Last Monday they had the award ceremony and Cristi Puiu's Aurora won top awards even when director did not attend the gala as he had refused to be nominated as he stated that "the awards were not relevant in a film industry with so few features released annually". Winners are in *BLUE. To check winners in all categories go here.
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2/21
Recently the Romanian Film Promotion Association announced the nominations for the sixth edition and here are the nominees for the main categories.
Periferic by Bogdan George Apetri has the most nominations, 12, followed by Cristi Puiu’s Aurora (10) and Mitulescu’s Loverboy (9).
Best Film
*Aurora, Cristi Puiu, Romania, France, Switzerland and Germany
Crulic - drumul spre dincolo, Anca Damian, Romania and Poland
Din dragoste cu cele mai bune intentii (Best Intentions), Adrian Sitaru, Hungary and Romania
Loverboy, Cătălin Mitulescu, Romania, Serbia, France and Sweden)
Periferic (Outbound), Bogdan George Apetri, Romania and Austria
Best Director
*Cristi Puiu for Aurora
Adrian Sitaru for Din dragoste cu cele mai bune intentii (Best Intentions)
Bogdan George Apetri for Periferic (Outbound)
Cătălin Mitulescu for Loverboy
Best Actress in a Leading Role
Ada Condeescu in Loverboy, Cătălin Mitulescu
*Ana Ularu in Periferic (Outbound), Bogdan George Apetri
Natasa Raab in Din dragoste cu cele mai bune intentii (Best Intentions), Adrian Sitaru
Best Actor in a Leading Role
*Bogdan Dumitrache in Din dragoste cu cele mai bune intentii (Best Intentions), Adrian Sitaru
Cristi Puiu in Aurora, Cristi Puiu
Vlad Ivanov in Principii de Viata, Constantin Popescu
To check nominees in all 16 categories go here. Award ceremony will be on March 26, will be broadcast live by ProCinema and will be streamed live at the awards official site premiilegopo.ro.
Selasa, 27 Maret 2012
Rabu, 21 Maret 2012
Gay Movies Bits
Weekend. What a wonderful movie, one that I truly wish a storyteller could write and a filmmaker could film but for two women (lol! – that’s how good the story is) but I know will be very different as yes we women do not necessarily behave like here, even when men in this story are very sensitive –and realistic-. Film has been the object of many accolades in LGBT festivals but also in non-LGBT prestigious fests –like for example winning MovieZone Award at Rotterdam fest, the director Andrew Haigh winning the Breakthrough British Filmmaker award at the London Critics Circle Film Awards or Tom Cullen winning Most Promising Newcomer at BIFA- and yes I was very curious about this movie.
Well, movie is absolutely must be seen even when you do not particularly like gay interest movies as not only has very good tech specs, great performances, good directing but also story is very-well developed and one story that is not often told. Be aware that movie starts like if will be like many stories about a one night stand, but if you keep on watching eventually you will start to see that story turns into something more interesting, deeper and compelling, so I suggest being patient.
This is a very lovely movie that I find absolutely different to those that populate the gay or lesbian interest genres, maybe a little bit similar to those films that cast very well-known actors to ease the impact of a gay/lesbian story. But Haigh’s film has not-known actors so film is a lot more realistic, which will hit deeper viewers. Yes, it’s a good movie that I suggest you do not skip even if you don’t particularly like the genre. Enjoy!!! UK.
Watch trailer @MOC
The Big Gay Musical. This is a campy movie that fools around being a musical about how God created Adam and Steve, while the main actors try to find love or long-lasting relationships. The best way to describe this movie is that is the absolute opposite of the previous movie I review and one you can watch only if you feel like seeing something silly but entertaining. Should be honest and tell you that I found movie while changing TV channels and that’s why I saw it. Enjoy. USA
Well, movie is absolutely must be seen even when you do not particularly like gay interest movies as not only has very good tech specs, great performances, good directing but also story is very-well developed and one story that is not often told. Be aware that movie starts like if will be like many stories about a one night stand, but if you keep on watching eventually you will start to see that story turns into something more interesting, deeper and compelling, so I suggest being patient.
This is a very lovely movie that I find absolutely different to those that populate the gay or lesbian interest genres, maybe a little bit similar to those films that cast very well-known actors to ease the impact of a gay/lesbian story. But Haigh’s film has not-known actors so film is a lot more realistic, which will hit deeper viewers. Yes, it’s a good movie that I suggest you do not skip even if you don’t particularly like the genre. Enjoy!!! UK.
Watch trailer @MOC
The Big Gay Musical. This is a campy movie that fools around being a musical about how God created Adam and Steve, while the main actors try to find love or long-lasting relationships. The best way to describe this movie is that is the absolute opposite of the previous movie I review and one you can watch only if you feel like seeing something silly but entertaining. Should be honest and tell you that I found movie while changing TV channels and that’s why I saw it. Enjoy. USA
Amintiri din epoca de aur (Tales from the Golden Age)
I believe you don’t need to have lived any totalitarian real life episode to understand this magnificent sarcastic, very dark/black humor, bizarre, and plain funny period comedy/drama collection of short stories about Communism in Romania during the late ‘80s and the so-called Ceausescu Golden Age. All six shorts are written by none other than Cristian Mungiu and directed by Ioana Uricaru, Hanno Höffer, Răzvan Mărculescu, Constantin Popescu, and Cristian Mungiu who directed two episodes.
Stories are based on urban myths, rumors of farcical absurdities that Romanians lived under communist rule; shorts were screened in different order and not all screenings had the six shorts, whilst viewers can have different reactions to the compilation, which somehow simulates what Romanians lived while being in line to buy something, that’s it according to the director.
As a movie has an uniform look and feeling which I assume was not what was expected of having different directors and have to admit that I wonder what would have happened if Mungiu had directed all episodes but settle with would not have been that different as stories in the order I saw them had fluidity and style look quite similar. So from a cinematic point-of-view film is a good representative of the new wave of Romanian Cinema and if you enjoy the form, style and stories from what has become one of my favorite cinemas in the world, then I’m sure you will enjoy these stories that will make you laugh hard, smile and perhaps even shred one tear.
If you enjoy absurd stories with dry black humor then this compilation is for you but please remember that film absolutely belongs to Romanian new wave cinema that is not for general audiences. Still if you love Romanian cinema as much as I do then film absolutely is must be seen for you.
Enjoy!!!
Watch trailer @MOC
Stories are based on urban myths, rumors of farcical absurdities that Romanians lived under communist rule; shorts were screened in different order and not all screenings had the six shorts, whilst viewers can have different reactions to the compilation, which somehow simulates what Romanians lived while being in line to buy something, that’s it according to the director.
As a movie has an uniform look and feeling which I assume was not what was expected of having different directors and have to admit that I wonder what would have happened if Mungiu had directed all episodes but settle with would not have been that different as stories in the order I saw them had fluidity and style look quite similar. So from a cinematic point-of-view film is a good representative of the new wave of Romanian Cinema and if you enjoy the form, style and stories from what has become one of my favorite cinemas in the world, then I’m sure you will enjoy these stories that will make you laugh hard, smile and perhaps even shred one tear.
If you enjoy absurd stories with dry black humor then this compilation is for you but please remember that film absolutely belongs to Romanian new wave cinema that is not for general audiences. Still if you love Romanian cinema as much as I do then film absolutely is must be seen for you.
Enjoy!!!
Watch trailer @MOC
Senin, 19 Maret 2012
6th Asian Film Awards Winners
A few minutes ago the Hong Kong Film Festival Society announced the award winners and here they are for main categories. Winners are in *BLUE. To check winners in all categories go here.
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1/17
Today Hong Kong International Film Festival Society announced the nominations and right now official site has crashed due to “capacity problems”! Nevertheless here are the nominees from different sources and will confirm nods as well as post link to official site when site is up again.
Update
Finally I’m in the official site and here is an excerpt from the official press release.
Hong Kong, 17 January 2012 – The Hong Kong International Film Festival Society (HKIFFS) announced today the nominees in the 14 categories and the jury for the 6th Asian Film Awards (AFA). Eric KHOO, Singapore-based director and producer, will take up the mantle of Jury President, heading the panel of international film community notables who will select the winners of these prestigious awards. The Asian Film Awards Presentation Ceremony will be held at Hong Kong Convention and Exhibition Centre Grand Hall on 19 March 2012.
To continue reading press release go here.
Best Film
*Jodaeiye Nader az Simin (Nader and Simin, A Separation), Asghar Farhadi, Iran
Ichimai no hagaki (Postcard), Kaneto Shindô, Japan
金陵十三釵 Jin líng shí san chai (The Flowers of War), Zhang Yimou, China
龍門飛甲 Long Men Fei Jia (Flying Swords of Dragon Gate), Tsui Hark, Hong Kong and China
賽德克•巴萊 Seediq Bale (Warriors of the Rainbow: Seediq Bale), Wei Te-sheng, Taiwan
ज़िन्दगी ना मिलेगी दोबारा Zindagi Na Milegi Dobara (You Don’t Get Life a Second Time), Zoya Akhtar, India
Best Director
*Asghar Farhadi for Nader and Simin, A Separation, Iran
Teddy Soeriaatmadja for Lovely Man, Indonesia (okay I'm curious about film)
Sono Sion for 恋の罪 Koi no Tsumi (Guilty of Romance), Japan
Tsui Hark for Flying Swords of Dragon Gate, Hong Kong and China
Wei Te-sheng for Warriors of the Rainbow: Seediq Bale, Taiwan
Zhang Yimou for The Flowers of War, China
Best Actress
Vidya Balan in The Dirty Picture, India
Michelle Chen in 那些年,我们一起追的女孩 Na Xie Nian, Wo Men Yi Qi Zhui De Nu Hai (You Are the Apple of My Eye), Taiwan
Eugene Domingo in Ang Babae sa Septic Tank (The Woman in the Septic Tank), Philippines
Leila Hatami in A Separation, Iran
*Deanie Ip in Tao Jie (A Simple Life), Hong Kong
Best Actor
Chen Kun in Flying Swords of Dragon Gate, Hong Kong and China
*Donny Damara in Lovely Man, Indonesia
Andy Lau in Tao Jie (A Simple Life), Hong Kong
Park Hae Il in Choi-jong-byeong-gi Hwal (War of the Arrows), South Korea
Yakusho Koji in Waga haha no ki (Chronicle of My Mother), Japan
Best Newcomer
Ko Chen-tung in You Are the Apple of My Eye, Taiwan
Eric Lin Hui-min in 星空 Starry Starry Night, Taiwan
Maeda Ohshiro in 奇跡 Kiseki (I Wish), Japan
*Ni Ni in The Flowers of War, China
Gita Novalista in Laut Bercermin (The Mirror Never Lies), Indonesia
To check nominations in all categories go here.Can’t help but to comment that infamous Christian Bale is NOT nominated (lol!); I’m so glad as he was really bad on role even when you consider that his character was another century person that used to live in China like “conquerors” do. Got really interested in watching Lovely Man that has LGBT interest, specially in the T, but is the story of a child that finds that her father is a she-prostitute that sells herself in the streets.
As it says in the press release award ceremony will be on March 19.
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1/17
Today Hong Kong International Film Festival Society announced the nominations and right now official site has crashed due to “capacity problems”! Nevertheless here are the nominees from different sources and will confirm nods as well as post link to official site when site is up again.
Update
Finally I’m in the official site and here is an excerpt from the official press release.
Hong Kong, 17 January 2012 – The Hong Kong International Film Festival Society (HKIFFS) announced today the nominees in the 14 categories and the jury for the 6th Asian Film Awards (AFA). Eric KHOO, Singapore-based director and producer, will take up the mantle of Jury President, heading the panel of international film community notables who will select the winners of these prestigious awards. The Asian Film Awards Presentation Ceremony will be held at Hong Kong Convention and Exhibition Centre Grand Hall on 19 March 2012.
To continue reading press release go here.
Best Film
*Jodaeiye Nader az Simin (Nader and Simin, A Separation), Asghar Farhadi, Iran
Ichimai no hagaki (Postcard), Kaneto Shindô, Japan
金陵十三釵 Jin líng shí san chai (The Flowers of War), Zhang Yimou, China
龍門飛甲 Long Men Fei Jia (Flying Swords of Dragon Gate), Tsui Hark, Hong Kong and China
賽德克•巴萊 Seediq Bale (Warriors of the Rainbow: Seediq Bale), Wei Te-sheng, Taiwan
ज़िन्दगी ना मिलेगी दोबारा Zindagi Na Milegi Dobara (You Don’t Get Life a Second Time), Zoya Akhtar, India
Best Director
*Asghar Farhadi for Nader and Simin, A Separation, Iran
Teddy Soeriaatmadja for Lovely Man, Indonesia (okay I'm curious about film)
Sono Sion for 恋の罪 Koi no Tsumi (Guilty of Romance), Japan
Tsui Hark for Flying Swords of Dragon Gate, Hong Kong and China
Wei Te-sheng for Warriors of the Rainbow: Seediq Bale, Taiwan
Zhang Yimou for The Flowers of War, China
Best Actress
Vidya Balan in The Dirty Picture, India
Michelle Chen in 那些年,我们一起追的女孩 Na Xie Nian, Wo Men Yi Qi Zhui De Nu Hai (You Are the Apple of My Eye), Taiwan
Eugene Domingo in Ang Babae sa Septic Tank (The Woman in the Septic Tank), Philippines
Leila Hatami in A Separation, Iran
*Deanie Ip in Tao Jie (A Simple Life), Hong Kong
Best Actor
Chen Kun in Flying Swords of Dragon Gate, Hong Kong and China
*Donny Damara in Lovely Man, Indonesia
Andy Lau in Tao Jie (A Simple Life), Hong Kong
Park Hae Il in Choi-jong-byeong-gi Hwal (War of the Arrows), South Korea
Yakusho Koji in Waga haha no ki (Chronicle of My Mother), Japan
Best Newcomer
Ko Chen-tung in You Are the Apple of My Eye, Taiwan
Eric Lin Hui-min in 星空 Starry Starry Night, Taiwan
Maeda Ohshiro in 奇跡 Kiseki (I Wish), Japan
*Ni Ni in The Flowers of War, China
Gita Novalista in Laut Bercermin (The Mirror Never Lies), Indonesia
To check nominations in all categories go here.Can’t help but to comment that infamous Christian Bale is NOT nominated (lol!); I’m so glad as he was really bad on role even when you consider that his character was another century person that used to live in China like “conquerors” do. Got really interested in watching Lovely Man that has LGBT interest, specially in the T, but is the story of a child that finds that her father is a she-prostitute that sells herself in the streets.
As it says in the press release award ceremony will be on March 19.
Minggu, 18 Maret 2012
Higher Ground
I’m really not crazy about religion films but when I see one that shows something special that I haven’t seen before I have to spread the word as not only Vera Farmiga debut film is surprisingly good but also story critiques religion from a very natural point-of-view that becomes quite entertaining. So no matter if you care or not for any religion, film will take you into a nice voyage that starts when Corinne (played by Farmiga) is a child and accepts God followed by a process that will disenchant her from her beliefs; indeed most of all –in brief- film has a woman story worth watching.
Movie has very good –and surprising- tech specs, but Farmiga’s storytelling style is what will engage you and will allow you to watch her film that absolutely showcases Farminga not only as a great performer but also as a good storyteller. Great.
Please do not expect much and I’m sure you will enjoy this film as much as I did; I do recommend film especially to women and to those that are not that crazy about any religion.
Enjoy!!!
Watch trailer @MOC
Movie has very good –and surprising- tech specs, but Farmiga’s storytelling style is what will engage you and will allow you to watch her film that absolutely showcases Farminga not only as a great performer but also as a good storyteller. Great.
Please do not expect much and I’m sure you will enjoy this film as much as I did; I do recommend film especially to women and to those that are not that crazy about any religion.
Enjoy!!!
Watch trailer @MOC
Senin, 12 Maret 2012
14th Jutra Awards Winners
Last Saturday Québec Cinéma had the awards ceremony and here are the winners for some categories, to check winners in all categories go here. Winners are in *BLUE. Not surprisingly Monsieur Lazhar sweep the major awards and got seven of the nine categories where it was nominated.
Best Film
Coteau Rouge, André Forcier
Le Vendeur (The Salesman), Sébastien Pilote
*Monsieur Lazhar, Philippe Falardeau
Nuit #1, Anne Émond
Starbuck, Ken Scott
Best Director
Anne Émond for Nuit #1
*Philippe Falardeau for Monsieur Lazhar
Micheline Lanctôt for Pour L’Amour de Dieu
Ken Scott for Starbuck
Jean-Marc Vallée for Café de Flore
Best Actress
Céline Bonnier in Coteau Rouge
Catherine de Lean in Nuit #1
Julie LeBreton in Une Vie qui Commence
*Vanessa Paradis in Café de Flore
Madeleine Peloquin in Por L’Amour de Dieu
Best Actor
Fellag in Mosieur Lazhar
Patrick Huard in Starbuck
Charles-Antoine Perreault in Une Vie qui Commence
Mario Saint-Amand in Gerry
*Gilbert Sicotte in Le Vendeur
One or two films that really call my attention -from those I haven't seen or already know about them-. Looking forward to watch them.
Best Film
Coteau Rouge, André Forcier
Le Vendeur (The Salesman), Sébastien Pilote
*Monsieur Lazhar, Philippe Falardeau
Nuit #1, Anne Émond
Starbuck, Ken Scott
Best Director
Anne Émond for Nuit #1
*Philippe Falardeau for Monsieur Lazhar
Micheline Lanctôt for Pour L’Amour de Dieu
Ken Scott for Starbuck
Jean-Marc Vallée for Café de Flore
Best Actress
Céline Bonnier in Coteau Rouge
Catherine de Lean in Nuit #1
Julie LeBreton in Une Vie qui Commence
*Vanessa Paradis in Café de Flore
Madeleine Peloquin in Por L’Amour de Dieu
Best Actor
Fellag in Mosieur Lazhar
Patrick Huard in Starbuck
Charles-Antoine Perreault in Une Vie qui Commence
Mario Saint-Amand in Gerry
*Gilbert Sicotte in Le Vendeur
One or two films that really call my attention -from those I haven't seen or already know about them-. Looking forward to watch them.
Островът, Ostrovat (The Island)
One of the most interesting and surprising films that I have seen lately and one that I strongly suggest you read nothing about the story so you can be surprised as I was as well as many other that have enjoyed the film. Critics and viewers comments tend to manifest dislike for the movie when they were aware of what story was about, so I insist you go “virgin” to this movie.
Can share with you that movie has three parts, the first very brief is quite realistic and has the amazing cameo by none other than Alejandro Jodorowsky; the second happens in a small island in the Black Sea where the main character lives an interior cataclysm and the third happens in a big city, a modern society. The point is that each part has a different style and Kamen Kalev really plays with the styles plus with you, the viewer, if you allow yourself to get inside the story and film. As you can imagine is not a regular art or European cinema, this is quite unusual storytelling that could blow your mind or make you go to the other extreme, bore you to death.
One of the most surprising elements of this film is that is the only film I know where Laetitia Casta has a more than acceptable performance as indeed her performance is very credible; but movie belongs to Thure Lindhardt that speaks Bulgarian phonetically and more than what he says is what he doesn’t say –his face expressions and body language- what really amaze you.
I have not seen Kalev’s debut movie as I really dislike the actor in the lead, but after watching this movie with another not pleasant to watch actor in the lead, I’m warming into watching his first and most acclaimed oeuvre Eastern Plays. I know has to be a good movie as from trailer know cinematography looks spectacular, which by the way in this film cinematography is also spectacular both outdoors as indoors.
First part is so brief that suggest you pay attention as introduction is key to second part that very slowly involved me –almost lost me, so try to endure- but when third part started my reaction was with amazement –incredulity- and you have no idea how could enjoy such a style, story and unconventional ending. This movie is quite unique.
I do recommend to those that really do not like to read about story before watching a movie, like slow story development with some tension building and most of all, enjoy at being surprised with most amusing and unexpected situations.
Big Enjoy!!!
Watch trailer @MOC
Can share with you that movie has three parts, the first very brief is quite realistic and has the amazing cameo by none other than Alejandro Jodorowsky; the second happens in a small island in the Black Sea where the main character lives an interior cataclysm and the third happens in a big city, a modern society. The point is that each part has a different style and Kamen Kalev really plays with the styles plus with you, the viewer, if you allow yourself to get inside the story and film. As you can imagine is not a regular art or European cinema, this is quite unusual storytelling that could blow your mind or make you go to the other extreme, bore you to death.
One of the most surprising elements of this film is that is the only film I know where Laetitia Casta has a more than acceptable performance as indeed her performance is very credible; but movie belongs to Thure Lindhardt that speaks Bulgarian phonetically and more than what he says is what he doesn’t say –his face expressions and body language- what really amaze you.
I have not seen Kalev’s debut movie as I really dislike the actor in the lead, but after watching this movie with another not pleasant to watch actor in the lead, I’m warming into watching his first and most acclaimed oeuvre Eastern Plays. I know has to be a good movie as from trailer know cinematography looks spectacular, which by the way in this film cinematography is also spectacular both outdoors as indoors.
First part is so brief that suggest you pay attention as introduction is key to second part that very slowly involved me –almost lost me, so try to endure- but when third part started my reaction was with amazement –incredulity- and you have no idea how could enjoy such a style, story and unconventional ending. This movie is quite unique.
I do recommend to those that really do not like to read about story before watching a movie, like slow story development with some tension building and most of all, enjoy at being surprised with most amusing and unexpected situations.
Big Enjoy!!!
Watch trailer @MOC
Sabtu, 10 Maret 2012
2012 Winter Movie Bits
Here are some bits about movies that didn’t touch me enough, at least enough to write something about them.
This Must Be The Place. I have no clear idea of what was I expecting from this movie but Paolo Sorrentino credentials gave me expectations of an intense cinematic experience. Can’t say movie is bad as it’s not, much less that Sean Penn is bad as he gives an excellent performance but there is something that bothered me. I saw two styles, thus two movies; one I liked, happened in Europe, the other I didn’t, set in USA. Not as intense as I was hoping and wish film styles blended better; hope next Sorrentino film stays in Europe only. Enjoy! Italy, France and Ireland.
Drive. With all the awful marketing promotion I delayed watching as much as possible as imagined movie was going to be very violent. It is not and end up enjoying the story, the performances and fabulous Nicolas Winding Refn style. If you don’t care about violent movies do not skip this one as not only is not that violent but you will be missing a great movie with great actors’ performances and an acceptable story. Enjoy!!! USA.
Martha Marcy May Marlene. Actually I liked movie and as I said after watching if it wasn’t for them talking English I would have say that this is an European movie, maybe German, good German cinema and Elizabeth Olsen has a great performance, should have gotten an Oscar nod as she does world class acting. If you haven’t seen it, do not skip it worth watching no matter how story is. Enjoy!!! USA.
Young Adult. I believe I’m a Diablo Cody fan and really are looking forward to her directorial debut. In a nutshell this Jason Reitman film has outstanding –and very sharp- dialogues and an amazing performance by Charlize Theron, so good that the classic drunk scene made me feel very awkward, so much that had to “close” my ears and really close my eyes. Do not skip this movie as is a fantastic movie about those really dysfunctional individuals that never grow up. Enjoy!!! USA.
The Iron Lady. Meryl Streep does an outstanding performance that in my opinion does not save the movie that should have been more a made for TV movie, unlike the famous The Queen. I really HATED the story as was a not-kind and very unpleasant to watch portrait of a famous woman. There was NO need to tell the story from this point-of-view even when intention was to humanize Mrs. Thatcher. Can you think about an alive male statesman that was an object of a “humanizing” portrait such as this one? I can’t. Anyway even when Streep deserves Oscar I wish the American Academy wouldn’t celebrate her greatness in such a poor movie. Sigh. UK and France.
J. Edgar. Talking about humanizing famous man this Clint Eastwood film does that with perhaps one of the must “larger-than-life” American infamous law iconic figure and in this sense Eastwood absolutely succeeds as Hoover is seen more like a person than a not-so-positive legend. But film has something that makes the end product not outstanding and not relatable. I believe is the screenplay and yes, performances, the later is hard for me say as I believe Eastwood is a master filmmaker, but I know that once in a while he does movies that leave me wondering why he did them and these films have big stars as leads –remember Angelina Jolie movie? Anyway, watch it without expectations and maybe you will learn that Hoover actually did something good. Enjoy. USA
A Dangerous Method. Complex movie, too much psychoanalysis (as it should be) not much entertaining as is very brainy, thus “dry”; but then what was there to expect from a movie about the founders of modern psychology? (lol!) Indeed most of what I heard already knew and had to pay to learn it! Didn’t enjoy much actors’ performances especially Keira Knightley was not good and at times very unpleasant to watch. Watch at your own risk. Enjoy. Canada, UK, Germany, and Switzerland.
Octubre (October). Been waiting a long time to watch this Vega brothers film and no, I was not really impressed with their much praised film. Peruvian cinema has so much evolved and leaped into the international arena that I was hoping for a world class cinema experience. It was not. Movie has more the regular Latin American style and well, has an entertaining story good enough for an entertainment escape moment. Watch at your own risk. Enjoy. Peru.
Un Cuento Chino (Chinese Take-Away). What do you think of a story that starts with a cow falling from the sky into a small boat and killing the woman that was about to get a marriage proposal? That’s exactly how this sometimes comedy sometimes drama starts plus sets the tone and manner to everything that follows. Is an entertaining movie quite well done with the always outstanding and reliable performance by Ricardo Darin. Enjoy!! Argentina and Spain.
Violeta se fue a los Cielos (Violeta Went to Heaven). For me Violeta Parra is an icon and watching her bio was not easy as tells –and made me recall- about turbulent times in the Latin American region not only Chile. Still, I believe Andres Wood does a good job as she was portrayed as what –everyone says- she was, a not pleasant woman. I like her songs and this movie will not change that, but maybe I liked better the idea I had of her in my head than the one portrayed here. Watch at your own risk, especially if you know who Violeta Parra is and her outstanding poetry in her lyrics. Enjoy. Chile, Argentina and Brazil.
Apflickorna (She Monkeys). Lisa Aschan much honored debut film is a very interesting essay on very young and young women –or should I say children?- behavior as story is strong and yes, not easy to watch. But what makes film quite outstanding is Aschan magnificent visual and narrative storytelling style. Looking forward to her next film and suggest you do not skip this movie, but be prepared as story is not light. Yes has some lesbian interest but in my opinion film transcends the label both because story as because the superb filmmaking style, so wider audiences should be able to enjoy this very European movie. Enjoy!!! Sweden. Lesbian interest.
Poulet aux Prunes (Chicken with Plums). After Persepolis I was really hoping for an outstanding story and was looking forward to see how directors move from animation into live filmmaking; then Mathieu Amalric is a very special performer that either you love him in a particular role or you don’t. Here Amalric is the don’t-like kind and live film does not reach the same great levels of their animation film. For me story is not that interesting –at least as much as was Persepolis- even when I recognize that’s magical. Some say is a very French movie, I don’t agree, film does not look or feel French or European at all. But I hope next film by Vincent Paronnaud and Marjane Satrapi regains the magic that Persepolis had. Enjoy! France, Germany and Belgium.
La Source des Femmes (The Source). I was really looking forward to watch this Radu Mihaileanu film with a story that revolves around women. I really like Leïla Bekhti performances as well as excellent Hiam Abbass and good Hafsia Herzi; can’t complain as it was good watching them here but didn’t enjoy much the story as I believe is one I have seen before told in many more compelling ways. Still, visually this film is a true beauty that will feast your eyes. Enjoy! Belgium, Italy and France.
Les Géants. Bouli Lanners films are not easy to watch for me as was unable to watch Eldorado, but wanted to try to watch this Cannes honored movie. I couldn’t, had to stop watching as was feeling physical sick and very uncomfortable. A story of three kids that never imagined could be portrayed so not easy to watch for the most non-sense simple situations. Watch at your own risk. Sigh. Belgium.
Polisse. Not sure what was going to watch here as Maïwenn movies are always not very easy to watch or enjoy. Well, definitively this one has not her usual style and style becomes maybe more commercial as film looks and feels like mainstream cinema –and could extend it to being like a movie made for the small screen. Still film tells a compelling story about children and actors give very good performances, which makes film worth watching. Do not skip it, even if you don’t particularly like French cinema, you will enjoy this movie. Enjoy!! France.
Les Femmes du 6e étage (The Women on the 6th Floor). Watched because Carmen Maura got a Cesar nomination –which she won- but I’m no fan of French comedies as no, I don’t particularly enjoy their humor. Still film is a lot more a drama than a comedy and was a true pleasure to watch Fabrice Luchini performance. Movie is quite watchable and yes I do recommend it for an escape moment, French style of course. Enjoy!! France.
وهلّأ لوين؟ Wo Hallah La Wen? (Where Do We Go Now?) Nadine Labaki mesmerizes me as an actress and most of all as a director. I really LOVED Sukkar Banat (Caramel) so can deny that had HUGE expectations for her next movie. In my opinion her second movie is VERY different to her first and yes, I did enjoy a lot more her first than her second. Story here is very relevant plus her visual and narrative filmmaking style are interesting, but I have seen this story told before in more compelling and emotional ways. Still it was a true pleasure to watch Nadine Labaki in the screen, which makes movie worth watching. I’m really looking forward to her third movie that hope has a more universal story developed with her particular style. Enjoy. France, Lebanon, Egypt, and Italy.
Café de Flore. A very pretentious movie by Jean-Marc Vallée that many say is about love, me I say is an anatomy of a separation told by mirrored stories that happen in the past (Paris) and the present (Montreal) but thanks to pretentious editing –yes editing is what makes this film pretentious- time is senseless crisscrossed, rewind, and forwarded. Better editing could have made mirrored stories more flawlessly intertwined and movie more enjoyable. I really enjoyed Hélène Florent performance and believe she stole the movie. If you don’t mind to watch a movie that moves (too much) in time to tell a story that somehow is predictable (was for me) and journey is not that enjoyable, then watch this film for the love story that many people see in it. Enjoy. Canada and France.
Oslo, 31. August (Oslo, August 31st). Loved Reprise and yes had expectations. Second Joachim Trier film has the same great filmmaking style as his first film but tells a simple story that with his style becomes quite disturbing. So much disturbing that yes, I do suggest you avoid this film as you could get really depressed by Trier’s interpretation of Pierre Drieu La Rochelle’s 1931 Le Feu Follet. Here is not an alcoholic but a drug addict, yet drama is SO well developed that will hurt you inside –where hurts more. Okay, is a very good movie, but find a good state of mind to watch it or you will get very depressed. Enjoy! Norway.
The Artist. Just realized that I didn’t wrote about this movie that in my opinion glorifies Hollywood cinema like no American film has ever done, so it’s no surprise that film became a favorite of critics and the American industry. I enjoyed movie, it was entertaining but as I mentioned elsewhere, if I wanted to honor American silent cinema I could watch so many good films with many excellent silent actors that this film will absolutely pale in the comparison. Obviously film doesn’t look or feel like French cinema and wonder if the honor of being the most honored French movie of all times really celebrates this cinema and not the American one. Watch movie just because won Oscar and if you have to watch all Oscar wining movies. Enjoy! France and Belgium.
I’m sure I forgot many more movies but this is it for today.
Cheers.
This Must Be The Place. I have no clear idea of what was I expecting from this movie but Paolo Sorrentino credentials gave me expectations of an intense cinematic experience. Can’t say movie is bad as it’s not, much less that Sean Penn is bad as he gives an excellent performance but there is something that bothered me. I saw two styles, thus two movies; one I liked, happened in Europe, the other I didn’t, set in USA. Not as intense as I was hoping and wish film styles blended better; hope next Sorrentino film stays in Europe only. Enjoy! Italy, France and Ireland.
Drive. With all the awful marketing promotion I delayed watching as much as possible as imagined movie was going to be very violent. It is not and end up enjoying the story, the performances and fabulous Nicolas Winding Refn style. If you don’t care about violent movies do not skip this one as not only is not that violent but you will be missing a great movie with great actors’ performances and an acceptable story. Enjoy!!! USA.
Martha Marcy May Marlene. Actually I liked movie and as I said after watching if it wasn’t for them talking English I would have say that this is an European movie, maybe German, good German cinema and Elizabeth Olsen has a great performance, should have gotten an Oscar nod as she does world class acting. If you haven’t seen it, do not skip it worth watching no matter how story is. Enjoy!!! USA.
Young Adult. I believe I’m a Diablo Cody fan and really are looking forward to her directorial debut. In a nutshell this Jason Reitman film has outstanding –and very sharp- dialogues and an amazing performance by Charlize Theron, so good that the classic drunk scene made me feel very awkward, so much that had to “close” my ears and really close my eyes. Do not skip this movie as is a fantastic movie about those really dysfunctional individuals that never grow up. Enjoy!!! USA.
The Iron Lady. Meryl Streep does an outstanding performance that in my opinion does not save the movie that should have been more a made for TV movie, unlike the famous The Queen. I really HATED the story as was a not-kind and very unpleasant to watch portrait of a famous woman. There was NO need to tell the story from this point-of-view even when intention was to humanize Mrs. Thatcher. Can you think about an alive male statesman that was an object of a “humanizing” portrait such as this one? I can’t. Anyway even when Streep deserves Oscar I wish the American Academy wouldn’t celebrate her greatness in such a poor movie. Sigh. UK and France.
J. Edgar. Talking about humanizing famous man this Clint Eastwood film does that with perhaps one of the must “larger-than-life” American infamous law iconic figure and in this sense Eastwood absolutely succeeds as Hoover is seen more like a person than a not-so-positive legend. But film has something that makes the end product not outstanding and not relatable. I believe is the screenplay and yes, performances, the later is hard for me say as I believe Eastwood is a master filmmaker, but I know that once in a while he does movies that leave me wondering why he did them and these films have big stars as leads –remember Angelina Jolie movie? Anyway, watch it without expectations and maybe you will learn that Hoover actually did something good. Enjoy. USA
A Dangerous Method. Complex movie, too much psychoanalysis (as it should be) not much entertaining as is very brainy, thus “dry”; but then what was there to expect from a movie about the founders of modern psychology? (lol!) Indeed most of what I heard already knew and had to pay to learn it! Didn’t enjoy much actors’ performances especially Keira Knightley was not good and at times very unpleasant to watch. Watch at your own risk. Enjoy. Canada, UK, Germany, and Switzerland.
Octubre (October). Been waiting a long time to watch this Vega brothers film and no, I was not really impressed with their much praised film. Peruvian cinema has so much evolved and leaped into the international arena that I was hoping for a world class cinema experience. It was not. Movie has more the regular Latin American style and well, has an entertaining story good enough for an entertainment escape moment. Watch at your own risk. Enjoy. Peru.
Un Cuento Chino (Chinese Take-Away). What do you think of a story that starts with a cow falling from the sky into a small boat and killing the woman that was about to get a marriage proposal? That’s exactly how this sometimes comedy sometimes drama starts plus sets the tone and manner to everything that follows. Is an entertaining movie quite well done with the always outstanding and reliable performance by Ricardo Darin. Enjoy!! Argentina and Spain.
Violeta se fue a los Cielos (Violeta Went to Heaven). For me Violeta Parra is an icon and watching her bio was not easy as tells –and made me recall- about turbulent times in the Latin American region not only Chile. Still, I believe Andres Wood does a good job as she was portrayed as what –everyone says- she was, a not pleasant woman. I like her songs and this movie will not change that, but maybe I liked better the idea I had of her in my head than the one portrayed here. Watch at your own risk, especially if you know who Violeta Parra is and her outstanding poetry in her lyrics. Enjoy. Chile, Argentina and Brazil.
Apflickorna (She Monkeys). Lisa Aschan much honored debut film is a very interesting essay on very young and young women –or should I say children?- behavior as story is strong and yes, not easy to watch. But what makes film quite outstanding is Aschan magnificent visual and narrative storytelling style. Looking forward to her next film and suggest you do not skip this movie, but be prepared as story is not light. Yes has some lesbian interest but in my opinion film transcends the label both because story as because the superb filmmaking style, so wider audiences should be able to enjoy this very European movie. Enjoy!!! Sweden. Lesbian interest.
Poulet aux Prunes (Chicken with Plums). After Persepolis I was really hoping for an outstanding story and was looking forward to see how directors move from animation into live filmmaking; then Mathieu Amalric is a very special performer that either you love him in a particular role or you don’t. Here Amalric is the don’t-like kind and live film does not reach the same great levels of their animation film. For me story is not that interesting –at least as much as was Persepolis- even when I recognize that’s magical. Some say is a very French movie, I don’t agree, film does not look or feel French or European at all. But I hope next film by Vincent Paronnaud and Marjane Satrapi regains the magic that Persepolis had. Enjoy! France, Germany and Belgium.
La Source des Femmes (The Source). I was really looking forward to watch this Radu Mihaileanu film with a story that revolves around women. I really like Leïla Bekhti performances as well as excellent Hiam Abbass and good Hafsia Herzi; can’t complain as it was good watching them here but didn’t enjoy much the story as I believe is one I have seen before told in many more compelling ways. Still, visually this film is a true beauty that will feast your eyes. Enjoy! Belgium, Italy and France.
Les Géants. Bouli Lanners films are not easy to watch for me as was unable to watch Eldorado, but wanted to try to watch this Cannes honored movie. I couldn’t, had to stop watching as was feeling physical sick and very uncomfortable. A story of three kids that never imagined could be portrayed so not easy to watch for the most non-sense simple situations. Watch at your own risk. Sigh. Belgium.
Polisse. Not sure what was going to watch here as Maïwenn movies are always not very easy to watch or enjoy. Well, definitively this one has not her usual style and style becomes maybe more commercial as film looks and feels like mainstream cinema –and could extend it to being like a movie made for the small screen. Still film tells a compelling story about children and actors give very good performances, which makes film worth watching. Do not skip it, even if you don’t particularly like French cinema, you will enjoy this movie. Enjoy!! France.
Les Femmes du 6e étage (The Women on the 6th Floor). Watched because Carmen Maura got a Cesar nomination –which she won- but I’m no fan of French comedies as no, I don’t particularly enjoy their humor. Still film is a lot more a drama than a comedy and was a true pleasure to watch Fabrice Luchini performance. Movie is quite watchable and yes I do recommend it for an escape moment, French style of course. Enjoy!! France.
وهلّأ لوين؟ Wo Hallah La Wen? (Where Do We Go Now?) Nadine Labaki mesmerizes me as an actress and most of all as a director. I really LOVED Sukkar Banat (Caramel) so can deny that had HUGE expectations for her next movie. In my opinion her second movie is VERY different to her first and yes, I did enjoy a lot more her first than her second. Story here is very relevant plus her visual and narrative filmmaking style are interesting, but I have seen this story told before in more compelling and emotional ways. Still it was a true pleasure to watch Nadine Labaki in the screen, which makes movie worth watching. I’m really looking forward to her third movie that hope has a more universal story developed with her particular style. Enjoy. France, Lebanon, Egypt, and Italy.
Café de Flore. A very pretentious movie by Jean-Marc Vallée that many say is about love, me I say is an anatomy of a separation told by mirrored stories that happen in the past (Paris) and the present (Montreal) but thanks to pretentious editing –yes editing is what makes this film pretentious- time is senseless crisscrossed, rewind, and forwarded. Better editing could have made mirrored stories more flawlessly intertwined and movie more enjoyable. I really enjoyed Hélène Florent performance and believe she stole the movie. If you don’t mind to watch a movie that moves (too much) in time to tell a story that somehow is predictable (was for me) and journey is not that enjoyable, then watch this film for the love story that many people see in it. Enjoy. Canada and France.
Oslo, 31. August (Oslo, August 31st). Loved Reprise and yes had expectations. Second Joachim Trier film has the same great filmmaking style as his first film but tells a simple story that with his style becomes quite disturbing. So much disturbing that yes, I do suggest you avoid this film as you could get really depressed by Trier’s interpretation of Pierre Drieu La Rochelle’s 1931 Le Feu Follet. Here is not an alcoholic but a drug addict, yet drama is SO well developed that will hurt you inside –where hurts more. Okay, is a very good movie, but find a good state of mind to watch it or you will get very depressed. Enjoy! Norway.
The Artist. Just realized that I didn’t wrote about this movie that in my opinion glorifies Hollywood cinema like no American film has ever done, so it’s no surprise that film became a favorite of critics and the American industry. I enjoyed movie, it was entertaining but as I mentioned elsewhere, if I wanted to honor American silent cinema I could watch so many good films with many excellent silent actors that this film will absolutely pale in the comparison. Obviously film doesn’t look or feel like French cinema and wonder if the honor of being the most honored French movie of all times really celebrates this cinema and not the American one. Watch movie just because won Oscar and if you have to watch all Oscar wining movies. Enjoy! France and Belgium.
I’m sure I forgot many more movies but this is it for today.
Cheers.
Jumat, 09 Maret 2012
32nd Genie Awards Winners
Last night the Academy had the awards ceremony and big winners are Monsieur Lazhar with six trophies and A Dangerous Method with five. To learn winners in all categories go here. Winners are in *BLUE.
--//--
1/17
A few minutes ago the Academy of Canadian Cinema and Television announced their nominations for the Genie Award and was streamed live here from Montreal. Jean-Marc Vallée’s Café de Flore leads the nods with 13 followed by David Cronenberg’s A Dangerous Method with 11.
Best Motion Picture
A Dangerous Method, David Cronenberg
Café de Flore, Jean-Marc Vallée
*Mosieur Lazhar, Philippe Falardeau
Starbuck, Ken Scott
The Whistleblower, Larysa Kondracki
Achievement in Direction
David Cronenberg for A Dangerous Method
Steven Silver for The Bang Bang Club
Jean-Marc Vallée for Café de Flore
*Philippe Falardeau for Mosieur Lazhar
Larysa Kondracki for The Whistleblower
Performance by an Actress in a Leading Role
Catherine de Léan in Nuit #1
Pascale Montpetit in The Girl in the White Coat
*Vanessa Paradis in Café de Flore
Rachel Weisz in The Whistleblower
Michelle Williams in Take This Waltz
Performance by an Actor in a Leading Role
*Fellag in Monsieur Lazhar
Garret Dillahunt in Oliver Sherman
Michael Fassbender in A Dangerous Method
Patrick Huard in Starbuck
Scott Speedman in Edwin Boyd: Citizen Gangster
To check nominees in all categories go here. The Awards ceremony will be in Toronto on March 8 at 8:00pm and will be broadcast on CBC Television.
--//--
1/17
A few minutes ago the Academy of Canadian Cinema and Television announced their nominations for the Genie Award and was streamed live here from Montreal. Jean-Marc Vallée’s Café de Flore leads the nods with 13 followed by David Cronenberg’s A Dangerous Method with 11.
Best Motion Picture
A Dangerous Method, David Cronenberg
Café de Flore, Jean-Marc Vallée
*Mosieur Lazhar, Philippe Falardeau
Starbuck, Ken Scott
The Whistleblower, Larysa Kondracki
Achievement in Direction
David Cronenberg for A Dangerous Method
Steven Silver for The Bang Bang Club
Jean-Marc Vallée for Café de Flore
*Philippe Falardeau for Mosieur Lazhar
Larysa Kondracki for The Whistleblower
Performance by an Actress in a Leading Role
Catherine de Léan in Nuit #1
Pascale Montpetit in The Girl in the White Coat
*Vanessa Paradis in Café de Flore
Rachel Weisz in The Whistleblower
Michelle Williams in Take This Waltz
Performance by an Actor in a Leading Role
*Fellag in Monsieur Lazhar
Garret Dillahunt in Oliver Sherman
Michael Fassbender in A Dangerous Method
Patrick Huard in Starbuck
Scott Speedman in Edwin Boyd: Citizen Gangster
To check nominees in all categories go here. The Awards ceremony will be in Toronto on March 8 at 8:00pm and will be broadcast on CBC Television.
Senin, 05 Maret 2012
19th Czech Lion Winners
Last Saturday the Academy had the awards ceremony and winners in all categories can be found here, available only in Czech or here in English. Winners are in *BLUE.
--//--
2/21/12
Recently the Czech Academy announced the nominees for this year and Vaclav Havel’s Leaving has the most nominations with 12, including Best Film, Best Director and Best Screenplay. Here are the nominees in the main categories.
Best Film
Alois Nebel, Tomás Lunák
Nevinnost, Jan Hřebejk
Odcházení (Leaving), Václav Havel
*Poupata (Flower Buds), Zdenek Jirasky
Rodina je základ státu, Robert Sedlácek
Best Director
Tomás Lunák for Alois Nebel
Jan Hřebejk for Nevinnost
Václav Havel for Odcházení (Leaving)
*Zdenek Jirasky for Poupata (Flower Buds)
Robert Sedlácek for Rodina je základ státu
Best Actress in a Leading Role
*Anna Geislerová in Nevinnost, Jan Hřebejk
Dagmar Veškrnová – Havlová in Odcházení (Leaving), Václav Havel
Ivana Chýlková in I ženy mají své dny (Perfect Days), Alice Nellis
Malgorzata Pikus in Poupata (Flower Buds), Zdenek Jirasky
Eva Vrbková in Rodina je základ státu, Robert Sedlácek
Best Actor in a Leading Role
Miroslav Krobot in Dům, Zuzana Liová
Karel Roden in Lidice, Petr Nikolaev
Josef Abrhám in Odcházení (Leaving), Václav Havel
*Vladimír Javorský in Poupata (Flower Buds), Zdenek Jirasky
Ondřej Vetchý in Vendeta, Miroslav Ondruš
To check nominees in all categories go here available only in Czech. Award ceremony will be on March 3 and will be broadcast live on CT1.
--//--
2/21/12
Recently the Czech Academy announced the nominees for this year and Vaclav Havel’s Leaving has the most nominations with 12, including Best Film, Best Director and Best Screenplay. Here are the nominees in the main categories.
Best Film
Alois Nebel, Tomás Lunák
Nevinnost, Jan Hřebejk
Odcházení (Leaving), Václav Havel
*Poupata (Flower Buds), Zdenek Jirasky
Rodina je základ státu, Robert Sedlácek
Best Director
Tomás Lunák for Alois Nebel
Jan Hřebejk for Nevinnost
Václav Havel for Odcházení (Leaving)
*Zdenek Jirasky for Poupata (Flower Buds)
Robert Sedlácek for Rodina je základ státu
Best Actress in a Leading Role
*Anna Geislerová in Nevinnost, Jan Hřebejk
Dagmar Veškrnová – Havlová in Odcházení (Leaving), Václav Havel
Ivana Chýlková in I ženy mají své dny (Perfect Days), Alice Nellis
Malgorzata Pikus in Poupata (Flower Buds), Zdenek Jirasky
Eva Vrbková in Rodina je základ státu, Robert Sedlácek
Best Actor in a Leading Role
Miroslav Krobot in Dům, Zuzana Liová
Karel Roden in Lidice, Petr Nikolaev
Josef Abrhám in Odcházení (Leaving), Václav Havel
*Vladimír Javorský in Poupata (Flower Buds), Zdenek Jirasky
Ondřej Vetchý in Vendeta, Miroslav Ondruš
To check nominees in all categories go here available only in Czech. Award ceremony will be on March 3 and will be broadcast live on CT1.
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