8th Asian Film Awards Nominations

On February 11 the Asian Film Awards Academy announced its establishment as the official organizer of the annual Asian Film Awards. To remind you readers, during the past seven years the awards were organized by the Hong Kong International Film Festival Society.

The newly established Academy will be based in Hong Kong and is chaired by Dr. Wilfred Wong Ying-wai, who is also the chairman of the Hong Kong International Film Festival Society. Committee members include Mr. Lee Yong-kwan, Director of the Busan International Film Festival in South Korea, and Mr. Yasushi Shiina, Director General of the Tokyo International Film Festival and TIFFCOM market from Japan.

The AFA Academy also announced that the 8th Asian Film Awards will be presented by an innovative collaboration with Asia’s leading integrated entertainment resort City of Dreams Macau. The award ceremony will be held on March 27, 2014 at the state-of-the-art Dancing Water Theater, home to the world’s largest water-based extravaganza “The House of Dancing Water”.

Wong Kar-wai's The Grandmaster leads the nominations with 11 nominations and to check nominees in all categories please go here or here.

Best Film
無人區 Wu ren qu (No Man's Land), Hao Ning, China
一代宗師 Yi dai zong shi (The Grandmaster),Wong Kar-Wai, China and Hong Kong
舟を編む Fune wo amu (The Great Passage), Yûya Ishii ,Japan
Dabba (The Lunchbox), Ritesh Batra, India, France, Germany and USA
Snowpiercer, Joon-ho Bong, France, Korea and USA
郊遊 Jiao you (Stray Dogs), Ming-liang Tsai, France and Taiwan

Best Director
Bong Joon-ho for Snowpiercer, France, Korea and USA
Anthony Chen for Ilo Ilo, Singapore
Koreeda Hirokazu for Soshite chichi ni naru (Like Father, Like Son), Japan
Tsai Ming-liang for Jiao you (Stray Dogs), France and Taiwan
Wong Kar-wai for Yi dai zong shi (The Grandmaster), China and Hong Kong

Best Actress
Eugene Domingo in Barber's Tales, Philippines
Han Hyo-joo in Cold Eyes, South Korea
Paw Hee Ching in Rigor Mortis, Hong Kong
Maki Yoko in The Ravine Of Goodbye, Japan
Zhang Zi Yi in The Grandmaster, Hong Kong and China

Best Actor
Fukuyama Masaharu in Like Father, Like Son, Japan
Irrfan Khan in The Lunchbox, India
Lee Kang Sheng in Stray Dogs, France and Taiwan
Tony Leung Chiu Wai in The Grandmaster, Hong Kong and China
Song Kang-ho in The Attorney, South Korea

Jury List
Jury President: Peter Ho-Sun Chan, Hong Kong
Celebrity Jury: Donnie Yen, Hong Kong
Ronald Arguelles, Philippines
John Baldalu, Indonesia
Patricia Cheng, Hong Kong
Kenji Ichizaka, Japan
Christian Jeune, France
Eric Khoo, Singapore
Lee Yong-Kwan, South Korea
Kong Rithdee, Thailand
tien-hisang Wen, Taiwan
Jacob Wong, Hong Kong

Have seen some movies but in general believe there are some great movies that will be honored this year.

7th Asian Film Award Winners

A few hours ago the award ceremony spread out the wealth to several films but is Lou Ye's Mystery which won the top award and none other than Takeshi Kitano who won the Best Director for Outrage Beyond. Also worth mentioning is that Bahman Ghobadi's Rhino Season won several tech awards including Best Cinematography. Three great movies.

Winners are in *BLUE. To learn winners in all categories go official site.

1/31/13
On January 16th the Hong Kong International Film Festival Society (HKIFFS) announced the nominees in the 14 categories honored by this award. From over a thousand eligible films across Asia, up to five nominations have been selected in each category. The full list of 70 nominees includes 30 films from 9 countries and regions. In terms of numbers, South Korea leads with 16 nominations this year.

The HKIFFS also announced that the first collaboration of AFA with Yahoo! Movies for The People’s Choice Awards. AFA’s nominees for Best Actor and Actress automatically become candidates in this section and voting is open to the public from around the world. The voting period will run from 6 February 2013 to 11 March 2013 on Yahoo! Movies.

Lou Ye's Mystery and Yun Jong-bin's Nameless Gangster: Rules of the Time lead with six nominations each. The Asian Film Awards Presentation Ceremony will be held at the Grand Hall of the Hong Kong Convention and Exhibition Centre on 18 March 2013.

Best Film
毒戰 Du zhan (Drug War), Johnnie To, Hong Kong and China
Gangs of Wasseypur Part 1 & 2, Anurag Kashyap, India
*浮城謎事 Mystery, Lou Ye, China and France
Autoreiji: Biyondo (Outrage Beyond), Takeshi Kitano, Japan
Pieta, Kim Ki-duk, South Korea

Best Director
Anurag Kashyap for Gangs of Wasseypur Part 1 & 2
Abbas Kiarostami for Like Someone in Love
Kim Ki-duk for Pieta
*Takeshi Kitano for Outrage Beyond
Lou Ye for Mystery

Best Actress
*Nora Aunor in Thy Womb
Cho Min-soo in Pieta
Golshifteh Farahani in The Patience Stone
Lun-Mei Gwei in GF*BF
Hao Lei in Mystery

Best Actor
Joseph Chang in GF*BF
Choi Min-sik in Nameless Gangster: Rules of the Time
*Eddie Garcia in Bwakaw
Tony Leung Ka-fai in Cold War
Liu Ye in The Last Supper

Best Newcomer
Chien Man-Shu in When A Wolf  Falls in Love with a Sheep
Higashide Mashiro in The Kirishima Thing
Huang Yu-Siang in Touch of the Light
Kim Sung-kyun in Nameless Gangster: Rules of the Time
*Qi Xi in Mystery

Best Screenwriter
Anad Gandhi for Ship of Theseus
Kiyasu Kohei and Yoshida Daihachi for The Kirishima Thing
*Mei Feng, Yu Fan and Lou Ye for Mystery
Wai Ka-fai, Yau Nai-hoi, Ryker Chan and Yu Xi for Drug War
Yoon Jong-bin for Nameless Gangster: Rules of the Time

Best Cinematographer
*Touraj Aslani for Rhino Season
Choi Young-hwan for The Thieves
Rajeev Ravi for Gangs of Wasseypur Part 1 & 2
Yanagija Katsumi for Like Someone in Love
Zhang Li and Ma Cheng for The Last Supper

To learn nominations in other categories go here.  Was aware of all films but list remind me of those that haven't seen yet -have seen many- and definitively I'm looking forward to watch them.

Today was announced that the Excellence in Asia Cinema Award this year goes to Michelle Yeoh Choo-Kheng and Roger Garcia, Executive Director of HKIFFS says:

“We are delighted to honor Michelle with the Excellence in Asian Cinema Award this year. Michelle has an impressive career of over 30 movies. Her incredible talent has led her from action films in Hong Kong to international works like The Lady. Her work in Chinese language cinema has helped promote it to an international audience and the global film industry. Michelle has excelled as both an action star and a serious actress – a very rare combination in this business, and practically unique. She is the perfect choice to be awarded with this prestigious honor.”

Cheers!!!

奪命金 Duó Mìng Jīn (Life Without Principle)

Another director that I'm not familiar with, but believe that this film is an interesting way to start to learn about him as is not his usual gangster story, even when the subject matter is touched in one of the three stories told here. Interesting because I haven't been much exposed to stories set in contemporary Hong Kong, now under Chinese rule, and much less when movie deals with the universal theme of greed set in the midst of the global economical crisis.

But as expected by movie title and from an oriental movie, story is not developed as we are used to see in western cinema, which obviously makes film more interesting to watch than, for example, the two Wall Street movies. My brief story interpretation is that deals with human behavior and how different can they behave under "new" circumstances -especially in a society/culture with a long-tradition of honorable life principles. But more universal, when the rules of the life-game change.

Johnnie To's story is told by telling the three-days story of three characters with very different backgrounds, bank employee Teresa (Denise Ho), triad loyal gangster Panther (Lau Ching Wan) and police inspector Cheung (Ritchie Jen). The key element in the three stories is financial investments profit and how far they go to have the "happy-ending" all three stories have. The "how far" element is not explored in a dramatic way, but in a very ordinary-life succession of events. So ordinary that when you think twice (you have to think twice) you realize that everything told here could be based more on reality than in fiction.

But definitively is To's storytelling style what captures your attention as stories are told not sequentially, there are many secondary characters introduced, and intertwined stories flawlessly become one in one fantastic scene, the only scene with the three characters in the screen, the final scene. Big kudos to editing as yes, believe that editing was fantastic here, so good that not only enables viewers to have eyes glued to the screen but also makes story very provoking and excellent source of food-for-thought after watching when you start to digest everything you just saw. Yes, film is complicated, not superficial and surely not many viewers are willing to invest time to decode what they saw after watching.

As we know film premiered in competition at 2011 Biennale, Johnnie To won the Best Director award at 2012 Golden Horse Awards where Lau Ching Wan won best actor and screenplays got Best Original Screenplay award; but most interesting, is Hong Kong submission to 2013, which I really do not understand as honestly believe film is too complex for general audiences and much more for foreign-language committee members.

I do recommend movie to those viewers that are willing to invest time to decode what they will see in the screen as believe that if you see film with "regular" eyes you probably will not enjoy it that much.

Enjoy!!!

Watch trailer @MOC

聽風者 The Silent War

The latest collaboration between Alan Mak Siu-Fai and Felix Chong Man-Keung, better known for their writing collaboration in the Infernal Affairs saga, is an entertaining movie that showcases Tony Leung Chiu-Wai as blind man with extraordinary hearing abilities. Found his performance interesting enough to allow you to keep watching this mainstream movie up to the end, but do not expect an easy to engage story as due to editing, story gives the impression of being fragmented and doesn't motivate you to fill the gaps.

If you are expecting a full-action movie you will not find it here as this spy thriller doesn't give much thrills; then if you are like me that absolutely love Tony Leung performances in fantastic Wong Kar wai's films, you could enjoy his performance here but surely you will miss the look/feel of Wong Kar wai as movie story even do could have travelled better a similar style, directors' opted for a different approach that left movie "bland" and unable to please directors' fans and/or actor's fans.

Set in 1949 story tells about government unit 701, the spy unit that "doesn't exist" who is fighting and losing to an "invisible enemy" (those conspiring against the government) until senior investigator Zhang Xue-Ning (good performance by Zhou Xun) fails to recruit noted tuner Luo San-Er (Pal Sin) but finds someone better: Luo San-Er's blind assitant Bing (Tony Leung) who doesn't need a cane as he "hears" everything around him. So we see how he is recruited, taken to 701 headquarters, trained in Morse code, finding hidden enemy radio frequencies and help in the capture of top leader Chungking. All of the above happens with some romance, some humor and nothing much else.

Not much to say except maybe that production values are above average, some photography is fabulous and IF you are not a directors' fan plus you want to have an entertainment moment then film is for you.

Enjoy!

Watch trailer @MOC

桃姐 Tao jie (A Simple Life)

A movie with a very touching story, so much that when reading reviews by most serious professional reviewers I found they tend to talk more about story than about movie, which is not common at all. Yes story is powerful, but I have to recognize that Ann Hui filmmaking and storytelling abilities plus outstanding performances by Deanie Ip and Andy Lau is what makes story and movie absolutely out of the ordinary.

But we have to recognize that story is so powerful also because is inspired on real-life events, the story of Hong Kong movie producer Roger Lee. This is poignant, bittersweet, heartwarming story is all about old age, about a lifelong life of caring and loving, about death and about the relationship between a man and his amah, a disappearing breed of domestic helpers who devote lifelong service to a single family. Some say that is a simple story and indeed it seems like, but to me story has many layers as nothing is simpler in a tale about a master and a servant, about a maid that takes more care of you than your own mother, a family member that is not recognized as such while serving you but that in this story gets recognition when she needs it most, in the twilight of her life. Beautiful story, very-well told that made me use a lot of tissues after feeling joy, happiness, and smiled with the subtle humor that is amazingly used to prepare viewers for the final farewell.

But film has impressive credentials with high production values, a director that excels when dealing with everyday reality and manages to extract from her leads award-winning performances from veteran Hong Kong actors that look and feel grounded in life and never forced. For some still unclear reason I tend to relate storytelling style more to Japanese cinema than Chinese as film style made me think of a few Japanese films that so beautifully deal with life and death.

As we know film premiered in competition at the 2011 Venice fest were won many accolades, including Deanie Ip wining the Volpi Cup for Best Actress and became Hong Kong submission to Oscar; but film, director and actors swept the most prestigious Asian awards.

You may say that this is a very local story belonging only to Chinese culture, but not me as I know that story applies to many cultures where live-in, in-house maids are a reality, like for example all countries in Latin America, a region where is still common to have had and have lifelong maids that care for several family generations but where is still sort of taboo to talk about this understated family member.

I strongly recommend film as must be seen but have to recognize that it may not be for everyone as believe that audiences from countries without maids, servants will not connect to story much, consequently will be hard for them to sustain the showing of everyday life little details for almost two hours.

I simply loved movie that touched me beyond what I could imagine and me using many tissues was a very positive, heartwarming experience as there is nothing more worth-feeling that movies that shake all your emotions.

Big Enjoy!!!

Watch trailer @MOC

6th Asian Film Awards Winners

A few minutes ago the Hong Kong Film Festival Society announced the award winners and here they are for main categories. Winners are in *BLUE. To check winners in all categories go here. 

--//--
1/17

Today Hong Kong International Film Festival Society announced the nominations and right now official site has crashed due to “capacity problems”! Nevertheless here are the nominees from different sources and will confirm nods as well as post link to official site when site is up again.

Update
Finally I’m in the official site and here is an excerpt from the official press release.

Hong Kong, 17 January 2012 – The Hong Kong International Film Festival Society (HKIFFS) announced today the nominees in the 14 categories and the jury for the 6th Asian Film Awards (AFA). Eric KHOO, Singapore-based director and producer, will take up the mantle of Jury President, heading the panel of international film community notables who will select the winners of these prestigious awards. The Asian Film Awards Presentation Ceremony will be held at Hong Kong Convention and Exhibition Centre Grand Hall on 19 March 2012.

To continue reading press release go here.

Best Film
*Jodaeiye Nader az Simin (Nader and Simin, A Separation), Asghar Farhadi, Iran
Ichimai no hagaki (Postcard), Kaneto Shindô, Japan
金陵十三釵 Jin líng shí san chai (The Flowers of War), Zhang Yimou, China
龍門飛甲 Long Men Fei Jia (Flying Swords of Dragon Gate), Tsui Hark, Hong Kong and China
賽德克•巴萊 Seediq Bale (Warriors of the Rainbow: Seediq Bale), Wei Te-sheng, Taiwan
ज़िन्दगी ना मिलेगी दोबारा Zindagi Na Milegi Dobara (You Don’t Get Life a Second Time), Zoya Akhtar, India

Best Director
*Asghar Farhadi for Nader and Simin, A Separation, Iran
Teddy Soeriaatmadja for Lovely Man, Indonesia (okay I'm curious about film)
Sono Sion for 恋の罪 Koi no Tsumi (Guilty of Romance), Japan
Tsui Hark for Flying Swords of Dragon Gate, Hong Kong and China
Wei Te-sheng for Warriors of the Rainbow: Seediq Bale, Taiwan
Zhang Yimou for The Flowers of War, China

Best Actress
Vidya Balan in The Dirty Picture, India
Michelle Chen in 那些年，我们一起追的女孩 Na Xie Nian, Wo Men Yi Qi Zhui De Nu Hai (You Are the Apple of My Eye), Taiwan
Eugene Domingo in Ang Babae sa Septic Tank (The Woman in the Septic Tank), Philippines
Leila Hatami in A Separation, Iran
*Deanie Ip in Tao Jie (A Simple Life), Hong Kong

Best Actor
Chen Kun in Flying Swords of Dragon Gate, Hong Kong and China
*Donny Damara in Lovely Man, Indonesia
Andy Lau in Tao Jie (A Simple Life), Hong Kong
Park Hae Il in Choi-jong-byeong-gi Hwal (War of the Arrows), South Korea
Yakusho Koji in Waga haha no ki (Chronicle of My Mother), Japan

Best Newcomer
Ko Chen-tung in You Are the Apple of My Eye, Taiwan
Eric Lin Hui-min in 星空 Starry Starry Night, Taiwan
Maeda Ohshiro in 奇跡 Kiseki (I Wish), Japan
*Ni Ni in The Flowers of War, China
Gita Novalista in Laut Bercermin (The Mirror Never Lies), Indonesia

To check nominations in all categories go here.Can’t help but to comment that infamous Christian Bale is NOT nominated (lol!); I’m so glad as he was really bad on role even when you consider that his character was another century person that used to live in China like “conquerors” do. Got really interested in watching Lovely Man that has LGBT interest, specially in the T, but is the story of a child that finds that her father is a she-prostitute that sells herself in the streets.

As it says in the press release award ceremony will be on March 19.

5th Asian Film Awards Winners

Last night award winners were announced and here they are in *BLUE for some categories. To check winners in all categories go here.

--//--

1/21/11
Today AFA announced the nominations for these awards and Jury President this year is none other than renowned writer, director, producer and art connoisseur, Yonfan. As we know awards ceremony will be within the 35th Hong Kong International Film Festival and will take place on March 21st. These are the nominations for some of the 14 categories.

Best Film
唐山大地震 Tangshan dadizhen (Aftershock), Feng Xiaogang, China
告白 Kokuhaku (Confessions), Tetsuya Makashima, Japan
让子弹飞 Let The Bullets Fly, Wen Jiang, China
पीपली [लाइव] Peepli [Live] (Peepli Live), Anusha Rizvi and Mahmood Farooqui, India
시 Shi (Poetry), Lee Chang-dong, South Korea
*ลุงบุญมีระลึกชาติ Loong Boonmee raleuk chat (Uncle Boonmee Who Can Recall His Past Lives), Apichatpong Weerasethakul, Thailand

Best Director
Feng Xiaogang for 唐山大地震 Tangshan dadizhen (Aftershock), China
Jiang Wen for 让子弹飞 Let The Bullets Fly, China
*Lee Chang-dong for 시 Shi (Poetry), South Korea
Miike Takashi for 十三人の刺客 Juusan-nin no shikaku (13 Assassins), Japan
Na Hong-jin for 황해 Hwang Hae (The Yellow Sea), South Korea
Nakashima Tetsuya for 告白 Kokuhaku (Confessions), Japan

Best Actress
Jeon Do-yeon in 하녀 Hanyeo (The Housemaid), Im Sang-soo, South Korea
Kikuchi Rinko in ノルウェイの森 Noruwei no mori (Norwegian Wood), Japan
Matsu Takako in 告白 Kokuhaku (Confessions), Tetsuya Makashima, Japan
*Xu Fan in 唐山大地震 Tangshan dadizhen (Aftershock), Feng Xiaogang, China
Michelle Yeoh in 剑雨 Jianyu (Reign of Assassins), China, Hong Kong and Taiwan

Best Actor
Chow Yun-fat in 让子弹飞 Let The Bullets Fly, Jian Wen, China
Ge You in 赵氏孤儿 Sacrifice, Chen Kaige, China
*Ha Jung-woo in 황해 Hwang Hae (The Yellow Sea), Na Hong-jin, South Korea
Ethan Ruan Jin-Tian in 艋舺 Báng-kah (Monga), Doze Niu, Taiwan
Yakusho Koji in 十三人の刺客 Juusan-nin no shikaku (13 Assassins), Miike Takashi, Japan

Best Newcomer
*Mark Chao You-Ting in 艋舺 Báng-kah (Monga), Doze Niu, Taiwan
Aarif Lee in 歲月神偷 Sui yuet san tau (Echoes of the Rainbow),Alex Law, Hong Kong
Omkar Das Manikpuri in पीपली [लाइव] Peepli [Live] (Peepli Live), Anusha Rizvi and Mahmood Farooqui, India
T.O.P. in 포화속으로 Pohwa Sokeuro (71: Into The Fire), John H. Lee, South Korea
Zhou Dongyu in 山楂树之恋 Shan zha shu zhi lian (Under The Hawthorn Tree), Yimou Zhang, China

To check nominees in other categories please go here. Have seen some of these movies, but there are a few that been doubting watching but now will give them a try; then of course I’m dying to watch Confessions, even when story must be hard to watch, but I also know that Japanese cinema does extraordinary narrative and visuals that make film a lot easier to watch and enjoy.  From those that haven't watch there are too many war movies, but definitively will watch Let The Bullets Fly that's a comedy (!) Chinese style of course.