2011 Outstanding Female Roles

About a year ago I listed 23 possible great female roles that had enough buzz to obtain an Oscar nomination and dared to make my very-early prediction (I had 4 right and 1 wrong!) so it’s time for me to review how kind or not 2011 was with female roles and play the guessing game for the Best Actress category.

Haven’t seen many of the movies that could have great performances by female actors but from the ones I have seen, I’m sure that Viola Davis is going to get a nod thanks to her outstanding performance in The Help. Even when European film industry is honoring Melancholia, I honestly doubt that American film industry will honor anything related to the film so doubt that Kirsten Dunst or Charlotte Gainsbourg could get a nod; I didn’t like Dunst performance or segment but I did enjoy a lot more Gainsbourg performance and segment but doubt that her great performance will be recognized as such in America.

From movies that haven’t seen, again this year Tilda Swinton pops-up with her role in We Need to Talk About Kevin –hope she gets it this year but 2011 is a year where there are other roles that now are being labeled “sure Oscar nod” like Michelle Williams in My Week With Marilyn, Glenn Close in Albert Nobbs, and Meryl Streep in The Iron Lady.

With performances that have gathered industry buzz we have Jodie Foster and Kate Winslet in Carnage but American film industry is not an easy to forgive industry and doubt will honor anything related to Roman Polanski. Charlize Theron looks absolutely FANTASTIC in the upcoming Snow White movie but is her role in Young Adult (directed by Jason Reitman and with a Diablo Cody script) what could bring her an Oscar nomination in a role that has been described as “Theron finally gets to kill it and be beautiful”, which obviously refers to her Oscar winning performance in Monster.

In the lesser known movies that could get nods for their lead actress we have Felicity Jones in Like Crazy (saw movie is okay, she has a very good performance), Rachel Weisz in The Whistleblower (great performance in a so-so movie that could have been better with a different script), Elizabeth Olsen in Martha Marcy May Marlene –which I believe she could be the “surprise” nod (have to watch movie first), Abbie Cornish in W.E. (yep, Madonna’s film), one of my favorite young actress Carey Mulligan in Shame, that not sure if qualifies for lead or supporting and the same goes to Keira Knightley in A Dangerous Method.

Another young actress that is gathering too-much buzz is Rooney Mara in THAT film (yes, the film/character that BELONGS TO Noomi Rapace!!!) oh gosh, I’m really torn with this as I know will watch Hollywood remake but I’m hoping is awful!!! (lol!) Anyway the industry keeps mentioning Mara as a possible contender, even when they haven’t seen but trailers from film, odd isn’t?

Maybe I should include Ellen Barkin in Another Happy Day and wonder if Michelle Yeoh in The Lady plus Olivia Colman in Tyrannosaur can also be consider as contenders.

Nevertheless I have the feeling that there were less outstanding performances in 2011 than in 2010 and if we count the mentions we notice that this year there are 20 versus 23 last year so is about the same, but still have the perception that 2011 was not that good for female roles. Sigh.

If I have to guess the five nominees considering what I have seen plus the buzz index, they will look as follows.

Viola Davis in The Help
Meryl Streep in The Iron Lady
Glenn Close in Albert Nobbs
Michelle Williams in My Week With Marilyn
Elizabeth Olsen in Martha Marcy May Marlene

I’m almost certain that Davis will be nominated and won’t be surprised at all if she’s the second African-American women to win an Oscar; she truly deserves it as she did an excellent performance in a complex, layered film. Won’t be surprised IF Streep is not nominated as critics are “destroying” film but claim that Streep saves movie.

Close has five nominations and no wins, this could be her sixth but not sure that could be translated into a win, still Academy members LOVE when good looking actresses do “not-good-looking” characters (remember Theron and Kidman?) so maybe there is a chance. Williams has two nominations and I’m almost certain that this will be her third (but have to see movie, which of course I’m “dying” to watch), this brilliant young actress will get her Oscar soon if she continues to choose her roles SO goodly as she has been doing. The last spot is the one that I’m always unsure and could go to Olsen, as well as Theron, any of the other women mentioned or a new “surprise” role that could appear before the award deadline.

If you ask about the Best Actor I believe that Brad, Leonardo, and George could make the list, BUT I hope that the winner will NOT be an American actor, has to be a European as last year, the two contenders are British Michael Fassbender in Shame and French Jean Dujardin in The Artist.

Cheers!!!

Thinking Notes of Today

I'm going public by admitting that I'm no fan of Martin Scorsese but do recognize him as one of the American contemporary master-filmmakers.  But as everything in life  -absolutes hardly exist- there are exceptions and the following letter absolutely is the exception that makes me "admire" Scorsese for being willing to make public what so many think about those countries where films with subtitles are not easily accepted.

The letter dated November 25, 1993 was published as a comment to an article in the New York Times on November 19, 1993. The letter date is important as was one week after Federico Fellini's dead.

Here is a copy and paste of the letter; if you wish to read it at the source I used please go here.

To the Editor:

“Excuse Me; I Must Have Missed Part of the Movie” (The Week in Review, 7 November) cites Federico Fellini as an example of a filmmaker whose style gets in the way of his storytelling and whose films, as a result, are not easily accessible to audiences. Broadening that argument, it includes other artists: Ingmar Bergman, James Joyce, Thomas Pynchon, Bernardo Bertolucci, John Cage, Alain Resnais and Andy Warhol.

It’s not the opinion I find distressing, but the underlying attitude toward artistic expression that is different, difficult or demanding. Was it necessary to publish this article only a few days after Fellini’s death? I feel it’s a dangerous attitude, limiting, intolerant. If this is the attitude toward Fellini, one of the old masters, and the most accessible at that, imagine what chance new foreign films and filmmakers have in this country.

It reminds me of a beer commercial that ran a while back. The commercial opened with a black and white parody of a foreign film—obviously a combination of Fellini and Bergman. Two young men are watching it, puzzled, in a video store, while a female companion seems more interested. A title comes up: “Why do foreign films have to be so foreign?” The solution is to ignore the foreign film and rent an action-adventure tape, filled with explosions, much to the chagrin of the woman.

It seems the commercial equates “negative” associations between women and foreign films: weakness, complexity, tedium. I like action-adventure films too. I also like movies that tell a story, but is the American way the only way of telling stories?

The issue here is not “film theory,” but cultural diversity and openness. Diversity guarantees our cultural survival. When the world is fragmenting into groups of intolerance, ignorance and hatred, film is a powerful tool to knowledge and understanding. To our shame, your article was cited at length by the European press.

The attitude that I’ve been describing celebrates ignorance. It also unfortunately confirms the worst fears of European filmmakers. Is this closedmindedness something we want to pass along to future generations?

If you accept the answer in the commercial, why not take it to its natural progression:
Why don’t they make movies like ours?
Why don’t they tell stories as we do?
Why don’t they dress as we do?
Why don’t they eat as we do?
Why don’t they talk as we do?
Why don’t they think as we do?
Why don’t they worship as we do?
Why don’t they look like us?
Ultimately, who will decide who “we” are?

—Martin Scorsese
[New York, 19 Nov 1993]

Also suggest to read the recent NYTimes article from April 29, 2011 "Eating Your Cultural Vegetables" that you will find here.

More than 15 years after the letter was written is impressive how the largest movie market in the world -when you count only money- has not opened to world movies. Won't elaborate but have to comment that one of the consequences I dislike the most is the doing of "remakes" that never are as good as the original ones. Sigh.

By the way the conversation about "Cultural Vegetables" has been going on since April 2011 and I'm just joining today.

84th Academy Awards Documentary Short Subject Shortlist

Today the Academy announced the eight (8) short docs that were selected from 35 eligible entries. These are the films.

The Barber of Birmingham: Foot Soldier of the Civil Rights Movement, Gail Dolgin and Robin Fryday, USA
God is the Bigger Elvis (Produced by Documentress Films)
In Tahrir Square: 18 Days of Egypt’s Unfinished Revolution, Jon Alpert and Matthew O'Neill, USA and Egypt
Incident in New Baghdad, James Spione, USA
Pipe Dreams, Leslie Iwerks, USA
Saving Face, Peter James Iengo, USA
The Tsunami and the Cherry Blossom, Lucy Walker (check trailer here), UK and USA
Witness (produced by Buche)

As we all know by now the Academy Awards nominations will be announced live on Tuesday, January 24, 2012 and the Award Ceremony will be on Sunday, February 26, 2012. To read the press release go here.

The subject of Lucy Walker's short doc (remember great Waste Land) is not one to enjoy but from trailer short has become must be seen for me, hope makes the five nominated.

2012 Oscar Foreign Language Film Submissions - Final

These are the sixty-three (63) films that will compete for the Best Foreign Language film in the 84th Academy Awards.

Albania: Amnistia  (Amnesty), Bujar Alimani
Argentina: Aballay, el hombre sin miedo (Aballay), Fernando Spiner
Austria: Atmen (Breathing), Karl Markovics
Belgium: Rundskop (Bullhead), Michaël R. Roskam
Bosnia and Herzegovina: Belvedere, Ahmed Imamović
Brazil: Tropa de Elite 2 (Elite Squad: The Enemy Within), José Padilha
Bulgaria: Тилт Tilt, Viktor Chuchkov Jr.
Canada: Monsieur Lazhar, Philippe Falardeau
Chile: Violeta Se Fue a los Cielos (Violeta Went to Heaven), Andrés Wood
China: 金陵十三釵 (The Flowers of War), Zhang Yimou
Colombia: Los Colores de la Montaña (The Colors of the Mountain), Carlos César Arbeláez
Croatia: Sedamdeset i dva dana (72 days), Danilo Serbedzija
Cuba: Habanastation, Ian Padrón
Czech Republic: Alois Nebel, Tomás Lunák (animated film)
Denmark: SuperClásico, Ole Christian Madsen
Dominican Republic: La Hija Natural (Love Child), Leticia Tonos
Egypt: الشوق El-Shouq (Lust), Khaled El-Hagar
Estonia: Kirjad Inglile (Letters to Angel), Sulev Keedus
Finland: Le Havre, Aki Kaurismäki
France: La guerre est déclarée (Declaration of War), Valérie Donzelli (Good movie, a lot better than what I imagined; a little bit uneven, last half not as good as first)
Georgia: Chantrapras, Otar Iosseliani
Germany: Pina, Wim Wenders (is a documentary - NO, this is no doc even when documents dance, it's really BEAUTIFUL to watch plus you'll feel lots of emotions! Fantastic film.)
Greece: Attenberg, Athina Rachel Tsangari (A strange movie/story yet was fascinating for me.)
Hong Kong: 桃姐 Tao jie (A Simple Life), Ann Hui
Hungary: A Torinói ló (The Turin Horse), Béla Tarr
Iceland: Eldfjall (Volcano), Rúnar Rúnarsson
India: ആദാമിന്റെ മകൻ അബു Adaminte Makan Abu (Abu, Son of Adam), Salim Ahamed
Indonesia: Di Bawah Lindungan Ka'bah (Under the Protection of Ka'Bah), Hanny R Saputra
Iran: جدایی نادر از سیمین Jodaeiye Nader az Simin (Nader and Simin, A Separation), Asghar Farhadi (Very Good movie, excellent essay on normal life, bravo Master Farhadi!)
Ireland: As If I Am Not There, Juanita Wilson  (Very HARD-to-watch story in a good movie with good performances which makes film harder to watch.)
Israel: הערת שוליים (Footnote), Joseph Cedar
Italy: Terraferma, Emanuele Crialese
Japan: 一枚のハガキ Ich-mai no Hagaki (Postcard), Kaneto Shindō
Kazakhstan: Возвращение в "А" (Return to "A"), Egor Konchalovsky
Lebanon: وهلّأ لوين؟ Wo Hallah La Wen? (Where Do We Go Now?), Nadine Labaki
Lithuania: Kai Apkabinsiu Tave (Back in Your Arms), Kristijonas Vildžiūnas
Macedonia: Панкот не е мртов Pankot ne e mrtov (Punk's Not Dead), Vladimir Blazevski
Mexico: Miss Bala, Gerado Naranjo (It's an okay movie less violent than I imagined whilst easier to watch)
Morocco: Omar m'a tuer (Omar Killed Me), Roschdy Zem
Netherlands: Sonny Boy, Maria Peters
New Zealand: O Le Tulafale (The Orator), Tusi Tamasese
Norway: Sykt lykkelig (Happy, Happy), Anne Sewitsky (Interesting human behavior essay, dark funny)
Peru: Octubre (October), Diego and Daniel Vega
Philippines: Ang Babae Sa Septic Tank (The Woman in the Septic Tank), Marlon Rivera
Poland: W ciemności (In Darkness), Agnieszka Holland
Portugal: José e Pilar (Jose and Pilar), Miguel Goncalves Mendes (documentary)
Romania: Morgen, Marian Crisan
Russia: Утомлённые солнцем 2: Цитадель Utomlyonnye Solntsem 2 (Burnt by the Sun 2: The Citadel), Nikita Mikhalkov
Serbia: Montevideo, bog te video (Montevideo: Taste of a Dream), Dragan Bjelogrlić
Singapore: Tatsumi, Erick Khoo
Slovakia: Cigán (Gypsy), Martin Šulík
South Africa: Shookheid (Beauty), Oliver Hermanus
South Korea: 고지전 Go-ji-jeon (The Front Line), Jang Hun
Spain: Pa Negre (Black Bread), Agustí Villaronga (An okay movie with an okay story, nothing special)
Sweden: Svinalängorna (Beyond), Pernilla August
Switzerland: Giochi d'estate (Summer Games), Rolando Colla
Taiwan: 賽德克．巴萊 Saideke Balai (Warriors of the Rainbow: Seediq Bale), Wei Te-Sheng
Thailand: คนโขน Kon Khon, Sarunyu Wongkrachang
Turkey: Bir Zamanlar Anadolu’da (Once Upon a Time in Anatolia), Nuri Bilge Ceylan
United Kingdom: Patagonia, Marc Evans
Uruguay: La Casa Muda (The Silent House), Gustavo Hernández
Venezuela: El Rumor de las Piedras (The Rumble of the Stones), Alejandro Bellame
Vietnam: Khát vọng Thăng Long (The Prince and the Pagoda Boy), Lưu Trọng Ninh

Watch 62 trailers @MOC Poland doesn't have trailer yet.

Updates Comments

An unexpected update but suddenly the AMPAS Best Foreign Language Film Award Screening Schedule became available and with some unexpected surprises as seems Slovenia's silent Circus Fantasticus is NOT in the list that has 63 films (two less than in previous years).

As expected Albania changed their submission, Georgia has the expected submission, and new to the list are Estonia, Indonesia and UK. Not expected but predictable Russia kept their original submission and in a positive turn of events, the Academy allowed the Dominican Republic submission.

Between today and tomorrow the Academy has to publish their official list and ONLY then this post will become final.

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10/4

The last update before final has 58 countries submitting a film that had some kind of promotion in local media or industry media; then add one more (Georgia) that haven't been able to find info to make the total to 59, odd number, isn't? Should be 60, but up-to-this moment there are no new announcements. I still expect the number to reach 65 and soon we will learn the final list that the Academy will release within the following two weeks.

This year I have the impression that there are TOO many good films, some I have seen so know they're good (a few exceptions that I don't understand how they made it to this list) and other haven't seen them yet but are from directors I highly appreciate as great filmmakers.

I know is kind of crazy (so early) to speculate about the films that will make it to the shortlist of nine, but here is my nine film wishlist and I really hope they make it.

Germany with Pina, Finland with Le Havre, Iran with A Separation, China with The Flowers of War, Lebanon with Where do we go now?, Mexico with Miss Bala, Turkey with Once Upon a Time in Anatolia, Sweden with Beyond, and Iceland with Volcano. As a matter of fact today my Oscar goes to Pina!!! Yes, what a marvelous film truly deserves the award.

For a change there is one film that I'm not really looking forward to see, France's submission as story, style and the I-can't-forget reference of being in La Semaine de la Critique, make film not attractive to me.

Soon this post will become final and we will know if Russia changed the submission, Albania retains its submission, and Georgia submitted a French production -which is most likely as Morroco did it too.

Cheers!!!

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9/23

A new update as today we reached the 40th mark with up-to-this-moment forty (40)films. Past years there has been 65 submissions, so we can estimate that we still get around 25 more.

But what really calls my attention is the many festival movies that are being submitted; from Cannes 2010 there are 2, Cannes 2011 - 7, Venice 2010 - 2, Venice 2011 - 1, and Berlin 2011 - 3; for a total of 15 films out of 40. Also there are many (yes, many WHEN we compare it to previous years) that have gay or lesbian interest and not often in this list we have the Queer Palm winner, so I'm glad for this -small- milestone in LGTB cinema.

In about a week is the submission deadline, so this coming week should be also with many announcements.

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9/14

As list will grow larger soon had to do the first update to have the post above all the others (lol!) as not everyone knows that in the second column there is ALWAYS a link to this post for the easiest access.

I'm very puzzled with Iran's announcement a few days back, seems was not official -that's why they deleted all the news-; then Variety confirmed the news, but today in Iranian press the news that there are three films shortlisted. I do believe the Golden Bear winner deserves the honor, but let's see what Iranian authorities finally decide.

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9/1

The American Award Season is “around the corner” so it’s no surprise to find my first movie submitted to Oscar 2012. I say my first as imagine that surely now that I’ll start to look for information I’ll find more, but for today this is the first confirmed movie submitted to Oscar.

So my favorite yearly post begins today with many more submissions and one film with lesbian interest... fantastic!

5th Annual Asia Pacific Screen Awards Nominations

Today APSA announced the nominations for this year awards, with a total of 37 films from 19 countries and areas. Here are the nominations for some categories. It’s noted that the films with most nominations –four each- are A Separation and Once Upon a Time in Anatolia, as we know both are Iran and Turkey submissions to Oscar plus both are by two of my most favorite directors.

Best Feature Film
Band Baaja Baaraat (Wedding Planners), Maneesh Sharma, India
Bé Omid É Didar (Goodbye), Mohammad Rasoulof, Iran
Bir Zamanlar Anadolu’da (Once Upon a Time in Anatolia), Nuri Bilge Ceylan, Turkey
Jodaeiye Nader az Simin (A Separation), Asghar Farhadi, Iran
Rang zidan fei (Let the Bullets Fly), Jiang Wen, China and Hong Kong

Achievement in Directing
Asghar Farhadi for Jodaeiye Nader az Simin (A Separation), Iran
Nuri Bilge Ceylan for Bir Zamanlar Anadolu’da (Once Upon a Time in Anatolia), Turkey
Mohammad Rasoulof for Bé Omid É Didar (Goodbye), Iran
Jiang Wen for Rang zidan fei (Let the Bullets Fly), China and Hong Kong
Na Hong-jin for Hwanghae (The Yellow Sea), South Korea

Best Performance by an Actress
Judy Davis in The Eye of the Storm, Fred Schepisi, Australia
Nahed El Sebai in Cairo 678, Mohamed Diab, Egypt
Nadezhda Markina in Elena, Andrei Zvyagintsev, Russia
Shayesteh Irani in Ayenhaye Rooberoo (Facing Mirrors), Negar Azarbayjani, Iran
Leyla Zareh in Bé Omid É Didar (Goodbye), Mohammad Rasoulof, Iran

Best Performance by an Actor
Peyman Moadi in Jodaeiye Nader az Simin (A Separation), Asghar Farhadi, Iran
Wang Baoqiang in Hello! Shu Xian Sheng (Mr Tree), Jie Han, China
Sasson Gabay in Boker Tov Adon Fidelman (Restoration), Yossi Madmoni, Israel
Fa’afiaula Sagote in O le Tulafale (The Orator), Tusi Tamasese,New Zealand and Samoa
Daniel Connors for Toomelah, Ivan Sen, Australia

To check nominees in all categories go press release or here. Award ceremony will be on November 24 at the Gold Coast, Queensland, Australia and will be streamed live at the official site here.

2011 European Film Awards – Animated Film Nominations

Three (3) films are nominated for the EFA's award and here they are. Included trailers to check how different European animation can feel and look.

Le Chat du Rabbin (The Rabbi's Cat), Antoine Delesvaux and Joann Sfar, France



Chico & Rita, Tono Errando, Javier Mariscal and Fernando Trueba, Spain and Isle of Man



Une Vie de Chat (A Cat in Paris), Jean-Loup Felicioli and Alain Gagnol, France and Belgium



To read official announcement go here.

2011 European Film Awards – People’s Choice Award

Since September 1st up to October last day, my European friends are able to vote for their favorite film and yes, win a trip to the European Film Awards that this year will be in Berlin (I also LOVE Berlin!). The following are the nominated films and you can VOTE HERE.

Benvenuti al Sud (Welcome to the South), Luca Miniero, Italy (the hilarious Italian remake of Bienvenue chez les Ch'tis)

Hævnen (In a Better World), Susanne Bier, Denmark

The King’s Speech, Tom Hooper, UK

Konferenz der Tiere (Animals United), Reinhard Kloss and Holger Tappe, Germany

Les petits mouchoirs (Little White Lies), Guillaume Canet, France

Potiche, François Ozon, France

También la lluvia (Even the Rain), Icíar Bollaín, Spain

Unknown, Jaume Collet-Serra, Germany

If I could vote I’ll have a hard time deciding between Potiche, Hævnen or the hilarious Italian comedy (yeah for a change!). Have no idea what the animated movie plus Unknown are doing here, but after all is the People’s Choice so there had to be options for all kind of movie tastes.

Hope many of my friends and loyal blog readers VOTE so we can have a better winner that the 2010 winner.