Sabtu, 22 September 2012

Lemminge, Teil 1 Arkadien (Lemmings, Part 1: Arcadia)

Fascinating early work by Michael Haneke that fast will grab your attention, hold it and won't release you until the very end. Most impressive is that this was about the fourth Haneke film and is a made for TV movie! Yes a TV movie. But never before have seen a made for TV movie like this one, and have seen my good share of old TV movies from Europe.

To be brief I'll do a comparison as reference and because there has to be a relationship. This 1979 movie feels like Haneke's 1997 Funny Games as has similar storytelling style that magnificently introduces us to characters and slowly their downturn begins. It does not look like the mentioned movie as here I believe he goes darker, very darker, disturbingly darker. Not only with narrative but also with the use of light. Yes I believe this is darker than Funny Games that was strictly violent, disturbingly violent.

Written by Haneke tells a story of five teenagers, a slice of their lives that begin at one point and end at another point; nothing much is said about before and you have to imagine what follows after the end. But obviously that's not what movie is about. This is a strong exploration of post-war youth and how damaged they are thanks to living in a morally very restrictive society. As in many of Haneke's films story is set in the past but is truly impressive how current they are, even today, 33 years after first was screened on Austrian TV.

Even if is told in movie, let me share a definition of Lemmings, one that is not about the rodent: a member of any large group following an unthinking course towards mass destruction. That's exactly what movie is all about.

Never is too late to discover Michael Haneke's early work and my purpose is to eventually watch all his TV movies that seem have his very distinctive mark. This movie has a second part, Lemminge, Teil 2 Verletzungen (Lemmings, Part 2: Injuries) which obviously I'm dying to see.

If you wish to read detailed plot for both films I suggest you check an excerpt of the book Funny Frames: The Filmic Concepts of Michael Haneke by Oliver C. Speck, that you can find here.

If you enjoy the current work by master filmmaker Michael Haneke then this film is must be seen for you. Film was uploaded today here (has English subtitles) and strongly suggest you watch film in your TV, not your computer.

Big Enjoy!!!

Rabu, 19 September 2012

The American Academy of Motion Picture Arts and Sciences News

Yesterday AMPAS published a press release that is causing waves all over the net, as even do was just announcing the Key Dates for the 85th Academy Awards, news below the dates plus having the Awards Nominations five (5) days before the previously announced date generated multiple reactions.

Last night when I saw that the new nominations date is January 10th, 2013 had the spontaneously reaction to believe is great, as for me the sooner I learn nominations the better, so the guessing game is over sooner. But then started to read what was below the dates announcement and some concerns started to emerge; still, decided to not comment yesterday but leave it for today, when my mind is fresher.

My first concern came to figure out when they are going to publish the shortlist of 9 films in the foreign language category as usually they do it about a week before the nominations. If they keep the tradition then they will announce them on Thursday, January 3. What? Not likely, as according to the key dates, January 3rd is when Nominations ends at 5:00 pm Pacific Time. So then maybe Friday? Also not likely as no matter what they do is not possible to announce results within 24 hours of voting closing. I have no idea when they will announce the shortlist, but according to category rules at official site, second print from shortlisted films is due by 5pm on Thursday, January 10, 2013.

G. Countries whose motion pictures are shortlisted will be required to provide a second English-language subtitled print or DCP of the film to facilitate voting screenings. This second print or DCP is due at the Academy by 5 p.m. PT on Thursday, January 10, 2013.

Probably they haven't changed the date yet as seems not logical to have second print due in the same day where the five (5) nominees were announced at 5am. Nevertheless let's hope soon they will clarify this situation that seems will be complex due to season holidays where "everybody" takes days off since December 21st up to January 2nd. Maybe some will have to work during holidays, lol, which seems highly unlikely.

Second concern: The voting. This will be the first time the Academy will provide its membership the opportunity to vote electronically. Maybe I'll sound harsh but due to Academy members average age I suspect that not many are tech savvy and perhaps that's why still this year there will be several voting resources, including the installation of assisted voting stations in Los Angeles, New York and London plus a 24-hour telephone help line during voting period and -nonetheless- paper ballots. I know change is not easy and probably transition will not be smooth, but a little bird tells me that voting could be confusing, not for us outsiders, but for Academy members, organizers and last, but not least, auditors (PricewaterhouseCoopers). Ha.

There is more about the voting. In the pre-Nominations phase, members will continue to vote via paper ballot in eight categories due to specialized screening schedules and processes. Those categories are Animated Feature Film, Animated Short Film, Live Action Short Film, Documentary Feature, Documentary Short Subject, Foreign Language Film, Makeup and Hairstyling and Visual Effects. This means that Academy members that vote in those categories -not all members vote- still will use paper; which makes me wonder if organizers haven't heard about mobile apps? Bet you many have at least a smartphone. All right I'm being sarcastic. Somehow this year voting process is sounding to me more and more like the infamous Florida case in a previous presidential election. Yes, still being sarcastic.

Nevertheless the voting process could give us unexpected surprises, which is not bad news IF results (i.e. nominees) are worthy.

Third concern. The reason to advance the nominations announcement is the following:

In an effort to provide members and the public a longer period of time to see the nominated films, the Academy will reveal the 85th Academy Awards nominations on January 10, five days earlier than previously announced.

True, now there will be more time to see films between the nominations and the award ceremony for us outsiders and also for Academy members as final voting ends at 5pm PT on Tuesday, February 19, 2013. But while they widen this window they shorten the other window where there are many more films to watch. Yes, they shorten the time to see films in voting phase one, where Academy members decide the finalists. Now films that can afford to spend Big Money surely will have better chances -than those that don't- to be finalists, as surely most Academy members will not be able to watch the many deserving smaller films that do not generate much buzz.

There are more implications. Some studios and distributors are today surely scrambling their heads to find how to fit their own plans with such "short" notice. See, most top contenders plan releases during the holidays hoping to get more audiences and yes, Academy members going to regular theater screenings. But seems this year, thanks to voting beginning on Monday, December 17, 2012, they will have to do something that they do not like to do, send out screeners and/or stream their films BEFORE they release them, as like someone says: "private viewings exponentially increase the risk of someone pirating the film". There are about a dozen BIG films that will have to do this as their theatrical release is scheduled between December 14 and December 25.

Another implication is based on an speculative reason to advance the nominations date. Some renown cinema journalists are claiming that the Academy did it to get back more of the attention "stolen" from the other award shows. I don't know if they're right but I certainly hope is not one of the reasons, as we outsiders and cinema lovers, enjoy all the hype from the so-called "awards season". Me, I highly enjoy the hype of the World awards season that begins around the same time as the American season but ends a few months later.

But from what I read, there was one comment that made me think could be a more "realistic" possible reason; the Academy will advance the awards ceremony even further - maybe January?- next year. Who knows, I don't, if something like this could happen, but if announced with enough time, the American Cinema Industry will have more time to move their huge machinery and be ready to do what they always have done during the American award season. They also don't like much change and they always go back to their "usual" ways, sooner or later.

So an apparently routine press release has generated much buzz and no doubt noise will continue for more days. Noise is so loud, that today is not easy to find foreign language submissions as most searches -in many languages- bring back news about this press release and nothing else. Sigh. Hope noise goes away fast as there is nothing we -and everyone else- can do. The Academy has spoken and now is the "law"... okay, the rules. Ha.

Now, let see: What do you think, does the changes matter to you?

The following are the key dates and to check the complete press release go here.

The key dates are:
Friday, November 30, 2012: Official Screen Credits due
Saturday, December 1, 2012: Governors Awards presentation
Monday, December 17, 2012: Nominations voting begins
Thursday, January 3, 2013: Nominations voting ends 5 p.m. PT
Thursday, January 10, 2013: Nominations announced 5:30 a.m. PT, Academy's Samuel Goldwyn Theater
Monday, February 4, 2013: Nominees Luncheon
Friday, February 8, 2013: Final voting begins
Saturday, February 9, 2013: Scientific and Technical Awards presentation
Tuesday, February 19, 2013: Final voting ends 5 p.m. PT
Sunday, February 24, 2013: 85th Academy Awards presentation

20th Raindance Film Festival

This is the second time I talk about this festival as the only post in the blog is from 2008 festival with the award winners. I do follow everything about this fest as for me has very unconventional films from all over the world. This year they did something that makes it very easy to share info about the fest, they published a digital catalog.

Catalog is large as has 196 pages, but believe me, it is a lot easier to read than browsing the maze of the fest site. Most interesting for me are the films in the following four sections: World Cinema, Way Out East, The Reel Quebec and Mexican Film.

So here it is the 2012 catalog converted for very easy reading. Enjoy!


Selasa, 18 September 2012

25th European Film Awards - Animated Feature Film Nominations

A few minutes ago the Academy announced by press release the nominations selected by the committee with the following members: EFA Board Member Antonio Saura (producer, Spain) and EFA Member Per Holst (producer, Denmark) as well as representatives of CARTOON, the European Association of Animation Film, Brigitte Baronet (France), Tony Loeser (Germany), and Tomm Moore (Ireland).

These are the three nominated films.

Alois Nebel, Tomáš Luňák, Czech Republic, Germany and Slovakia
Arrugas (Wrinkles), Ignacio Ferreras, Spain
The Pirates! In An Adventure with Scientists, Peter Lord, USA and UK

To check movie info go to official awards site here.


Minggu, 16 September 2012

2012 Toronto International Film Festival Award Winners

We have to acknowledge that fest major and important service to the world cinema community is that has become one of the best sources to predict Oscar contenders and sometimes, winners as allows many American cinema journalists to actually see films and start the current award season media buzz. Obviously fest films clearly influences Critics' awards but we have to remember that not necessarily influences the other sectors awards, as for example and according to what I was reading, since 1999 only 3 films have won TIFF's top award and Oscar Best Picture.

I don't particularly follow the fest, but this year have to share that saw everyday developments thanks to the YouTube summary videos posted by the festival and tweets by some of the cinema journalists I follow. Festival is not that interesting for me as usually we already know most of the films in festival, thanks to following world festivals, plus fest site is not really that user friendly to understand and decode the many films that the fest screens. For example, this year there were 43 films produced or co produced by France which were really impossible to find as fest site only has film list by alphabet.

Anyway here are the award winners from news and as soon as fest site publishes list will post link.

People's Choice Awards

Feature Film: Silver Linings Playbook by David O. Russell
Runners-up: Argo by Ben Affleck and Zaytoun by Eran Riklis

Documentary: Artifact by Bartholomew Cubbins
Runners-up: Storm Surfers 3D by Christopher Nelius and Justin McMillan, and Revolution by Rob Stewart

Midnight Madness: Seven Psychopaths by Martin McDonagh
Runners-up: The Bay by Barry Levinson and John Dies at the End by Don Coscarelli

Canadian Films

Best Feature Film: Laurence Anyways by Xavier Dolan
Best First Feature Film: (tie)
Antiviral by Brandon Cronenberg
Blackbird by Jason Buxton
Best Short Film: Keep a Modest Head by Deco Dawson

FIPRESCI Awards
Special Presentations Section: Dans la maison (In the House) by François Ozon
Discovery Section: Call Girl by Mikael Marcimain

NETPAC Award: Kibô no kuni (The Land of Hope) by Sion Sono

Grolsch Film Works Discovery Award: Detroit Unleaded by Rola Nashef

If you're not familiar with the top award winner then can share that film star is none other than Jennifer Lawrence, another young actress that I follow her career closely and see everything with her (except scary movies). Also in movie Bradley Cooper, Robert De Niro and Julia Stiles; if you follow Movie On facebook page you saw the trailer a long while back.

Info is up at fest site if you wish to check their announcement go here where some pics have links to movie info.

Les adieux à la reine (Farewell, My Queen)

An interesting glimpse into history in a movie that actually was filmed in Versailles and surprisingly for me shows not only the sumptuous lifestyle inside the palace but also the grim world of servant quarters. But I was not captivated by story as while watching I was thinking more about the different worlds that inhabit the palace and the historic events that happened at that time which amazingly resemble so much to what is happening today in current world time.

Based on a book with the same name by Chantal Thomas, this Benoît Jacquot film tells the story of four days at the eve of the French Revolution seen by a fictional character, Sidonie Laborde (Léa Seydoux) who is a reader to Marie Antoinette (Diane Kruger). It is tale that that perfectly fits the label of a "women's point-of-view" as in story we have mainly female characters telling us about monarchy reactions to the storming of La Bastille, that with its fall is the flashpoint to the French Revolution and the beginning of modern France.

Let's be clear, this is not a history class. In the surface is a tale of a woman that will do anything and everything for the queen and indeed she does; but at least for me, was impossible not to relate what I was seeing to historical events and in my opinion, here is where this movie excels as have seen other same-period movies and none made me think about historic events. If you know your world history then maybe the same could happen to you and if it does, believe me, is a very interesting ride.

Movie absurd marketing told us that film had lesbian interest, specifically Marie Antoinette relationship with Gabrielle de Polignac (Virginie Ledoyen). As a matter of fact film was competing for the Teddy Award in the 2012 Berlinale, where was also in the main competition for the Golden Bear. Now I can tell you that film had no opportunity to win the Teddy as there is not much lesbian interest in this movie, just a few short scenes that suggest something that now, after reading historic facts, learned that has never been factual as seems was used for political reasons. I'm talking about de Polignac being Marie Antoinette lesbian lover published in the newspapers of that time. So if you watch movie expecting what marketing promised, maybe you will be disappointed.

Besides what I call my "history provocation" this movie has something else that definitively allowed me to think so much and follow closely what I was seeing in the screen, outstanding Léa Seydoux performance and quite good Diane Kruger interpretation of Marie Antoniette that included an Austrian accent while speaking French, which magnificently resembles possible reality. Brief Virginie Ledoyen performance was too short for me as I really like her performances and most of all, her fabulous voice tone. Last, but not least, film is a feast for the eyes if you enjoy watching glorious period costumes.

Have no idea if director storytelling style had the purpose to provoke history relationships, but know that his intention was to portrait intense emotions in a close environment far away from where history was developing. Actually he shows a tight close environment as camera never leaves Versailles in film and what we see in screen is characters having all sort of emotions; but for me, as a viewer, didn't felt any emotions, I was only an spectator, like a fly in the wall that can see everything but can't feel anything.

It's unusual for me to wait a long time before writing a review, but this time I wanted to digest what I saw and my reactions before deciding what to write, maybe that is why this review is kind of "brainy" but after all my first and foremost experience with this film was very brainy. I can't assure you will have the same experience but what I can suggest is not to skip this film that surely has something that you could enjoy.

Enjoy!!!

Watch trailer @MOC

Jumat, 14 September 2012

Muriel fait le désespoir de ses parents (Muriel's Parents Have Had It Up to Here)

A nice -but very French- made for TV movie by Philippe Faucon that made me recall when movies were light and was common to show things that nowadays hardly anyone shows in the small or big screen. This feel-good movie with not much drama, showing life as it is, gave me a good entertainment moment while telling a "normal" story, French style of course.

Definitively a mainstream movie with nothing special, one that looks and feels like many European made for TV movies, but story plus storytelling style makes watching very enjoyable even today, seventeen years after was first released on French television. Yes, this is a 1995 movie that if you haven't watch it, I suggest you do. Good is to mention that film was screened at 1996 Locarno in competition at the Cinéastes du Présent section.

Film tells a very important slice of the life of Muriel played by Catherine Klein and is based on real life experiences that happened to the actress, who also co wrote the script; tells about Muriel realizing she's attracted to her friend Nora, how she tells her mother that she prefers girls over boys and how she finds her happy life. This simple and light story also talks about very profound things but you have to see film to find them.

Absolutely not the regular movie in the lesbian interest genre and one film that I know goes above and beyond the genre as could please general audiences that still recall how simple life was or could be, and do not mind watching very European movies.

A great unexpected surprise for me, which made me wish filmmakers could do now films as light and as real as this one as not only is very entertaining and makes you feel good, but also shows/says something profound that can stay a while in your head.

Enjoy!!!

Watch scene @MOC

Leaving here an excerpt from the dialogue that perhaps sounds dramatic but in my opinion was not at all. To me it was a wow-moment and made me smile.

MURIEL : Si, y a une chose que je voudrais te dire.
SA MÈRE : Qu’est-ce que c’est ? T’as fait une bêtise ?
MURIEL : Non mais faut que je te parle d’une chose.
SA MÈRE : Qu’est-ce qu’il y a ? T’as fait quelque chose de grave ? T’as quand même pas volé ? T’es enceinte ?
MURIEL : Non.
SA MÈRE : T’as couché avec un mec ?
MURIEL : Non.
SA MÈRE : C’est quoi ?
MURIEL : Voilà, y a une chose qu’il faut que tu saches. Faut que tu l’admettes et que tu me prennes avec ça parce que je ne changerai pas. C’est que je préfère les filles aux garçons.
SA MÈRE : Comment ça ? Qu’est-ce que tu veux dire ? Comment ça ? Mais t’as pas pu faire ça !
MURIEL : Me regarde pas comme ça, comme si j’étais sale.
SA MÈRE : C’est pas possible enfin ! Tu sais ce qu’elles font entre elles ces femmes-là ? C’est pas possible, t’as pas couché avec une fille !
MURIEL : Si.
SA MÈRE : Non, c’est pas possible. C’est pas vrai. Tu mens. Tu dis ça pour m’énerver.
MURIEL : Non, je mens pas.