Minggu, 09 Desember 2012

English Vinglish

Selecting which Bollywood films to watch has become a difficult task for me now that Aish is not doing films as honestly have not much criteria to select films I could like or enjoy; then you have to consider that there are too many films to chose from each year. Nevertheless sometimes I take risks and sometimes risks pay-off really well. This is one of those times.

Thanks to buzz from India viewers and reliable non-Indian critics reviews decided to watch this movie and to my surprise the choice was almost perfect as movie is exceptionally good considering Bollywood standards but also considering good western cinema. For starters this is the very first Bollywood movie that I see that is written and directed by a woman, Gauri Shinde, which I believe is not usual in that movie industry. My impression confirms what I know from western cinema, women filmmakers tell better women stories in movies. Most interesting is that this is her debut film, both as an screenwriter as a director, and in my opinion is a great debut that hopefully will give her a great career in the future.

Then film introduced me to Sridevi a very famous actress in India that took a long break from films to return with a truly impressive performance in this film. I am highly impress with Sridevi acting skills, especially because she is able to express with face and body expressions/movements whatever is happening in the scene; she is so good that if you mute sound you will know what is happening with character and story. But there are some scenes where she speaks Hindi to a character that speaks French back to her and even if we assume that they do not understand each other words, we clearly know that they do understand each other as her expressions and the way she speaks tells everything. Amazing! The French actor, Mehdi Nebbou, does the same; but see, that's something I expect from any French actor/actress. Yes is not something I have seen that good in Indian cinema, not even in Aish; but then, my Bollywood experience is very limited. Now I think will try to see her in older movies hoping to discover more excellent performances.

Even if film has what I consider a typical Bollywood film structure and is set in today's world, I found it entertaining, with a good story, and most important, a happy film that will make you feel good while and after watching. Story can be predictable as early in the movie we can foresee how will end, so movie becomes about the ride to reach the predictable end and gee, I was not prepared to what I saw.

First let me tell you what story is about. Tells about Shashi (Sridevi) being treated not good by husband and daughter as she cannot speak English and when she tries speaks with heavy accent. Indeed talks about how those that live with English around them see those that can't speak English as inferiors. Also, Shashi likes to cook sweets, which she sells and are highly praised by her shoppers but dismissed or taken for granted by her family. But due to a family wedding, Shashi unwillingly travels to New York City alone to help with the wedding, her family will come later.

Have to comment about what happens the first time ever Shashi boards a plane as besides the expected humor there is a cameo appearance by great Amitabh Bachchan, at least in the Hindi version as in the Tamil and other versions this role is played by different stars. Both in the screen are great but what blew my mind was what Bachchan tells the American migration officer when he's asked about the purpose of his visit to America. If only I could dare to answer so truthfully as Bachchan's character did ... then, maybe I'll do it next time or maybe not. Sigh.

Going back to the story, Shashi in New York has the expected bad moments every foreigner that does not speak English has in America with intolerant and rude people; but eventually she decides to learn English at a school and that's when things got complicated for my western mind and imagination. One of her fellow students, the French guy, falls for her and even declares his love in public, which is forbidden in Indian culture. But you see that Shashi likes what is happening, you know that the situation makes her feel good about herself, plus helps her self-esteem; as the "romance" escalates you start to wonder how the script is going to solve this issue as after all this is an Indian movie that had huge box office success in India, so nothing "forbbiden" could happen. The solution comes so simply that blew my mind as was solved with philosophical common-sense! In one stupendous sentence delivered by Shashi the to-my-western-mind complex situation is fully solved. Fantastic! Still, can't deny that wished story could go a different direction, but then film had to be a western production, which this is not at all.

As you can see, really enjoyed movie thanks to Sridevi performance and the unusual way story evolves into the predictable end. The rest of the cast has acceptable performances, tech specs are above average as in any Bollywood film, and you can see the director's good hand tying all the dots together quite efficiently. Often you will have songs, some dances and typical "exaggerated" acting scenes; but surprisingly songs and dances not often interrupt the narrative as usually is done in this cinema, consequently some songs or dances are fully integrated.

Of course I recommend movie, but have to remind you that first and foremost this is a Bollywood movie, so please do not expect a western style movie as if you do, surely will be disappointed by the lightness and/or irreverence of story and movie. But yes, in general, consider that this is a movie that western audiences can easily enjoy as an entertainment moment.

Enjoy!!!

Watch trailer @MOC

Sabtu, 08 Desember 2012

2012 Autumn Movie Bits

Originally blog came to life because I wanted to recall the movies I have seen, especially those mainstream movies I watch and tend to forget about them because they did not impressed me. But for the last 7 years blog evolved into something more interesting (at least for me) and sometimes forget to register those mainstream films I have seen. That's how the seasonal "movie bits" post became sort of a blog tradition. A post that also shows my eclectic taste in movies, a taste that makes me watch almost "everything" is filmed in almost any genre.

Hope Springs by David Frankel, USA
I want to like all movies with Merryl Streep in the lead role, but sometimes it is not possible. This is one of the occasions as did not really enjoyed her performance in this movie that has been labeled as "comedy, drama, romance" and found that has not much comedy -even when there are some silly scenes with humor-, there are some awkward-to-see romance moments and mostly is a not-pleasant to watch drama. Believe that the biggest flaw movie has is the casting. Sigh.

Trouble with the Curve by Robert Lorenz, USA
No matter what the person does (like talking to an empty chair), I am Clint Eastwood fan.  I like the filmmaker for the great films he directs and also the actor in many films where he performs. Here he acts but gives the impression that in his old age he is being typecast as the old grumpy man, which he also plays here. Film tells the story of a father (Eastwood) and his daughter (Amy Adams) and is deeply based on the love of Baseball. Found film has not much wrong but is not out-of-the ordinary. It is watchable as an escape moment. Enjoy!

Resident Evil: Retribution by Paul W.S. Anderson, Germany and Canada
Yes, I have seen the Resident Evil movies as found them entertaining for an escape moment and who can resist seeing an action movie with a female character in lead? Not me, especially when the lead is Milla Jovovich. But the last installment was not enjoyable at all as perhaps is the movie that looks and feels more like a console game than a film for the big screen and when this happens is better to play the game than to watch a bad movie. So perhaps console game players will like film, but I did not. Sigh.

Liberal Arts by Josh Radnor, USA
Some positive buzz got me interested in watching this American indie, had low expectations and watched just hoping for an entertainment moment. But got bored quite fast as while story is not that bad, second film by Radnor clearly shows that he still has much more to learn about filmmaking, storytelling and directing. Biggest film flaw, doesn't easily engage audiences, but there are many more. Sigh.

Argo by Ben Affleck, USA
A good thriller/drama inspired by a true story as told by a newspaper article, which I strongly suggest you read as the article is truly fascinating. Maybe should remind you all that this film is not a documentary so takes many creative licenses outside the true facts, which obviously makes it a very enjoyable movie experience that wide audiences will enjoy. Film is as good as all the films Affleck has directed but has something different, thanks to playing an expressionless character his performance is quite good here. Surely film will get honors in current American award season. Watch it, you will like it. Enjoy!!!

Looper by Rian Johnson, USA and China
Perhaps the only thing that motivated me to see this film was Emily Blunt performs here. The Sci-Fi story is not that bad, but the crime and action part was not pleasant to watch, at least for me. Had no idea this was not a studio movie as the way it feels and looks is 100% Hollywood ordinary blockbuster film. Joseph Gordon-Levitt performance and looks are awful, but somehow Bruce Willis and Emily Blunt make film more watchable. Enjoy.

Arbitrage by Nicholas Jarecki, USA
Richard Gere not often plays villains, perhaps is because he is better performing light romance roles. Film story is not bad, neither is film storytelling style as a thriller, but how the drama was constructed could make some viewers to feel disappointed by film. Surely did it to me. Still imagine many viewers will like the movie even when I did not. Enjoy.

Magic Mike by Steven Soderbergh, USA
Not easy for me to find the reason-why Soderbergh decided to do this movie that definitively looks and feels very different to his previous films. The best "nice" word I can find to describe film is "cheesy" but not-nice words better describe this trashy B-film, especially for the truly awful actor's performances. If you skip it won't be missing much; me, I wish I did see it. Sigh.

The Vow by Michael Sucsy, USA, France, Australia, UK and Germany
I like romantic movies as much as anybody else, but it's been a while since I see one that impresses me and obviously this one is not the one. A bland, not engaging, no chemistry, no-good-acting, no-everything movie that find is below the standard of made-for-television movies, usually screen at the infamous LMN channel. Suggest to skip. Sigh.

Liz & Dick by Lloyd Kramer, USA
Talking about Lifetime channel made me recall this movie that critics' and many viewers strongly and loudly trashed. Watched for only one reason, wanted to hear Lindsay Lohan voice, period. So I had below low expectations. Then obviously Lohan doesn't look like Taylor, Bowler doesn't look like Burton and Lohan/Bowler chemistry is zero; but yes, I was surprised on how the story film tells made me recall the most famous "scandalous romance" as was told then in the news. So can tell that enjoyed movie more than what I could imagined.. The funniest thing was to read in twitter how many recorded film and had already watch it twice and more times. If Lohan was not being trashed by media as much as it is, I bet that many will dare to say that they enjoyed movie. But well, remember that this is not a big screen movie, is a TV movie and definitively should not have been considered as a anyone's "come back". Enjoy.

My Little Princess by Eva Ionesco, France
Ionesco's debut film was incredibly hard for me to watch for the story and for what is shown in the screen. Have no need to see, especially the images in this highly dysfunctional mother/daughter story. I can't believe what I am about to say, as is an Isabelle Huppert film, but I strongly suggest you skip this film. Refuse to rate this film.

Lawless by John Hillcoat, USA
It is an okay movie but was expecting a lot more from this film screened in competition at 2012 Cannes. Not really interested in the story film tells or the storytelling style the film has; but can't deny that there are some very-good performances that make film worth-watching. For those that love great cinema suggest to lower whatever expectations Cannes provoked in you, so you'll be able to enjoy the cast ensemble performances. Enjoy!!

Butter by Jim Field Smith, USA
Yep, watched this truly bad film with awful performances especially by Jennifer Garner. But who could resist watching the too-brief lesbian interest scene with Olivia Wilde and Ashley Greene? Not me. Film is truly not worth-watching, not even for that scene; instead watch scene in any of the many videos available in the net. Sigh.

Ethel by Rory Kennedy, USA
A documentary by Rory Kennedy, the youngest daughter of Ethel and Robert Kennedy, who wanted to tell the story of her mother and the father she never met as Bobby Kennedy died six months before she was born. Unbelievable to find that Rory Kennedy has directed 13 documentary films plus she has produced about 27; but then shouldn't be surprising as this very good and moving documentary documents the life of an unusual woman and while telling her story, also tells about her husband and well, a piece of America's history in quite turbulent times. With interviews with Ethel and Rory's siblings plus footage from the era, including Kennedy's home movies, film will take you into an unexpected surprising family story that surely will move you beyond whatever you can expect from a Kennedy's story. After all much has been told about John, but not that much about Robert, much less like in this very intimate portrait of his family. Suggest to watch, even if you are not a Kennedy's fan. Enjoy!!!

Prometheus by Ridley Scott, USA and UK
Can't believe never wrote about this movie that was entertaining for someone like me that hasn't seen any Alien movies and saw it just because Noomi Rapace was in movie. Had no idea that she is the lead, but hopefully she will refrain from doing any sequels as this is NOT the kind of movie she should be doing. Nevertheless film is okay for a sci-fi movie with many special effects that earn film to be shortlisted in the 2013 VFX Oscar category, but besides entertaining and some great visuals, there is not much to be said. Ah! that is why I forgot to write about movie. Enjoy.

I'm sure have forgotten many movies -should write at least the names to not forget them- but this is all for a season that has not ended yet; however, soon will be winter.

2012 International Documentary Association Award Winners

Usually I do not cover documentary films but this year there are so many great documentaries that decided to give these films a voice in the blog. Last night IDA had the awards ceremony at the Directors Guild of America in Los Angeles and honored the film "Searching for Sugar Man" with the top award.

I have been following Malik Bendjelloul's debut film since learned the unbelievable great story that tells when was screened at 2012 Sundance where won audience and jury awards, went to win the Silver George Best Documentary at 2012 Moscow fest and continue to collect honors in the fest circuit. Now Searching for Sugar Man started to collect honors in the American award season including being shortlisted by Oscar and wining the top award at IDA. What amazes me the most is that this is a Sweden/UK production telling the story of an unknown American man that was very famous in South Africa.

After this long introduction let me share with you both the nominees and the award winners of 2012 IDA Documentary Awards. Winners are in *BLUE.

Best Feature Award
*Searching for Sugar Man, Malik Bendjelloul, Sweden and UK
The Central Park Five, Ken Burns, Sarah Burns and David McMahon, USA
The Invisible War, Kirby Dick, USA
The Queen of Versailles, Lauren Greenfield, USA, UK, Netherlands and Denmark
Kokvinnorna (Women With Cows), Peter Gerdehag, Sweden

Best Short Award
*Saving Face, Daniel Junge and Sharmeen Obaid-Chinoy, USA and Pakistan
God is the Bigger Elvis, Rebecca Cammisa, USA
Kings Point, Sari Gilman, USA
Mondays at Racine, Cynthia Wade, USA
Open Heart, Kief Davidson, USA

Best Continuing Series (TV)
*American Masters
Independent Lens
POV

Best Limited Series
*On Death Row, Werner Herzog, USA, UK and Austria
Bomb Patrol: Afghanistan, USA
George Harrison: Living in the Material World, Martin Scorsese, USA
Slavery: A 21st Century Evil, David Hickman, Tim Tate and Tom Phillips
The Weight of the Nation

David L. Wolper Student Documentary Award
This award recognizes exceptional achievement in non-fiction film and video production at the university level and brings greater public and industry awareness to the work of students in the documentary field.

*La Camioneta (La Camioneta: The Journey of One American School Bus), Mark Kendall, USA
The A-Word, Lindsay Ellis, USA
Captive Radio, Lauren Rosenfeld, USA and Colombia
Julian, Bao Nguyen, USA
Meanwhile in Namelodi, Bejamin Kahlmeyer, Germany

ABCNEWS Videosource Award
This award is given each year for the best use of news footage as an integral component in a documentary.

*Harvest of Empire, Peter Getzels and Eduardo López, USA
Booker's Place: A Mississippi Story, Raymond De Felitta, USA
The Central Park Five, Ken Burns, Sarah Burns and David McMahon, USA
The Family, Hussein Elrazzaz, Egypt
We Are Wisconsin, Amie Williams, USA

Humanitas Documentary Award
This award is given to a film that explores the hopes and fears of human beings who are very different in culture, race, lifestyle, political loyalties and religious beliefs in order to break down the walls of ignorance which separate us.

*Bitter Seeds, Micha X. Peled, USA
American Experience: The Amish, David Belton, USA
Call Me Kuchu, Katherine Fairfax Wright and Malika Zouhali-Worrall, USA and Uganda
Harvest of Empire, Peter Getzels and Eduardo López, USA
La Vierge, les Coptes et moi... (The Virgin, The Copts and Me), Namir Abdel Messeeh, France, Qatar and Egypt

Pare Lorentz Award: The Island President, Jon Shenk, USA
The Pare Lorentz Award recognizes films that demonstrates exemplary filmmaking while focusing on the appropriate use of the natural environment, justice for all and the illumination of pressing social problems.

Creative Recognition Awards

Best Cinematography: Peter Gerdehag for Kokvinnorna (Women With Cows)
Best Editing: Rodney Ascher for Room 237
Best Writing: Keith Patterson for Ann Richards' Texas
Best Music: Searching for Sugar Man, original songs by Sixto Rodriguez and additional score by Malik Bendjelloul

Jaqueline Donnet Emerging Documentary Filmmaker Award: David France
Career Achievement Award: Arnold Shapiro
Pioneer Award: Sundance Documentry Program and Fund (DPF)

As you know this blog lists film name and director but if you wish to learn producers please go to IDA official site where you also can find film info plus how to watch each film information, some links allow you to watch the entire documentary film.

I feel very lucky as have seen many of the honored documentaries; some with very entertaining stories in great productions while others tell very hard-to-watch stories, especially those related to women in very adverse conditions. Still there are others that have not seen and definitively I'm looking forward to watch.

I believe that this year was an outstanding year for documentary films and we have to celebrate it by viewing the above and many more films that are finding a voice in this blog.

Cheers!!!

The Sapphires

Wayne Blair debut film is a very entertaining movie that looks and feels like old-fashion entertaining, when movies told good stories, had good production specs and were done with the purpose of entertaining audiences.

Co written by Keith Thompson and Tony Briggs, film is based on the award winning stage play by Briggs that tells about four Koori women who are discovered by an unlikely talent scout and form an all female singers group called The Sapphires that are hired to entertain troops in Vietnam during the war. The stage play was inspired by the true story of his mother and aunt.

Perhaps the best way to describe this movie is what some say about the play: "The Sapphires is not about the racist persecution of the 1960's. (...) Racist attitude were alive and well in Australia. There were limited work opportunities and that was one of the things that drove us to be entertainers." But the best description can be said with three words: "It's a celebration."

Indeed film shows us what is said in the above paragraph and perhaps racism is expanded beyond what the original play intend as film also makes parallels to 60's racism in America; but is not what movie is all about. Movie is about celebrating the life of four women that were briefly famous in the 60's and their story is told with great first-rate singing and choreography, some humor and not much drama.

This is an engaging, warm-hearten movie that sparkles energy and charm which surely will touch you while entertaining you; after watching you will have a great feel-good feeling that could uplift your moment, that is on top of singing along the great songs and dancing in your chair while watching.

Film was premiered in 2012 Cannes at the Midnight Screenings section and while traveling the fest circuit collected honors; but I believe that the festival circuit was a great promotion platform for a film that otherwise will have stayed in domestic Australia market to deprive us international viewers from a great old-fashion delightful mainstream movie.

I do recommend movie for one of those moments when you want to be entertained with a great mainstream movie that showcases great soul songs and will make you feel real-good.

Enjoy!!!

Watch trailer @MOC

Rabu, 05 Desember 2012

2012 National Board of Review Awards Winners

The non-profit organization members have voted and the 2012 awards have been announced just a few minutes ago. A select group of knowledgeable film enthusiasts and professionals, academics, young filmmakers and students, the National Board of Review viewed over 250 films this year including studio, independent, foreign-language, animated and documentary selections. These screenings were frequently followed by in-depth discussions with filmmakers, directors, actors, producers, and screenwriters.

The award winners are known well in advance of the Awards Gala that is taking place on Tuesday, January 8, 2013 at Cipriani 42nd Street in New York City and this year Meredith Viera will host the Gala.

These are the award winners as published at the official site.

Best Film: Zero Dark Thirty
“Zero Dark Thirty is a masterful film,” said Annie Schulhof, NBR President. “Kathryn Bigelow takes the viewer inside a definitive moment of our time in a visceral and unique way. It is exciting, provocative and deeply emotional.”

Best Director: Kathryn Bigelow for Zero Dark Thirty
Best Directorial Debut: Benh Zeitlin for Beasts of the Southern Wild

Best Actress: Jessica Chastain in Zero Dark Thirty
Best Supporting Actress: Ann Dowd in Compliance
Breakthrough Actress: Quvenzhané Wallis in Beasts of the Southern Wild

Best Actor: Bradley Cooper in Silver Linings Playbook
Best Supporting Actor: Leonardo DiCaprio in Django Unchained
Breakthrough Actor: Tom Holland in The Impossible

Best Original Screenplay: Rian Johnson for Looper
Best Adapted Screenplay: David O. Russell for Silver Linings Playbook

Best Ensemble: Les Misérables
Best Animated Feature: Wreck-It Ralph
Best Foreign Language Film: Amour (Love)
Best Documentary: Searching for Sugarman
NBR Freedom of Expression Award: Central Park Five
NBR Freedom of Expression Award: Promised Land

Special Achievement in Filmmaking: Ben Aflleck for Argo
Spotlight Award: John Goodman in Argo, Flight, Paranorman and Trouble with the Curve
William K. Everson Film History Award: 50 Years of Bond Films

Last the organization lists their top films in alphabetical order. Please notice that list does NOT include award winners in each category.

Top Films
Argo
Beasts of the Southern Wild
Django Unchained
Les Misérables
Lincoln
Looper
The Perks of Being a Wallflower
Promised Land
Silver Linings Playbook

Top 5 Foreign Language Films
Barbara
The Intouchables
The Kid With a Bike
NO
Rebelle (War Witch)

Top 5 Documentaries
Ai Weiwei: Never Sorry
Detropia
The Gatekeepers
The Invisible War
Only The Young

Top 10 Independent Films
Arbitrage
Bernie
Compliance
End of Watch
Hello I Must Be Going
Little Birds
Moonrise Kingdom
Quartet
Sleepwalk with Me

This group does not characterize for giving probable Oscar winners, but I believe that in some categories the honored films, actors and filmmakers will probably get nominations. Now we have to learn the LA Critics Awards and perhaps we will get a better perspective of what NON-Academy members liked this year.  We have to wait for the guilds to announce their nominations to start to get a more faithful picture of what Oscar nominations could look as guild members are also Academy members.

The one category that I'm still quite unsure, Best Actress, is not becoming clear here; even do I know that Jessica Chastain is a sure strong contender. If LA Critics give award to another actress -not Rachel Weisz or Jessica Chastain-, then will be more confused, but more interesting in what will come next.

Somehow is very hard for me to imagine that Bradley Cooper delivered a better performance than Daniel Day-Lewis, but we already know that Cooper has been a contender for a nomination.  Had no idea that DiCaprio has a supporting role and not a lead role in Tarantino's latest, which seems extremely strange to me.  But we know how everyone (studios, producers, publicists) "plays" with the lead and supporting categories in the search to win an award.

Saw Looper and is not that bad, but to me is more a classical Hollywood action/crime/drama movie than an American indie; still have no clue for the reason-why the script deserved an award.  Saw Argo and well, as expected is a very good movie as good as all the movies Ben Affleck has directed but due to the role he played in movie, this time his performance is also good.

3rd My French Film Festival Lineup

As the third edition of this now more famous online film festival approaches the program with 10 films and 10 short films in competition has become available; but the best news for many online viewers is that the fest returns with new foreign languages, new partner platforms and an avant-première for its launch in London.

The festival will run from January 17 to February 17, 2013 and new partner platforms include the fest website and Dailymotion for worldwide viewers plus with less coverage but still with many countries coverage, iTunes. Then you have a large list with one specific partner for countries like UK, Turkey, USA, Spain, Austria, Germany, Quebec, Russia, China, and more that you can check here. So if the fest website does not satisfy your streaming possibilities, now you can select a source with higher, better and cleaner streaming. Well done as is a great improvement.

Another interesting change for this year is related to the juries as in my opinion has become a bit more professional when a Filmmakers Jury is added to previous International Press Jury and Social Networks Jury. The audience plus the three juries will award seven prizes, four for feature films and three for shorts; plus winning films will be shown aboard all flights of Air France.

As some of you know this is a pay-per-view festival and you can check rental rates and package options at fest official site, rates that imagine will be different if renting from a different platform provider; but as in previous editions there are some lucky regions of the world that can view films for free like China, Poland, Russia, Turkey and Latin America.

Again to stimulate viewership there are promotions that give away prizes that include a trip for two to Paris (no matter their country of origin) or a trip to London for French residents, plus a trip for two to New York in March 2013 by betting on the film elected by Internet Users on the Facebook page of Air France and many free viewings and other surprises.

If you wish to participate in any of the promotions check facebook page for the fest here and for Air France go here. The promotions are not active right now but you can "like" both pages to learn in your facebook news feed when promotion becomes active.

After the long introduction these are the films in the selection.

Feature Films

Une bouteille à la mer (A Bottle in the Gaza Sea), Thierry Binisti, France, Israel and Canada, 2010
Tal is a young Frenchwoman who has settled in Jerusalem with her family. Seventeen years old, she has reached the age of the "first time": the first love, first cigarette, first piercing. And the first bombing. After the explosion of a kamikaze in a café in her neighborhood, she writes a letter to an imaginary Palestinian, in which she expresses her questions and her refusal to accept that only hatred can reign between Israelis and Palestinians. She slips the letter into a bottle that she gives to her brother to throw into the sea, near Gaza, where he is carrying out his military service. A few weeks later, Tal receives a response from a mysterious "Gazaman."

This 2010 produced film was first screened in theaters on February 8, 2012 and according to IMDb is listed as "Coming Soon" in theaters January 4th, which usually means America domestic release. The most interesting thing this film has is that outstanding HIam Abbass performs here in the role of Intessar.

Donoma, Djinn Carrénard, France, 2010
A teacher forms an ambiguous relationship with a student, an agnostic teenager is "called" by God, and a photographer gives herself to a stranger. Do we choose to love? Do we choose to be loved?

This very low-budget production was first released in theaters on November 23, 2011 and is better known to me as the 2011 Prix Louis-Delluc Best First Film winner and as a film that I haven't been able to see and I'm very curious about it, just to see what they did with a budget of 150 Euros!!!

De bon matin (Early One Morning), Jean-Marc Moutout, France and Belgium, 2011
Monday morning. Paul Wertret, 50, heads off to his job as a manager at the International Credit and Trade Bank. He arrives at 8 o'clock on the dot, as usual. He enters a meeting room, takes out a gun and kills two of his bosses. Then he locks himself in his office. As he waits for the inevitable police assault, this ordinary man looks back over his life and the events that led him to commit such an act.

This is one of those French films that I have said: No, merci. In case you are not a regular blog reader "No, merci" means, nothing will make me see this movie in the past, the present, and the future.

Tous au Larzac (Leader-Sheep), Christian Rouaud, France, 2011
"We've chosen the Larzac, because it's an abandoned region." - Michel Debré. Marizette, Christiane, Pierre, Léon, and José… are some of the people, funny and moving, united together in a merciless struggle to save their land. A determined and joyful fight, but one that is also very trying and dangerous.
It all began in 1971, when the French government, with Michel Debré, Head of the Defense Department, as spokesperson, decided to enlarge the Larzac military camp. Without any prior discussion with the farmers, the camp was to be extended from 3,000 to 14,000 hectares.
Anger spread like wildfire, farmers rallied together and signed an oath: never would they hand over their land. In the daily confrontation with the army and police, they employed great imagination to ensure that their voices were heard. Soon, hundreds of Larzac committees sprouted up throughout France. Ten years of resistance, collective intelligence and solidarity that would carry them to victory. Today the Larzac region is thriving more than ever.

A documentary with an interesting story but think will skip watching.

Louise Wimmer, Cyril Mennegun, France, 2011
50-year-old Louise Wimmer is adrift. Her comfortable life is turned upside down when a painful separation and an unexpected crisis leave her immersed in debt and homeless, forcing her to sleep in her car. Her job as a hotel maid is not enough for rent or for paying off her debts. However, Louise keeps fighting for a better future. Refusing even the help of friends and a man who truly loves her, she will nevertheless find the strength to build a new life for herself.

Better known to me for being in competition at the International Film Critics Week of the 2011 Biennale; but as what also happens in Cannes, critics weeks have very strange films which I learned to better not to see them.

Sport de Filles (Of Women and Horses), Patricia Mazuy, France and Germany, 2011
Enraged by the sale of the vaulting horse that she'd been promised as hers to ride, Gracieuse, a talented rider, dumps her job at a stable. She starts again from zero by accepting work as a groom at a dressage stud farm adjacent to her father's property. The owner, Joséphine de Silène, exploits with an iron fist the international renown of a German trainer, Franz Mann. This former champion, now cynical and worn out, is sought out by female riders the world over, who fight each other for his knowledge - and for his attention.
This microcosm of power and money has no time for Gracieuse, whose only assets are her talent, her fiercely stubborn character, and, most particularly, her determination to succeed. A high tension wire who's ready to stand up to Franz Mann and to face any obstacle, even if it means stepping outside the law, she pursues her sole obsession: to have horse to call her own that she will take to the top...

Perhaps the only interesting thing in this film is the cast, with Marina Hands, Bruno Ganz and Josiane Balasko; but no, I'm not interested in watching.

Parlez-moi de vous (On Air), Pierre Pinaud, France, 2011
40-year-old Mélina is the most famous voice in France. Host of a evening radio programme, she resolves listener's emotional and sexual problems on the air with cheekiness, humor, and frankness. Everyone knows her voice, but no one knows her face. In everyday life, she avoids all contact and lives like a spinster in a chic part of town. She is looking for her mother, whom she's never known. When she discovers that the latter is living with a large family in the high rise blocks at the edge of the city, she decides to get near to her, incognito...

Perhaps Karin Viard is the most interesting thing in film but I have already said, No merci, to this film.

Radiostars, Romain Lévy, France, 2011
Ben, who dreamed of himself as a comic in New York, is in back in Paris, his professional and emotional life in complete disarray. He encounters Alex, the star host of the Breakfast Club, a popular morning radio show. With Cyril, a forty-something who'd prefer not to be, and Arnold, the charismatic leader of the gang, they call the shots on Blast FM. In next to no time, Ben is hired to write for them.  He's barely joined the team when a tidal wave hits the station: Breakfast Club listenership is in free fall. They set out on a bus to travel to every corner of France to meet and win over their public once again.  For these arrogant Parisians, a real journey of initiation arises from this radiophonic road trip, shaking up all their certainties.

Yep, already said, No merci.

La Désintégration (The Disintegration), Philippe Faucon, France and Belgium, 2011
Among the projects on the outskirts of Lille today. Ali, Nasser and Hamza, all twenty years old, meet Djamel, who is ten years older than them. To their eyes, Djamel seems like a charismatic, scathing big brother. An able manipulator, little by little he indoctrinates the three friends, knowing better than anyone their disappointments, weaknesses, and their rebellion faced with the society in which they're born, but to which neither of the three feel they belong.

Not interested in watching.

La Pirogue (The Pirogue), Moussa Touré, France, Senegal and Germany, 2012
Baye Laye is the captain of a fishing pirogue. Like many of his Senegalese compatriots, he sometimes dreams of new horizons, where he can earn a better living for his family. When he is offered to captain one of the many pirogues that head towards Europe via the Canary Islands, he reluctantly accepts the job, knowing full-well the dangers that lie ahead. Leading a group of 30 men who don't all speak the same language, some of whom have never seen the sea, Baye Laye will confront many perils in order to reach the distant coasts of Europe.

Better known to me as being in competition in Un Certain Regard section of 2012 Cannes. Film suggests to have great visuals but I have already said No, merci when I had the opportunity to watch.

As you can see I'm not really interested in the feature films program presented this year; only one film really calls my attention for the wrong reasons plus another for one actress I really enjoy her performances. Let see what happens with shorts as usually in previous editions there are many truly must be seen for me.

Short Films

Un monde sans femmes (A World Without Women), Guillaume Brac, France, 2011, 58'
A small sea resort of the coast picarde, last week of August. By handing over the keys of an apartment for rent, Sylvain gets acquainted with two attractive young women. The ideal opportunity to go out if only for a few days in a solitary life in which women are desperately absent. Very quickly, Sylvain makes himself indispensable to his new friends. But things get complicated when the feelings and especially Gilles, a local womanizer without any scruples, come to get involved.

Actually this is a medium-length film as its running time is 58 minutes but from synopsis I can tell film is a comedy and a fast search confirms it. No, merci.

Je sens le beat qui monte en moi (Beauty and the Beat), Yann Le Quellec, France and Belgium, 2012, 32'
Rosalba, a young tourist guide, suffers from a strange ailment: the very least melody sets off in her gesticulation and she beings to dance, as suddenly as uncontrollably. Despite her ruses to hide her eccentricity, this uncontrollable body might well seduce her surprising co-worker, Alain.

Another medium-length film and another comedy. No, merci.

Edmond était un âne (Edmond Was a Donkey), Franck Dion, France and Canada, 2012, 15'
Edmond is not like everybody else. A small, quiet man, Edmond has a wife who loves him and a job that he does extraordinarily well. He is, however, very aware that he is different. When his co-workers tease him by crowning him with a pair of donkey ears, he suddenly discovers his true nature. And though he comes to enjoy his new identity, an ever-widening chasm opens up between himself and others.

An award winner animated short film that definitively calls my attention. Must be seen for me.

Fille du calvaire, Stéphane Demoustier, France, 2012, 20'
Jérôme fell in love with a young woman whom he tries to seduce. Day after day, he tells the evolution of the operations to his friend Patrick who gives his advice and lives by proxy the adventures of his younger friend.

Not sure, it is a maybe.

Ce n'est pas un film de cow-boys (It's Not a Cowboy Movie), Benjamin Parent, France, 2011, 12'
Brokeback Mountain was aired on TV last night. Vincent watched it and has been completely shattered. He takes advantage of the recess to describe the film in a touching and naïve way to his classmate, Moussa. In the girls bathroom, Jessica also deeply moved by the film, bombards her best friend Nadia with awkward questions about her gay father.

Better known to me as the Petit Rail d'Or winner at 2012 Cannes, where it was show as in the Critics' Week section and for also winning the Queer Palm for best short film. Seems like FINALLY will be able to see this short. Great.

Double Mixte, Vincent Mariette, France, 2011, 25'
While waiting for an important trial for which he has to testify, Jean is placed under Arthur's protection, a slightly intrusive cop. Seeing danger everywhere, Arthur decides to take Jean out of sight to his sister's home, the disturbing Margaret.

Not sure, it's a maybe.

Le Pays qui n'existe pas (Neverland), Cécile Ducrocq, France, 2012, 18'
Jeanne, aged twelve, spends a weekend with her parents. Thanks to an indiscretion, Jeanne learns that her father has a mistress.

Maybe.

Oh Willy..., Emma De Swaef and Marc Roels, France, Belgium and Netherlands, 2012, 17'
Following the death of his mother, Willy returns to the naturists community where he was raised. Melancholic when facing his memories, Willy decides to run away in the nature where he finds the maternal protection of a big hairy animal.

Interested in watching this animated short that won the 2012 Silver Hugo at Chicago fest.

Le Marin masqué (The Shady Sailor), Sophie Letourneur, France, 2011, 35'
Laetitia and Sophie leave for weekend in Brittany, in Laetitia's home town, Quimper. Their stay is rhythmed by pancakes, strolls on the beach and going out at night to la Chaumière, reappears the face of the masked sailor, Laetitia's youth love.

Maybe.

Le Monde à l'envers (Upside Down World), Sylvain Desclous, France, 2012, 37'
A typical provincial city. Mado, 56 years old, is a cashier in a supermarket, on a short-term contract, renewable for one year. A good job for some. An eternity for Mado. One day, she escapes. Direction - the countryside. A small house in which lives her son whom she so loves and sees so little of.

Maybe.

As you can see short films are a bit more interesting than feature films as not only are newer productions but also some are award winners and/or official selection at prestigious festivals, plus stories seem more interesting.

By the way, on December 21st there will be an avant-première were we will be able to watch the short films free-of-charge within the framework of "The Shortest Day", the short-film celebration organized by the CNC, in partnership with the Ministry of Culture. Still have to find out exactly where the free screening will happen and if it will be available to watch online. Seems will be at the fest site, according to news I read.

Out of Competition
Two feature films and one short film will be screened in this section.

Les Tontons flingueurs (Crooks in Clover), Georges Lautner, France, 1963
Ex-gangster Fernand (Lino Ventura) receives a call from a dying friend, a mob boss nicknamed "The Mexican". The doomed mobster talks Fernand into taking care of some criminal business and looking after his soon-to-be-married daughter. When a longtime mobster heavy, Volfoni takes exception to Fernand for being an outsider, they come after Fernand who is equal to the task. He defends himself in a series of comical killings from the onslaught of the mob.

Roméo Onze (Romeo Eleven), Ivan Grbovic, Canada, 2011
The intimate portrait of a young man struggling to find his footing in life while living with a physical disability and the expectations of his father. A trail of lies slowly catches up to him as he tries to become Romeo Eleven.

Opasatica, Eric Morin, Canada, 2010, 18'
In winter, northern Quebec, a Spanish woman lives a short and intense relationship. Intimacy in wide open space.

The most interesting Jury is the Filmmakers Jury with the following members.
Emanuele Crialese, Italy
Lucrecia Martel, Argentina
Wang Xiaoshuai, China
Michel Hazanavicius, France

To read info and watch trailers for each film plus learning members in the other two Juries go to the official site.

By the time the festival starts I will be traveling but will try to find time to watch the few films that really call my attention. Maybe next year besides promoting films that have no distribution beyond France, maybe festival could include one or two more recent films that could make the competition more interesting.

一枚のハガキ Ichimai no hagak (Postcard)

Perhaps Kaneto Shindo is less-known than other Japanese classic filmmakers, maybe is because he started as an art director in the late 1930's and became a scriptwriter in the mid-1940's; but after a few years far away from filmmaking (his military service) he became a director. Then today he is also known from those before the war years because he was Kenji Mizoguchi's assistant on some of the master filmmaker films.

I have seen some Shindo films, many he wrote less he directed; maybe his most acclaimed as a director is 1960 Hadaka no shima (The Naked Island) a black and white, no-dialogue film that still haunts me for the visuals and story. But he is also known as the director of Children of Hiroshima that premiered in 1953 Cannes and is the first Japanese film to deal with the subject of the atomic bomb, which had been forbidden under postwar American censorship. Maybe that is why he is also known as "post-war chronicler" for this and other atomic bomb related films he did.

Shindo passed away on May, 2012, two months after his 100 birthday; but after many screenplays (around 160 or more, depending source) and directing approximately 49 films, the last film he wrote and directed is 2010 Postcard, a WWII drama loosely based on his own war experience where from his navy unit of 100 men, he was one of six survivors.

Film story essentially is detonated when Sadazo Morikawa asks Keita, a fellow soldier, that if he dies to give back a postcard to his wife, Tomoko, which he was unable to properly answer -due to censorship- and tell her that he got it. Story moves -back and forth in time- to tell the story of Tomoko and the Morikawa family. Then after the bomb, tells the story of Keita returning home and eventually Tomoko and Keita story becomes one. It is a war story but thankfully you do not see anything graphic about the war.

Postcard is an interesting film not only because story is clearly anti-war and about how to survive after everything is lost, but because has several filmmaking styles. Film starts with us seeing the 100 men unit being instructed about their next assignment which will be executed by officials using a lottery system. These scenes use a filmmaking style that I find belongs more to the one used with huge casts where performers discipline is essential; a style Shindo repeats when Keita tells Tomoko about the night the unit leaves to their certain destiny.

While telling the story of the Morikawa family set before the atomic bomb, film looks really classic Japanese cinema as has many visually fantastic scenes with camera moves, long shots, zooms, wipes and compositions that clearly recall Japanese cinema from the master filmmakers. What surprises is the wry humor that some scenes have not only because scenes are telling about waste of life but also because humor was unusual in Japanese classic cinema.

Style changes when story continues after the bomb to become a lot more contemporary, especially in the use of space and movement. Still, there are a few scenes like when Keita and Tomoko vividly discuss or when Tomoko goes wild before burning her house, that are clearly theatrical, Japanese theater style of course.

In the end what could have been a melodrama thanks to story becomes an unsentimental drama dealing with very unsettling issues and presented with an interesting mixture of Japanese cinema styles that will please your eyes and make the cinema experience easier to ride. Then we cannot forget the unexpected use of wry and theatrical humor in key scenes along the entire film that surely will surprise many familiar with Japanese cinema.

Film was premiered at 2010 Tokyo fest were won the Special Jury Prize, continue collecting honors at 2011 Moscow fest plus other Japanese fests/awards, and was Japan's submission to 2012 Oscar. After watching film wonder why Japan sent this film to Oscar as definitively film is not for general audiences -much less for foreign-language committee Academy members- and if you read mainly viewers reviews you will find that most viewers did not liked film, especially younger ones.

Tend to agree with younger audiences as believe that this film is not for them, this is a film for those that enjoy Japanese cinema, especially films from the Golden Age of Japan cinema and those that for sentimental reasons -or not- have to see the last film by Shindo where he returned to visit the storytelling style of his beginnings after also traveling genres like horror, erotic films, crime, comedy and more.

Absolutely recommend film and this post is also my little homage to a great filmmaker that left us this year but will continue to live throughout his extensive oeuvre. R.I.P.

Enjoy!!!

Watch trailer @MOC