leading them down false paths and littering clues about the context of the crime and its implications on the life of the main character. He is not presented as a particularly monstrous or friendly man, but the audience is kept distanced from his intentions, which are slowly and skillfully revealed until the astonishing conclusion.”

Weinstein Co. continues their buying spree with a period film “The Wettest County in the World” starring Shia LaBeouf.

Okay these are seriously good news, a new vampire will go into production next year, will be directed by Jim Jarmusch and the stars are: Tilda Swinton, Michael Fassbender and Mia Wasikowska! Great cast, hope doesn’t change when production starts.

Not-So-Serious

Hundreds of photos about the Malick’s movie red carpet, including some of Gwen Stefani, Zoe Saldana, Elsa Zylberstein, Rob Lowe, Sara Forestier and everyone that is in Cannes as theater was packed with everyone that wants to be the first in the world (after the press) to watch Malick’s movie or just to walk the red carpet that surely had photographers from all over the world as Brad and Angelina had to do the marches.

Nice photos have started to appear for Isabelle Huppert and Eva Ionesco but are of the restricted rights kind, let see if can find one I can publish here.

Last night was the Snow Flower and the Secret Fan by Wayne Wang party and one of the reasons why Bingbing Li has been in all major red carpets with the most beautiful dresses or was Fan Bingbing? –hmm confusing (lol!). Film also stars Vivian Wu (remember Saving Face?) and Hugh Jackman but seems they’re not at Cannes, shame. Who was there was Rupert Murdoch (??!!) but also Rob Lowe in a marvelous photo with Bingbing. Movie and story seems interesting.

As of today Jodie Foster is in Cannes. Yes there are photos with her arriving at the airport, she looks tired.

Today Photos

L'Apollinide Photocall

Malick's movie red carpet

My Little Princess director and cast, yes is Isabelle Huppert!

Two in one photo

Day 5 at Cannes 2011

As yesterday was Saturday is until today that you can watch if you wish photocall, interview and press conference of Hearat Shulayim (Footnote) by Joseph Cedar. Also available today the same three events for Michael by Markus Schleinzer and the red carpet for the Bollywood documentary that is the only kind of entertainment video of all mentioned.

Main Competition

Since yesterday and thanks to French press have been reading headlines about the first serious -or with very solid credentials if you wish- film that’s screened in the festival as film is by two very accomplished directors Jean-Pierre and Luc Dardenne. I’m talking about Le Gamin au Vélo (Boy with a Bike) that obviously is a must be seen for me because is the latest oeuvre by the Dardenne Brothers but also because it stars none other than Cécile De France. So, no matter what critics’ say (positive comments) I’m looking forward to watch what has been called since yesterday “a contemporary fairytale”.

After watching several photocalls with women so elegant is kind of strange to watch Cécile so casual, but that’s exactly what “non-vedette” actresses tend to do at events in Europe. Indeed she looks so young, fresh, clean and natural. Quite nice and yes, she looks as she probably is in real life, tomboyish. Obviously all are screaming Cécile and the best moment is when she is with the Dardenne Brothers kissing her; her smile says everything.

Interview is good and the story told about how the script was created is particularly interesting. Really enjoy watching Cécile being herself (well, sort of as she’s in promoting her film mode); but as some of you know, I also highly enjoy the characters she creates. Still, most interesting is to find that in this film she has to play herself as per Dardenne Bros instructions, which she says was a new experience. The kid has a great personality, getting excited about watching the film. Some beautiful Cécile camera takes. Yes, watching in French without translator, great! See, so different, they’re talking about the importance of summer lighting for film. Even the jokes are classy. Great to watch to learn something about the film without learning spoilers; the first interview that I’m really sorry is over.

I was able to read the complete press conference transcript but seems that today won't be able to watch the video as is not up yet at official site. The red carpet continues with a very natural, fresh and casual Cécile even when wearing a long dress and still talking about the lighting in the film. A nice and fast red carpet.

Also today the last film to be announced as part of the Official Selection The Artist by Michel Hazanavicius that as we all know by now is in black and white as well as silent. The film buzz grabbed me and of course I’m looking forward to watch this French movie with some well-known American actors in secondary roles (none came to Cannes). This is my dream come true an art good movie with no words, all beautifully told by visuals, a visual narrative where actors expressions tell all (I hope).

Photocall is fun to watch and they behave like if they’re having a great time; unfortunately was very short. Interview is also about film, not story, with comments about if there was a screenplay with dialogue, how to work, the format (is 33, square), etc. If you wish to learn about film tech specs then the interview is must been seen for you. Press conference starts the same as everyone is interested in asking/talking about the experience of doing today a silent b/w film. The Greek newspaper man did an excellent question that I’m sure is a matter to think about a long time, don’t think anyone can answer it without deep thought. I don’t have the answer and they talk about their particular experience. Question was about something similar to what I ask now: if now when everything changes/moves forward so fast, doing a b/w silent film is a sight to the past, why looking to the past? What is there that could enrich the present? (Wish was there to ask the question.) Interesting press conference with balance between serious and light matters (ok turned off volume when asking story questions). By the way, critics’ and people who have watched film give positive comments.

Out of Competion/Special Screenings

Today is the day of Duch, Le Maître des Forges de l’Enfer (Duch, Master of the Forges Hell) by Rithy Panh, a documentary about Cambodia, Khmer Rouge and Kaing Guek Eave, better known as Duch. Does not call my attention.

Un Certain Regard

Two films. First Halt Auf Freier Strecke (Stopped on Track) by Andreas Dresen a drama about a dying man that has been called an ode to life with dialogues completely improvised by the actors. I know will probably watch as I ended up watching his previous Cannes film, Cloud 9 that maybe didn’t enjoyed story but liked his style.

Second an Amercian film Martha Marcy May Marlene by Sean Durkin that also competes for the Camera d’Or. With a few exceptions I don’t enjoy American indies but when I do, usually film blows my mind; no idea if this film with fit my norm or break it, but know that will watch it.

Cannes Classics

Today 1960’s Chronique d’un été (Chronicle of a Summer) by Jean Rouch and Edgar Morin that think haven’t watch it, but somehow does not call my attention watching a (then) “new approach to documentary filmmaking”.

Cinéma de la Plage

Today a reprise of the made exclusively for Cannes, Bollywood – The Greatest Love Story Ever Told by R. Omprakash Mehra and Jeffrey Zimbalist.

Quinzaine

Today a film that’s must be seen for me simply because is an Urzula Antoniak film and definitively enjoy very much her style, her visual narrative, and her storytelling technique. Code Blue is a blue movie, according to a few scenes I watched; yes some scenes are tainted with color blue, but also is a cold movie and has absence of light with a female character centered story… just perfect for my taste.

Second film is also must be seen for me as I really enjoyed Involuntary, I’m talking about Play by Ruben Östlund that will watch even when story is about children and verbal bullying or if you wish “gang rhetoric rather than physical violence”.

Last En Ville (Iris in Bloom) by Bertrand Schefer and Valérie Mréjen that also competes for the Camera d’Or and yes of course I’m interested just because is French cinema but also because story, plus one of the secondary roles is played by Adèle Haenel (she’s also in L’Apollonide – remember Water Lilies?).

Semaine

Actually this film premiered yesterday but was so tired that skip it; nevertheless 17 Filles by Delphine and Muriel Coulin is also screened today and you guessed is must be seen for me as who could resist a film with 17 young actresses even if story is about getting pregnant at the same time. Besides yes is a French film.

Today Take Shelter by Jeff Nichols, another American film but because images and story this one calls my attention and probably will watch; my only concern is that’s screened in this section that always has very strange films.

Five short films will be screened today, Blue by Stephen Kang, La Inviolabilidad… by Alex Piperno, In Front of the House by Lee Tae-ho, Finis Operis by Moon Byoung-gon, and Permanencias by Ricardo Alves Jr.

ACID

Today is the parallel section exhibits the film that made pay attention to this independent cinema activity in Cannes, Gatos Viejos (Old Cats) by Pedro Peirano and Sebastian Silva that want to see because I enjoyed Silva’s fantastic The Maid, film has same lead actresses and is a lesbian interest film even when story is not centered about the relationship between the two women. As we know film is being considered for the Queer Palm award.

News

Seems that the French Culture Minister, Frédéric Mitterrand, has lots of work at Cannes; yesterday was Emir Kusturica, today is Faye Dunaway who gets the Officer in the Order of Arts and Letters medal.

So Angelina Jolie has been busy in Cannes, she sold her directing debut “In the Land of Blood and Honey” about Bosnian War to Film District, a subsidiary of GK Films. GK Films founder Graham King announced today the acquisition and described Jolie’s debut as “signals the arrival of a visceral and compelling storyteller”. Who am I kidding, of course I’m curious.

The Not-So-Serious

There you have American media speculating if Harvey Weinstein can take a silent movie to the Oscars, gosh … walk don’t run! Article goes on with Weinstein’s The King’s Speech success story, which is true, but come on, is too early to start talking Oscar, stay in Cannes.

I had no idea who Cheryl Cole was when I posted her classic photo two days ago (the post that doesn’t appear yet) but by now I now she’s a British singer (never heard her) but most intriguing she’s one of the judges in the upcoming X Factor TV show. Oh.

Most interesting is the “Cannes fait le mur” photography exhibition by Marcel Hartman, which is a glamorous, larger than life installation spread throughout the town of Cannes with a selection of Hartmann photos. Browse the net to watch many of the gigantic boards in buildings with photos of Fanny Ardant, Diane Kruger, Emmanuelle Devos, Audrey Tautou; Lars von Trier, Willem Dafoe and Charlotte together; Tim Burton, Virginie Ledoyen and more.

Since is too early for red carpets, lets talk a bit about nonsense like for example, Jon Hamm and Jennifer Westfeldt were at the fifth installment of the Variety Studio @ Stella Artoirs Lounge stationed at the Carlton Beach and whatever happens at the lounge could be watched by American audiences in the Entertainment Tonight show or online at Variety site. On May 14 Quincy Jones was there.

Naomi Campbell and model Tao Okamoto joined other personalities in a great cause that’s being promoted in Cannes, Fashion for Relief: Japan Appeal, which is raising money to help Japan.

Last night the Chopard Trophy was given to Astrid Berges-Frisbey and Niels Schneider winners of the emerging talent award. Robert de Niro handed the awards. At the reception none other that the divine Ludivine Sagnier and there is an incredible photo with Uma and Ludivine together, but is rights protected so will not publish here. If you wish to see it go here.

Also in Cannes Meredith Viera that we have to remember that she’s (or her company) the producer of Return; she was the Return party and there are many photos that show only women, seems like there were no men at the party.

Red Granite Party was last night with performances by Kanye West and Jamie Foxx, read so many tweets of serious cinema journalist –and no so young- behaving like kids because their excitement to watch perform Kanye (lol!). Lots of celebrities there.

Mick Jagger was at the 3rd Annual Finch’s Quarterly Review Filmmakers Dinner, as well as(honchos) Harvey Weinstein and Jerry Weintraub.

The Photos

The Artist Red Carpet

Day 4 at Cannes 2011

So I rescued everything I had written before getting into my “Johnny mode”; I’m exhausted but have to admit that highly enjoyed all the time I spent reading, watching, etc Johnny … but most of all, had lots of laughs! That’s nice, clean and harmless entertainment. Now back to my Cannes mode. Let’s review what’s going on at the festival and should remind you –in case you’re a new reader- that more than a schedule these daily summaries tell about what I think about the movies that are screened each day.

Main Competition

Section first screening is Hearat Shulayim (Footnote) by Joseph Cedar that from what I have learned from film, plus trailers can’t say that I’m interested in watching; still I always end up watching all the Israeli movies I have access to, so I’ll watch if comes near me. But when I check reactions, interest grows as some are saying that is the best so far, which is alright as a reaction and tells that some people liked film, but remember that we haven’t seen yet so many movies that’s too early to start to guess. Seems is funny, a comedy around the Talmud… it’s becoming more interesting as is being called: an intellectual comedy and an academic thriller.

Watched the movie red carpet but there weren’t that many photographers or people, plus the group came walking not by car and there was no interview as is Saturday (Sabbath), so has been postponed to Sunday. As probably many in Cannes, I’m not familiar with the actors but women are quite attractive. Watch only if you have to watch all videos as not really interesting.

Next a film that seems could be controversial and now I understand why the silence about the film plus the inconsequential clips, as story surely will be hard-to-digest. Michael by Markus Schleinzer is a film about a pedophile in an uneasy situation, as many are saying in English, but when you read other languages some talk more about the film quality without forgetting the story, like for example: “La mise en scène précise et sobre de Markus Schleinzer et l'absence d'analyse psychologisante permettent au récit de déployer toute son horreur”. To be honest film quality seems exactly what I like: great silences, great framing and compositions, etc. but wonder if I will dare to watch it. There is only a video for the red carpet that couldn’t watch (probably is still uploading) so don’t know how was it.

Definitively -and until this moment- Cannes movies have controversial themes that will make films not really easy to watch for stories; still hope that the magic of cinema can bring those themes in more digestible ways. Only after watching films will know if Julia Leigh, Lynne Ramsay and Markus Schleinzer did visual magic to make film more accessible to viewers or if they didn’t; Maiwenn’s film also has a child-abuse related story, but I still wonder if she was able to do magic and story probably is more about the police group.

Out of Competition/Special Screenings

Today Pirates of the Caribbean: On Stranger Tides by Rob Marshall a movie that made me do a special post. (lol!)

Early afternoon the screening of Tous Au Larzac (Leader Sheep) by Christian Rouaud a documentary that tells an interesting story of what I call “abuse of power” but honestly, is very low in my viewing priorities.

Next a documentary that surely will not be easy to watch about Michel Petrucciani, one of my favorite Jazz musicians, a film by Michael Radford; think that prefer to listen to some of his outstanding music to honor him and his hard life.

Last today is the day of a film that I hope will not disappear after Cannes, as was done exclusively for the festival; but who knows as I’m still waiting to be able to watch so many other Cannes exclusive films. I’m talking about Bollywood – The Greatest Love Story Ever Told by R. Omprakash Mehra and Jeffrey Zimbalist.

Midnight Screenings

Is until today that Wu Xia photocall, interview and press conference are up at official site. I’m not watching them but I’m surprised that they don’t have the red carpet as last night was watching photos and to my surprise Jessica Sarah Parker plus the Weinstein’s walked the marches. Also, before Wu Xia’s was screened Harvey Weinstein introduced the trailer of My Week With Marilyn, starring Michelle Williams as Monroe. Not only that but the night before Wenstein had a party with the previewing of I Don’t Know How She Does It starring Jessica. So by now we know that Wu Xia has USA distributor and a name in English: Dragon.

Un Certain Regard

Three films. The first is Les Neiges du Kilimandjaro (The Snows of Kilimanjaro) by Robert Guédiguian that yes will watch this drama mainly because I love French Cinema and no other particular reason. French press seems to like it and call it “hyper touchant, subtil, pas du tout manichéen” “the first festival tears”.

The second film is Bonsái by Cristián Jiménez that probably will watch after watching his first film Ilusiones Opticas (Optical Illusions) that haven’t seen yet, but will as soon as soon as Cannes is over. People and press that have seen it tend to give positive comments with words like “gentle, deadpan, droll and sarcastic” (ok, got my total interest). In the red carpet crew and cast protest against a hydroelectric that want to build in the Patagonia, NO Hidro Aysen. Hmm, good cause, but is this the forum?

Last, one of the two latest additions to the lineup, Bé Omid é Didar (Good Bye) by Mohammad Rasoulof that wonder if besides Cannes audience, who will be able to watch it as imagine that because of the “discreet” conditions it reached the festival an international buyer could be not easy to find even when there are world audiences for this film. Yes I would like to watch film not because of story but because as Gilles Jacob and Thierry say: film is beautiful.

Cannes Classics

Three films. First the 1966 film Hudutlarin Kanunu (The Law of the Border) by Lufti O. Akad and none other than Fatih Akin will present the film in behalf of the World Cinema Foundation. No, haven’t seen the film and wonder if I ever will, maybe when film becomes available in DVD.

Second, 1983’s Rue Cases-Négres (Sugar Cane Alley) by Euzhan Palcy preceded by a short film Moly directed by Moly Kane from Senegal and produced by Palcy. No, haven’t seen this highly honored (17 international prizes) film by Palcy who is better known as the first black female director of a Hollywood film.

Last, the screening of 1993 A Bronx Tale by Robert DeNiro that’s a tribute to the Tribeca Film Festival and to De Niro (he’ll be presenting the film) as a director; this was De Niro first time behind the camera. I have seen the movie as well as many of you for sure.

Cinéma de la Plage

Today one of my ALWAYS favorite directors, Federico Fellini and the screening of the restored version of E la nave va (And the Ship Sails On) that obviously have seen a long-long time ago. If you haven’t seen it, what are you waiting for? By the way to my Opera lovers friends, this has to be must be seen for you.

Quinzaine

Three films. First Porfirio by Alejandro Landes that when I read the synopsis got interested but when I watched clips/trailer started to wonder if should watch or not. Spanish-speaking press news report an audience standing ovation and yes, I imagine will be funny and maybe darkly entertaining, even agree that has to be hyper-realistic but hard to imagine being “poetic” as Fréderic Boyer says.

Second, La Fin du Silence by Roland Edzard that has a too violent for me story but seems that visually could be very interesting. First film in competition for the Camera d’Or. Lol! First reactions by French press are not positive.

Last, Return by Liza Johnson this American indie movie has a story that I know will appeal to many, a woman returning from a tour of duty only to find that she has changed; I’m not sure if I wish to watch it and clips doesn’t help me to get interested. Not so positive reviews by some American critics. Ah! film is with Linda Cardellini better known by playing perhaps the most famous nurse in ER.

Semaine

Today two films from the special screenings. Walk Away Renee by Jonathan Caouette a documentary that follows the director and his mentally ill mother while travelling across America. Doesn’t call my attention. Surprisingly seems America press haven’t seen the film, while French press tends to give some positive and not-so-positve coments. Still what you can watch if interested are many photos from the film party.

Second the collaboration between Spike Jonze and Simon Cahn Mourir auprès de toi, an animated short film where at night books characters come to life with Dracula's girlfriend Mina and Macbeth's skeleton falling in love. Seems interesting and animation looks different, will watch. Positive comments by French press and people who have seen the film.

ACID

Yesterday I forgot to post about this parallel section but film was a documentary that I’m not interested in it called Palazzo delle Aquile by Stefano Savona. Today another documentary that no one will make watch called Bobines (Cattle) by Emmanuel Gras, as not interested in watching cows. Also today a short film, Dancing Odeon by Kathy Sebbah that seems more interesting to watch.

News

Emir Kusturica was today invested with the insignia of Chevalier of the Order of the Légion d’honneur an honor that Kusturica thanked the Festival “for being the only world class forum that allows small countries to acquire international visibility, and for its deference of cultural diversity”. Kusturica is not only this year the president of the Un Certain Regard jury but also is one of the rare directors to have received the Palme d’Or twice.

The Not-So Serious

Was reading a tweet that really made me wonder so many things; it says something like “drinking pink champagne, relaxing before writing my reviews”. LOL! I will NEVER read reviews from someone that drinks pink champagne, sacrilege! (LOL!) Oh! gosh, if you want to laugh hard, you have to search #Cannes2011 to find the most hilarious comments and other comments that tell so much about the person who wrote them. Really in twitter you lose your privacy and become public … some without really knowing that they’re in the eyes of the world. LOL!

All right, I will admit that I’m tired as Johnny took all my energies and enthusiasm. So no more talking about parties (even do Duran Duran performed yesterday), buyers buying films (Weinstein got USA right for The Artist- IFC, Assayas Something in the Air – Hanover House bought 3 movies: Mexican much buzz film by Ira Gomez Asalto al Cine, a Russian thriller by an Irish director: The Weather Station, and an animated film: Toys in the Attic), and who else is there doing something or nothing.

Today Photos

I think Uma looks tired and is just day 4, but last night was honored along with Rosario Dawson, Jane Campion and others for their contributions to independent moviemaking; gosh hope she makes it until the end. So I chose a happy photo for today, here is a happy Uma in haute couture, yes is Chanel.

Next South African model Candice Boucher in the Hearat Shulayim premiere, she’s in Cannes promoting the Hindi film Aazaan by Prashant Chadha where she stars and she looks quite good in the film photocall but at the premiere her dress made her the talk of the net, so here is she at day and at night.

Last, have to post Jane Fonda as she looks so good and very elegant.

Johnny at Cannes 2011

I’m going to go directly to the point: Today is Johnny Depp day! Yay!!! Of course the photocall is FULL of photographers and yes all are calling for Johnny, once in a while you hear Penelope… but seems is the same guy with an awful accent. LOL! So funny when Johnny gets Penelope and Astrid; but when he stays only with Penelope is chaos. Ok, they go nuts also when Penelope is alone. Oh no, even Jerry Bruckheimer gets more noise than some actors. Anyway Pirates of the Caribbean #4 photocall is fun to watch and quite noisy. Interview is too serious, but with so many celebrities interviewer was hurrying to cover all.

Rob Marshall said such nice words about Johnny that I got emotional (lol!) but Johnny also reacted. Ah! Monica, Penelope sister had to do some far-away scenes later in filming as Penelope’s silhouette had changed too much by then. Oh! so serious press conference, this is not a serious movie… but Johnny is the one that makes us laugh sometimes. Sorry but is funny to see newsman that clearly speak Spanish asking Penelope questions in English, even Penelope smiles (at their struggle, I suppose). I’m trying to watch the complete press conference (I don’t care about spoilers for this one, I don’t even enjoy much the Pirates saga after all) but the not-smart press questions are driving me nuts. Geoffrey Rush is the funniest and with such class jokes, unfortunately not many questions for him; second with utter most sarcasm is Johnny –who’s just fabulous (of course). Oh! the only interesting question to Penelope they turned down the volume as she answered in Spanish and the translator came in (grrr…). The question was about Pedro Almodovar movie.

The red carpet has more, many more photographers and people. The jury is there and for sure there will be beautiful photos of Uma. It’s true for her age, Jane Fonda looks superb, isn’t she older than Faye Dunaway? I can imagine what’s going to happen when Johnny arrives (lol!). It’s Rob Marshall first time in Cannes. Screams!! lol! Johnny is signing autographs, bodyguard controlling the woman (gosh, terrible, isn’t?). Again Penelope is asked about Pedro and how strange is to see her in Cannes without him. Cute, he’s always cute with his very particular wardrobe style … is he wearing blue pants? Nope was the light (see filmmakers that’s what improper lighting can do). The official speaker says Johnny's name and all you hear are screams… weird. Someone should be recording the screams as surely could be used for some scary film, lol! Red carpet was okay.

I started the post as usual, day 4 blah, blah; but while doing it had to change the post name as you already noticed because Johnny was taking all the space (lol!). Will do the regular post sans Johnny and this movie that nah will not rush to the cinema to watch even if they say that is fresh, new, and went out of his way to make it … what? Different? More entertaining? Apt for a wider audience? Who knows, as saga is already a huge business success.

Nothing, no one could stop Cannes for me, ONLY Johnny and there is no shame in making the silly fact public. LOL!!!

Now the photos!

Photocall

Press Conference

Red Carpet

Day 3 at Cannes 2011

As many of us know since yesterday Blogger has been not working right until they went into “read-only” mode meaning that we can see the blog but I can’t write in it. This morning post of Day 2 disappeared as well as all the clips I posted yesterday at the trailer site. So sorry but well if you’re reading this is because Blogger went back to normal.

Main Competition

The day started with an early morning screening of Habemus Papam by Nanni Moretti. This is a movie that I’m looking forward to watch as since his movie Il Caimano about Berlusconi, he has been sort of “lying low”; now he’s going after another institution and his portrait no matter if is bland/direct/whatever is one I can’t skip. Photocall, interview and press conference are somehow less entertaining; watch only if you would like to see Michel Piccoli, Nanni Moretti and/or Margherita Buy. Ditto for the red carpet but you will see how the French people love Piccoli and is well-deserved as he has had such a long/good career with so many outstanding films. Surely I’m biased, but somehow enjoy more to hear French and Italian than English (lol!). Come on, this is Cannes, not Hollywood! Only two women among many men in dark suits, yep they look like pinguins.

Most awaited by French press Polisse by Maïwenn, also would like to see this film as based on her previous films is hard to imagine why her film is nominated for a Palm d’Or. Still from headlines that started to appear yesterday, seems that film is totally different to what she used to do and that she did a “giant leap ahead” with this film. Film is competing for the Camera d’Or. As I also got the same impression from trailers/clips I’m sharing what some are saying after watching: “seems like a TV pilot”.

Polisse photocall has many members of the large movie cast, many known to me, but surprisingly there are not many photographers, I imagine that most –if not all- are photographers from French press. Finally for a second Maïwenn is alone but now is with only the men… yes, all are screaming: ici, Maïwenn! lol! In the interview there are 13 people, the same as in the photocall, that’s huge. The interview is perfect, no translator that interrupts flow if you watch it in French (lol!). The best is that only the women are interviewed, he, he.

Polisse press conference also has many people, more as the producers are there. Should comment that all of them are dressed in black except Maïwenn that’s wearing a nice blue dress, surely was done on purpose. I know this film has a not-easy-to-talk story, but I believe she handled herself well. Unfortunately press members have seen the movie and are doing specific questions so I’m going to stop watching. Ah! just in case you haven’t figure it out, the movie name is how a child may write police and yes is misspelled in French. Can’t wait for the red carpet but will be late tonight.

There is a photo that I have to find from the red carpet that I’m sure will be lovely. Not surprising but French media went crazy today with lots of Cannes coverage and calling Maïwenn, Queen Maïwenn. Tonight she’s wearing blue again and the mood is very informal before they start to walk the red carpet. Marina Fois looks great, elegant. Maïwenn moved to tears, that’s emotional and yes, unexpected but charming. Nice, very nice, so different to the other red carpets that have happened until now, very French. Voilà c’est tout pour aujoud’hui.

Out of Competition/Special Screenings

Late afternoon will be the screening of Labrador (Out of Bounds) by Frederikke Aspöck a drama that probably will eventually end-up watching as yes in general I like Danish cinema. First film so competes for the Camera d’Or.

Midnight Screenings

The first of the two films is screened today Wu Xia by Peter Ho-Sun Chan that finally yesterday was able to watch scenes and seems interesting; but after my not-so-positive experience with 13 Assassins I’m back to not watching martial arts movies until I find a reliable source that gives me an idea if I should watch or not a specific movie.

Un Certain Regard

Three movies today. The first is Toomelah by Ivan Sen that I’m sure will skip as is not my kind of movie unless I’m totally wrong; but after trying without success to watch the famous similar themed movie I’m staying away from similar movies.

The second is by Gerardo Naranjo, a director that mesmerizes me but his style scares me; still I have watched all his previous movies and Miss Bala won’t be an exception. This is a movie that you have to find the right time and mind set to watch, if you find it then the ride is exceptional for sure.

Third a movie that absolutely is Must Be Seen for me as I watch everything by Kim Ki-Duk and this crazy movie, Arirang, seems that’s going to be a special ride into the life of the director. The wait will be hard to endure.

Cannes Classics

Two movies that are worth watching. First a documentary by Catherine Cadou about none other than Akira Kurosawa, Kurosawa, la voie (Kurosawa’s Way) a tribute to the most famous Japanese master filmmaker with 11 interviews to filmmakers around the world, including Julie Taymor, Clint Eastwood, Martin Scorsese, John Woo and more.

The second I have seen it as film is by none other than Rainer Werner Fassbinder  1978 film Despair and if you haven’t seen it, what are you waiting for? Outstanding Dick Borgarde is here.

Cinéma de la Plage

Today another must be seen movie for those that haven’t seen it yet, 1981 Das Boot: Director’s Cut by Wolfgang Petersen. A veritable saga with 3 hours 36 minutes, most spent inside the claustrophobic space of a German submarine.

Quinzaine

Today three movies. In the morning The Other Side of Sleep (competing for the Camera d’Or) by Rebecca Daly with an interesting story and the indispensable slow-pace to tell it; definitively will watch.

Late morning Jeanne Captive by Philippe Ramos that I’m not sure can take another look at Jeanne d’Arc; still because the cast probably will watch. Then check this from twitter: “Commence comme un film historique pour se terminer en errance panthéiste” … ok, I’m interested. (got very long applause from the audience).

Early afternoon the movie I’m very curious about Eldfjall (Volcano) by Rúnar Rúnarsson which also competes for the Camera d’Or.

At the Quinzaine official site you can watch some new videos with the opening ceremony and the presentation of the Carrosse d’Or to Jafar Panahi with words by Agnes Varda. It’s not a glamorous ceremony but what is said should be listening by everyone in the world. Also there an inconsequential video of the party.

Semaine

Las Acacias by Pablo Giorgelli a film that not I’m not sure will like to watch is screened today.

Other Activities

Today was the Heroine photocall and Aish looks very good, let's see if I can find a good photo without her colleagues in it.

Today was announced that a movie that is absolutely must be seen for me has been purchased, ie has a distributor for USA market and film is none other than The Iron Lady with Meryl Streep. If you don’t know, film is the biopic of Margaret Thatcher and yes Meryl plays her.

Remember that I told you about the pinup exhibition? There is a virtual exhibition on line that if you wish can watch here.

News

As a headline says: “women grab Cannes spotlight with disturbing tales” hmm, what do they mean? Only men can do disturbing stories? Women invaded men territory? What? Okay if you read further: “Female directors, famously shut out of the Cannes film festival's main competition in 2010, dominated the opening of this year's event with dark tales of murder, prostitution, rape and suicide.” Ah! and if you read more, a female film professor from Columbia University says that “the increased number of female directors in Cannes reflects a growing trend” that started with “Kathryn Bigelow’s Oscar win and Lisa Cholodenko’s critical and commercial success" with the unnamable movie. Ugh! The worst, article is a Reuters dispatch so these terrible comments will be all over the world very soon.

The Not-So-Serious News

Last night was the Calvin Klein party and if you browse the net you will find many Hollywood actors that attended the party and that you wonder why are they in Cannes. One of them is Vanessa Hudgens. Also there Diane Kruger with her partner Joshua Jackson who “stole the limelight” (lol! – oh gosh what gossipy reporters write, so funny); the couple was also at the L’Oreal Live party and there is a very good photo of the two, indeed, is an excellent photo. Finally I learned what Diane is doing at Cannes, she's promoting her film "Forces Spéciales" with none other than Benoit Magimel.

Besides cinema related news, do you have an idea of what other news generate high amount of reports? If you said fashion you’re right. Yes my friends Cannes is also a fashion event like no other in the world; that’s why Chanel, Calvin Klein, Dior, etc. have parties and some, fashion shows! Not only is a fashion showcase but women attending the events are haute couture buyers and I’m not referring to actresses, but the other women that you probably don’t even know their names unless you read fashion or gossipy magazines dedicated to royalty and the rich. Business, business, Cannes is fun but everything is business oriented.

Extremely scandalous, read with caution… he, he, just kidding but this is a copy and paste from the UK Guardian: “If you think about it, it had to happen. Sex and 3D, I mean. The unambiguously titled 3D Sex and Zen: Extreme 3D Ecstasy, is touting for trade (if you'll excuse the expression) at Cannes, with all and sundry invited to a party promising "Actresses' Appearance!!!" [sic]”.

Gossip says that Carla Bruni didn’t do the red carpet because she’s pregnant, Marion Cotillard didn’t go because she’s pregnant; today I learn that Charlotte Gainsbourg is also pregnant, but she will walk Melancholia red carpet. Hmm there must be something in the water, so many pregnant actresses.

Photos of the Day

Still looking for photos but here are some.  The first is Cheryl Cole that I have NO idea who she is, but photo is spectacular, very similar to many taken years ago at Cannes.

 

Next is Maïwenn this morning at the photocall.

Aish at Heroine photocall